Kjetil Sandvik

Anne Marit Waade

De fleste har hort om det, og nogle endda set det: Unge mennesker, der klAedt ud som middelalderriddere, elver og orker, udkAemper drabelige slag med store gummikoller og svAerd rundt om i de danske skove. Det er sjovt, og det er rollespil - live. Men hvad er rollespil egentlig? Rollespil dAekker over en rAekke af aktiviteter, hvor mennesker helt eller delvist patager sig andre identiteter (roller) inden for et afgrAenset tidsrum og inden for rammerne af en fAelles fortAelling. Formalet kan vAere pAedagogisk, kunstnerisk eller terapeutisk, men rollespillet er i stigende grad ogsa fritidsbeskAeftigelse. Denne antologi beskAeftiger sig med rollespillet i dets mange facetter og analyserer rollespil som en sammensat aktivitet, der bade er teater, historiefortAelling, selviscenesAettelse, pAedagogik og selvmobiliseret fritidskultur. Antologien belyser rollespillets sAerlige form og karakteristika gennem konkrete analyser og teoretiske overvejelser. Men rollespillet sAettes ogsa ind i en storre kontekst, hvor der trAekkes linjer mellem rollespillet som aktuel fortAelleform og beslAegtede pAedagogiske, psykologiske, kunstneriske, religiose og hverdagskulturelle fAenomener.

- i Aestetisk, pAedagogisk og kulturelt perspektiv

Rollespil

Britta Timm Knudsen

This book examines contemporary performances of authenticity in travel and tourism practices. It re-thinks and re-invests in the notion of authenticity as a surplus of experiential meaning and feeling that derives from what we do at / in places. Drawing on wide ranging perspectives and cases, it demonstrates how the feeling of authenticity within places is produced.

Tourism, Place and Emotions

Re-investing Authenticity

Kim Toft Hansen

This book is a comprehensive study of Nordic Noir television drama from the 1990’s until today. The authors introduce the history of contemporary Nordic Noir from the perspective of place, production and location studies. The chapters include readings of well-known television crime dramas such as Beck, The Killing, Trapped and The Bridge as well as a range of other important Nordic Noir cases. The authors position the development of Nordic Noir in the global market for popular television drama and place the international attention towards Nordic crime dramas within regional development of drama production in Sweden, Denmark, Norway and Iceland. Consequently, Nordic Noir is read as both a transnational financial and creative phenomenon and as a local possibility for community building. Offering a comprehensible, scholarly and methodologically original approach to the popularity of Nordic television crime dramas, this volume is aimed at readers with an interest in crime drama as well as scholars and students of television drama.

From Beck to The Bridge

Locating Nordic Noir

Eva Novrup Redvall

Pia Majbritt Jensen

This book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’

Global Lessons from a Small Nation

Danish Television Drama

medieturisme og skandinavisk tv-krimi

Wallanderland

Anne Marit Waade

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