Anthony Taylor

The Life Changing Lessons Of Robin Sharma

Four kids break into a house known to be abandoned in their hometown. As they feed their curiosity, one knocks over a canister of gasoline, and the fumes cause them to evacuate ending their night; what they didn't know was how dark the night would turn as the home suddenly goes up in flames. Hiding with the tree, they watched the firemen come rushing out with a child in their arms. Believing they murdered a child, they carried this deadly secret for over a decade and tried putting the past behind them. But as they attempt to enjoy a vacation in the mountains with close family and friends, someone hasn't forgotten. And that someone is seeking revenge.

She Wants To Play

Explore the groundbreaking (and terrifying) pantheon of monsters from the 20th century’s greatest films and fiction interpreted by the world’s most exciting contemporary artists and illustrators in Classic Monsters, Modern Art! What we now know as horror was born on a rainy night in 1816, when a candle-lit writing contest between famous friends spawned Frankenstein... and eventually grew into an international genre and film sensation! Classic Monsters, Modern Art documents and reimagines the trajectory of Gothic horror––from film’s silent era all the way to the turn of the millennium. Featuring exclusive artwork from more than 65 artists and a richly detailed chronicle from genre expert Anthony Taylor, this incredible volume brings together the canonical and the contemporary to create a truly original, timeless experience: a riveting journey through the history of film’s most iconic monsters by way of modern art. ICONIC MONSTERS: From Frankenstein’s monster to Count Dracula, Elvira to Godzilla, King Kong to Freddy Kruger, this is the definitive visual compendium of the greatest movie monsters. 65+ ARTISTS: This book breathes new life into beloved classics, featuring exclusive artwork from more than 65 contemporary illustrators, cartoonists, and painters. TIMELESS QUALITY: This hardcover volume provides a deluxe experience, with full-color artwork of the highest caliber and a design firmly entrenched in the genre that inspired it. A gorgeous coffee-table book that will stand the test of time.

20th Century Horror in 21st Century Illustration

Classic Monsters, Modern Art

Hour of the Scorpion

M.B. Djamgoz

Jon G. Robbins

I have been asked to write a brief foreword to this volume honoring Hisako Ikeda, providing a review of the accomplishments in our field over the past four decades, when Hisako was an active participant. This I am delighted to do. It has been a most exciting time in vision research and Hisako has been right in the middle of much of the excitement, publishing on a wide variety of topics and providing much new data and many new insights. Hisako's research career can be divided by decades into four quite distinct areas of inquiry. In the 1950s, as a student in Japan, her research interests were psychophysical in nature, and she was concerned with visual illusions, figural aftereffects, and motion detec tion. In the 1960s, after her move to London, she began electrophysiological studies. Much of her work in the 1960s was concerned with the electroretinogram (ERG), its components, and the use of this electrical response for evaluating spectral sensitivities of the eye and retinal degenerations. This work represented the beginning of her electrodiagnostic clinical work, which continued until her retirement.

A Celebration of the Career of Hisako Ikeda

Basic and Clinical Perspectives in Vision Research

R. Durbaba

M.H. Gladden

The Sherrington School of Physiology at St. Thomas' Hospital provided a natural venue for four days of enthusiastic debate on Sherrington's Final Common Path -the alpha motoneurone and related matters; Sherrington himself held a lecturership at St. Thomas' just over a century ago. The occasion was a happy one. Most participants already knew each other, the topics were familiar, the discussion was vigorous and critical but without personal rancor. The program had set out to encourage debate with 'critiques' both of the oral papers and the posters; their inclusion in the present volume helps to show where we are standing on rock rather than sand. In spite of a venerable history some surprisingly simple matters remain controversial, such as the information content of the signals from the Golgi tendon organs. To those working on alpha and gamma motoneurones and their control this volume provides an essential up-dating. Classical problems continue to be attacked on a broad front; advance is steady and continuous, a swelling tide rather than a sudden view of the summit. But in some sectors the difficulties are so great that to the outsider little might seem to change, the same battles continuing; but even here, the terms of debate change and concensus develops. Other branches of biology claim breakthrough upon breakthrough from the routine application of the new technologies, so we have to be the first to ask whether our classical approach to science can still be justified.

Anthony Taylor

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