Briony Fer

Sophie Taeuber-Arp

Anne Umland

Walburga Krupp

Charlotte Healy

Living Abstraction

Catherine Hug

Among the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to pseudo-classicism, and from photo-based realism to art informel remain to be assessed in depth. Similarly, the breadth of his practice, which encompassed poetry, film and performance is under-recognized. Each makes him a figure relevant for contemporary artists, while the career as a whole challenges familiar narratives of modernism. Francis Picabia presents over 100 paintings, complemented by works on paper, publications, and film. Featuring some 500 illustrations and 14 essays, it examines the full range of Picabia's oeuvre. Authors including the exhibition curators, Anne Umland and Cathérine Hug, distinguished professors George Baker, Briony Fer, and David Joselit, and renowned Picabia scholars Carole Boulbès and Arnauld Pierre discuss a varied series of topics, including the corporeal character of Picabia's abstractions, his unexpected turn to mechanical painting, his experiments with materials and source imagery, the problems of his politics, and his contemporary legacy. A richly illustrated chronology details the expanded nature of Picabia's visual production - from press polemics to party organizing.

Our Heads are Round So Our Thoughts Can Change Direction

Francis Picabia

Museum of Modern Art (New York, N.Y.)

Pablo Picasso

Presents a catalog of an exhibition that features Picasso's paintings, constructions, collages, drawings, and photographs of guitars.

Guitars, 1912-1914

Picasso

Natalie Dupêcher

Meret Oppenheim (1913-1985), Schöpferin der berühmten Pelztasse, schuf durch ihre einzigartige Affinität für unterschiedliche zeitgenössische Strömungen eines der eindrücklichsten OEuvres des 20. Jahrhunderts.

Mon Exposition

Meret Oppenheim

Nina Zimmer

Over the course of her protean career, Meret Oppenheim produced witty, unconventional bodies of work that defy neat categorizations of medium, style and subject matter. ?Nobody will give you freedom,? she stated in 1975, ?you have to take it.? Her freewheeling, subversively humorous approach modeled a dynamic artistic practice in constant flux, yet held together by the singularity and force of her creative vision.0Published in conjunction with the first ever major transatlantic Meret Oppenheim retrospective, and the first in the United States in over 25 years, this publication surveys work from the radically open Swiss artist?s precocious debut in 1930s Paris, the period during which her notorious fur-lined Object in MoMA?s collection was made, through her post?World War II artistic development, which included engagements with international Pop, Nouveau Réalisme and Conceptual art, and up to her death in 1985. Essays by curators from the Kunstmuseum Bern, the Menil Collection and the Museum of Modern Art critically examine the artist?s wide-ranging, wildly imaginative body of work, and her active role in shaping the narrative of her life and art, providing the context for her creative production pre? and post?World War II.00Exhibition: Kunstmuseum Bern, Switzerland (22.10.2021-30.01.2022) / The Menil Collection, Houston, USA (11.03-07.08.2022) / The Museum of Modern Art, New York, USA (02.10.2022-05.02.2023).

Meret Oppenheim: My Exhibition

Adrian Sudhalter

Dada: The Collections of The Museum of Modern Art is the first publication devoted exclusively to MoMA's unrivalled collection of Dada works. Beginning with a core group acquired on the occasion of the landmark Fantastic Art, Dada and Surrealism exhibition of 1936, enriched in 1953 by a bequest selected by Marcel Duchamp, and steadily augmented over the years, the Museum's Dada collection presents the movement in its full international and interdisciplinary scope during its defining years, from 1916 through 1924. Catalyzed by the major Dada exhibition that appeared in Paris, Washington, D.C., and at The Museum of Modern Art in 2005-6, the book benefits from the latest scholarly thinking, not only as found in the exhibition's catalogues but also in the critical responses to them, as well as in an ambitious series of seminars organized around the show. Featuring generously illustrated essays that focus on a selection of the Museum's most important Dada works, this publication highlights works in many media, including books, journals, assemblages, collages, drawings, films, paintings, photographs, photomontages, prints, readymades and reliefs. It also includes a comprehensive catalogue of the Museum's Dada holdings, including those in the Museum's Archives and Library. Edited by Anne Umland and Adrian Sudhalter, members of the Museum's Department of Painting and Sculpture, this book inaugurates an ambitious new series of scholarly catalogues on the Museum's collection.

Dada in the Collection of the Museum of Modern Art

Ann Temkin

Catalog of an exhibition held at The Museum of Modern Art, New York, September 14, 2015-February 7, 2016.

Picasso Sculpture

Her white-haloed profile, rendered in a smooth lavender pink, appears serene. But it merges with a more roughly painted, frontal view of her face . a crescent, like the moon, yet intensely yellow, like the sun, and made up with a gilding of rouge, lipstick and green eye-shadow.

Anne Umland

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