Annette Kuhn

A collection of essays, bringing science fiction cinema into the ambit of film and cultural theory.

Cultural Theory and Contemporary Science Fiction Cinema

Alien Zone

Feminism and Cinema

Women's Pictures

Louis De Jong

Director of Graduate Studies Institute for Cultural Research Annette Kuhn

Originally published in English in 1956, this book is divided into 3 parts : the first outlines how, after 1933, those outside Germany began to become increasingly afraid of sinister operations on the part of German agents and the partisans of National Socialism. The second part examines the role of the German Fifth column during the war and the third part analyses the role of the groups which were living outside Germany at the time Hitler started his assault.

The German Fifth Column in the Second World War

A new edition with a new introduction and an additional chapter.

Acts of Memory and Imagination

Family Secrets

Guy Westwell

This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.

A Dictionary of Film Studies

Lynne Ramsay's bleak yet beautifully photographed debut unflinchingly portrays life on a Glasgow housing estate during the 1973 refuse collectors' strike, as seen through the eyes of 12-year-old James Gillespie (William Eadie). After James's friend falls into a canal and drowns, James becomes increasingly withdrawn. As bags of rubbish pile up and rats move in, James finds solace in his friendships with Kenny, an odd boy who loves animals, and Margaret Anne, a teenage misfit. Annette Kuhn's study of the film, the first to offer an overarching account of Ramsay's work, considers the director's background and Ratcatcher alongside her earlier films. Kuhn traces the film's production history in the context of Scottish media and literary cultures, and its cinematic influences, while acknowledging the distinctiveness of Ramsay's poetic, visionary style. Kuhn draws on interviews with Ramsay and others involved in the film's production, and combines this with a close reading of selected passages to provide an in-depth and illuminating analysis of the film's poetic style and its aesthetics, including an examination of its construction of a child's world through a highly distinctive organisation of cinematic space.

Ratcatcher

AnnMarie Wolpe

These original essays are planned to provide a coherent basis for an understanding of women’s social and historical situation. This achieved by outlining the foundation of a systematic approach to an analysis of women’s relationship to modes of production and reproduction within a materialist framework. The essays, each with a brief editorial introduction, deal with issues and perspectives brought increasingly to the fore in recent years, not only in the women’s movement but in the social sciences generally. The articles are wide-ranging, covering such issues as patriarchy, paid and unpaid labour and the state. The centrality of two of the major themes – the family and the labour process – suggests that an understanding of women’s situation is necessarily based on an analysis of the structures of production and reproduction. The authors’ aim in producing Feminism and Materialism is to confront systematically theoretical issues current in the developing area of women’s studies, while recognising that this must constitute a critique of existing theoretical frameworks. The book will be of interest to teachers and students in the social sciences and in women’s studies, as well as to all those who wish to develop an understanding of what a materialist approach to feminism might be.

Women and Modes of Production

Feminism and Materialism (RLE Feminist Theory)

First published in 1988. This book shows how censorship as a set of institutions, practices and discourses was involved in the struggle over the nature of cinema in the early twentieth century. It also reveals the part played in this struggle by other institutions, practices and discourses � for example �new� knowledge about sexuality and organisations devoted to the promotion of public morality. Instead of censorship simply being an act of prohibition by a special institution, this work reveals the issues at work were far more complex and contradictory � opening up critical scrutiny and challenging assumptions. This title will be of interest to students of media and film studies.

Cinema, Censorship and Sexuality 1909-1925 (Routledge Revivals)

Janet Wolff

Michele Barrett

Philip Corrigan

Originally published in 1979, Ideology and Cultural Production examines the contribution to the debate surrounding ‘culture’, ‘ideology’, and ‘representation’, in this collection of essays. Originally presented as papers at the 1978 British Sociological Conference on the theme of culture, the collection is tied together under the argument for a definition, which emphasizes the material and ideological conditions of cultural production. The volume discusses key issues, such as the break with ‘super-structural theory’, the question of economism, and the argument between culturalism and structuralism, as well as the central debates of determinism and autonomy.

Routledge Revivals: Ideology and Cultural Production (1979)

Analyses a wide range of film and still photographs to explore culturally dominant images and how they work. Extensively illustrated, this challenging collection of essays is essential reading for all students of media and women's studies.

Essays on Representation and Sexuality

The Power of the Image

This book is the first extensive critical study of Ida Lupino's work as a director in film and television.

Ida Lupino Behind the Camera

Queen of the 'B's

Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.

Annmarie Wolpe

These original essays are planned to provide a coherent basis for an understanding of women's social and historical situation. This achieved by outlining the foundation of a systematic approach to an analysis of women's relationship to modes of production and reproduction within a materialist framework. The essays, each with a brief editorial introduction, deal with issues and perspectives brought increasingly to the fore in recent years, not only in the women's movement but in the social sciences generally. The articles are wide-ranging, covering such issues as patriarchy, paid and unpaid labour and the state. The centrality of two of the major themes – the family and the labour process – suggests that an understanding of women's situation is necessarily based on an analysis of the structures of production and reproduction. The authors' aim in producing Feminism and Materialism is to confront systematically theoretical issues current in the developing area of women's studies, while recognising that this must constitute a critique of existing theoretical frameworks. The book will be of interest to teachers and students in the social sciences and in women's studies, as well as to all those who wish to develop an understanding of what a materialist approach to feminism might be.

Feminism and Materialism

Catherine Grant

This collection allows readers to cross-reference debates and essays that have ranged across many issues of 'Screen'. Themes addressed include: the problem of defining world cinema, issues of modernity and modernisation, and questions of national and transnational cinema.

A Screen Reader

Screening World Cinema

Kirsten Emiko McAllister

Paying close attention to the setting in which photographs are made and used, the contributors consider how meanings in photographs, from historical inquiry to quests for identity, may be shifted, challenged and renewed over time and for different purposes.

Photographic Acts

Locating Memory

A Dictionary of Film Studies covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field, and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally. Indices of films and filmmakers mentioned in the text are included for easy access to relevant entries. The dictionary also has 13 feature articles on popular topics and terms, revised and informative bibliographies for most entries, and more than 100 web links to supplement the text.

Bea Lundt

Vanuit verschillende invalshoeken wordt de geschiedenis van vrouwen in de middeleeuwen en vroeg moderne periode bestudeerd. Bestaat uit 4 delen: I. Forschungsgegenstand und Deutungsweisen - Annäherungen; II. Frauenwelten zwischen Haus und Hof - Orte; III. Weibliche Erfahrungen und Artikulationen - Konzepte; IV. Entwürfe neuer Bilder von und für Frauen - Zuweisungen.

Annette Kuhn

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