Anne Williams

Art of Darkness is an ambitious attempt to describe the principles governing Gothic literature. Ranging across five centuries of fiction, drama, and verse—including tales as diverse as Horace Walpole's The Castle of Otranto, Shelley's Frankenstein, Coleridge's The Rime of the Ancient Mariner, and Freud's The Mysteries of Enlightenment—Anne Williams proposes three new premises: that Gothic is "poetic," not novelistic, in nature; that there are two parallel Gothic traditions, Male and Female; and that the Gothic and the Romantic represent a single literary tradition. Building on the psychoanalytic and feminist theory of Julia Kristeva, Williams argues that Gothic conventions such as the haunted castle and the family curse signify the fall of the patriarchal family; Gothic is therefore "poetic" in Kristeva's sense because it reveals those "others" most often identified with the female. Williams identifies distinct Male and Female Gothic traditions: In the Male plot, the protagonist faces a cruel, violent, and supernatural world, without hope of salvation. The Female plot, by contrast, asserts the power of the mind to comprehend a world which, though mysterious, is ultimately sensible. By showing how Coleridge and Keats used both Male and Female Gothic, Williams challenges accepted notions about gender and authorship among the Romantics. Lucidly and gracefully written, Art of Darkness alters our understanding of the Gothic tradition, of Romanticism, and of the relations between gender and genre in literary history.

A Poetics of Gothic

Art of Darkness

Christy Desmet

This book explores the paradox that the Gothic (today's werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers' fascination with the supernatural, their abandoning of literary "decorum," and their fascination with otherness and extremes of every kind. This book addresses the gap for an up to date analysis of Shakespeare's relation to the Gothic. An authority on the Gothic, E.J. Clery, has stated that "It would be impossible to overestimate the importance of Shakespeare as touchstone and inspiration for the terror mode, even if we feel the offspring are unworthy of their parent. Scratch the surface of any Gothic fiction and the debt to Shakespeare will be there." This book therefore addresses Shakespeare's importance to the Gothic tradition as a whole and also to particular, well-known and often studied Gothic works. It also considers the influence of the Gothic on Shakespeare, both in-print and on stage in eighteenth- and nineteenth-century Britain. The introductory chapter places the chapters within the historical development of both Shakespearean reception and Gothic Studies. The book is divided into three parts: 1) Gothic Appropriations of "Shakespeare"; 2) Rewriting Shakespearean Plays and Characters; 3) Shakespeare Before/After the Gothic.

Shakespearean Gothic

What if the world is controlled by an elite few who are responsible for keeping it in balance, and every country, government, military, media, and business is being skillfully manipulated to protect the planet from destruction? Twelve-year-old Emily Jones is an average pre-teen-or so she believes until she is invited to attend North Shore Academy, where she quickly discovers that she's anything but ordinary. People she's never met are strangely familiar, the curriculum is unlike any school she's ever imagined, and all the students have an affinity towards an element. Unlike the other students, though, Emily has more than one affinity. As she struggles to control her elements (and her temper), she learns that her soul has lived many lifetimes. She must complete the Awakening to understand how her past lives fit with her current one. While balance is the premise taught at North Shore, some believe that power combined with modern technology is the correct path to take. How will Emily reconcile the struggle between power and balance, all while trying to deal with normal teenaged circumstances in her not-so-normal world?

Book 1 in the Soul Magic Series

The Awakening

Ian Wood

An Examination Preparation Course. Updated for the Revised Exam.

PASS Cambridge BEC Preliminary. Teacher's Book.

Joanne Cliffe

This book aims to address some of the aspects of primary physical education about which there is currently a dearth of high quality texts. It arises from several contextual elements that create a need for something a little different from books currently on offer. Most of these offer guidance on content and teaching skills across the activities of the National Curriculum together with supplementary information about key issues and processes, for example, assessing pupils or including those with special needs. This proposal focuses on learning about primary PE and its potential to contribute not only as a discrete curriculum subject but also across the whole curriculum and to some of the many strategies and initiatives that have been set up to enhance primary practice and achievement. Topics have been selected as the focus for the chapters in this book not only for their current significance within strategies and initiatives, but for their potential to contribute to the enhancement of the curriculum in the longer term, and particularly in the context of the recommendations of the Rose review and the imminent revisions to the primary national curriculum.

EBOOK: Primary PE: Unlocking the Potential

Vivian Head

Sebastian C. Prooth

Provides descriptions of many criminal masterminds throughout history.

Criminal Masterminds

Sean Smith

When You Walk Through the Storm is the moving story of Anne Williams, whose son Kevin died in the Hillsborough disaster in 1989. It is a remarkable personal account of a mother’s determination to discover the true circumstances of her son’s death on that tragic afternoon. She vividly relates the grief she felt when she realised Kevin wasn’t coming home, followed by the anger she experienced on discovering that he could have been saved. In the aftermath of the tragedy, controversy raged over who had been responsible for the events, and Anne describes her feelings towards those who, she felt, had blood on their hands. Finally, she became embroiled in a bitter fight for justice for her son. When You Walk Through the Storm has been substantially revised and updated following the announcement in October 2012, in the wake of the report of the Hillsborough Independent Panel, that the Independent Police Complaints Commission is to investigate the failure of West Yorkshire Police to declare a major incident on the day, as well as numerous other damning claims.

The Hillsborough Disaster and One Mother's Quest for Justice

When You Walk Through the Storm

This book explores the paradox that the Gothic (today’s werewolves, vampires, and horror movies) owe their origins (and their legitimacy) to eighteenth-century interpretations of Shakespeare. As Shakespeare was being established as the supreme British writer throughout the century, he was cited as justification for early Gothic writers’ fascination with the supernatural, their abandoning of literary “decorum,” and their fascination with otherness and extremes of every kind. This book addresses the gap for an up to date analysis of Shakespeare’s relation to the Gothic. An authority on the Gothic, E.J. Clery, has stated that “It would be impossible to overestimate the importance of Shakespeare as touchstone and inspiration for the terror mode, even if we feel the offspring are unworthy of their parent. Scratch the surface of any Gothic fiction and the debt to Shakespeare will be there.” This book therefore addresses Shakespeare’s importance to the Gothic tradition as a whole and also to particular, well-known and often studied Gothic works. It also considers the influence of the Gothic on Shakespeare, both in-print and on stage in eighteenth- and nineteenth-century Britain. The introductory chapter places the chapters within the historical development of both Shakespearean reception and Gothic Studies. The book is divided into three parts: 1) Gothic Appropriations of “Shakespeare”; 2) Rewriting Shakespearean Plays and Characters; 3) Shakespeare Before/After the Gothic.

Louise Pile

The only exam-preparation course for the international business English examination, Cambridge Business English Certificate (BEC) at Higher level. Contains full Teacher's notes with answers to all exercises, as well as an expanded Introduction to the examination and photopiable flashcards for speaking activities.

Teacher's book : an examination preparation course : updated for the revised exam

Pass Cambridge BEC vantage

Russell Whitehead

Anna Cowper

"Multilingual word lists online" -- Cover.

PASS Cambridge BEC Preliminary

Michael Black

A practical coursebook for advanced students who wish to gain a recognised Business English qualification. Focusing on relevent international business situations, this book has been structured to provide students with a thorough preparation for the examination, with essential advice for exam success.--Cover.

PASS Cambridge BEC Higher

This textbook guides massage therapists through each step of delivering a spa treatment—from consideration of the indications and contraindications to scope of practice issues, supplies, room set-up, specific procedure steps, and ideas for integrating massage techniques, spa products, and enhancing accents. While wet-room treatments are discussed, the focus is on dry-room treatments, which can be delivered in a wider variety of settings. More than 250 full-color photographs illustrate each technique and treatment. Treatment Snapshot boxes provide a quick overview of the treatment before the detailed step-by-step procedures section. Sanitation Boxes offer clean-up and sanitation tips. Sample Treatments include promotional descriptions, product recommendations, and recipes for creating inviting smell-scapes.

Anne Williams

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