Anthony Bond

Joseph Leo Koerner

Timothy J. Clark

L. J. Jordanova

This text celebrates the lives of artists and their unique perspective on themselves and their work. An impressive array of self-portraits is presented in this major survey of the genre from the fifteenth century to the present day.

Renaissance to Contemporary

Self Portrait

Curator Anthony Bond began building a contemporary international art collection at the Art Gallery of New South Wales, Sydney in 1984. The collection now features many important artists, including Anselm Kiefer, Antony Gormley, Francis Bacon, Anish Kapoor and Doris Salcedo. In The Idea of Art, Bond discusses the guiding philosophies that steered his formation of the gallery’s collection. Incorporating conversations with many high-profile contemporary artists, the book offers important insights into how recent innovations connect with the art of the past, and with human experience. ‘Anthony Bond’s intimate knowledge of and friendship with artists and empathy with their processes gives his insight a particular richness and relevance.’ – Antony Gormley

Building a contemporary international art collection

The Idea of Art

Joanna Woodall

With 140 images from collections all over the world, from Van Eyck to Chuck Close, this book includes pioneering essays on self-portraiture by leading art historians as well as informative analyses of almost sixty major works. The artists are shown constructing their identity, setting the scene for their life and times and above all showing themselves as creative individuals often captured in the act of conjuring their own image in the studio.

Martin Harrison

Francis Bacon (1909-1992) was one of the great figurative painters of the twentieth century. This book, newly available in paperback, provides a thorough account of the life and work of this complex and conflicted artist, whose paintings retain their visceral impact and relevance today. Essays by international scholars provide new insights into Bacon's art and life, and some fifty art works from every decade of his career from the pensive and shocking works of the 1940's to the exuberantly coloured and visceral large paintings of the 1970s and 80's show Bacon' unique representations of the human body through his mastery of paint. Over 150 additional illustrations portray his studio, friends and lovers, and reveal the diversity of his source materials, from Velázquez to the motion photos of Eadweard Muybridge.

Anthony Bond

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