Anthony W. Lee

John Pultz

Family Albums

Diane Arbus

Derek Penslar

Shylock's children tells the story of Jewish perceptions of this economic difference and of its effects on modern Jewish identity in Europe.

Economics and Jewish Identity in Modern Europe

Shylock's Children

Making a case for the importance of mentoring in the eighteenth century, particularly in expanding print culture, this collection employs a variety of critical and methodological approaches reflective of the diversity of the mentoring experiences. Authors considered include John Wilmot the Earl of Rochester, John Dryden, Alexander Pope, Jonathan Swift, Mary Wollstonecraft, Elizabeth Carter, and Samuel Johnson.

Mentoring in Eighteenth-century British Literature and Culture

Dead Masters examines the dual issues of mentoring and intertextuality as an integrated phenomenon. Through a series of fresh and novel readings of Johnsonian and Boswellian texts, the book further advances our awareness of the formal complexities of Johnson's writings and the psychological substratum from which they issue.

Mentoring and Intertextuality in Samuel Johnson

Dead Masters

This collection explores relationships between Samual Johnson and several of his main contemporaries--James Boswell, Edmund Burke, Frances Burney, Robert Chambers, Oliver Goldsmith, Bennet Langton, Arthur Murphy, Richard Savage, Anna Seward, and Thomas Warton--and analyzes some of the literary productions emanating from the pressures within those relationships.

New Essays on Johnson’s Circle

Community and Solitude

Richard Meyer

“While Berenice Abbott, Margaret Bourke-White, and Alfred Steiglitz photographed New York's sleek skyscrapers, Arthur Fellig (called Weegee) documented the seamy underside of depression-era New York. In this extraordinary book, Richard Meyer and Anthony Lee tell a gripping tale, filled with historical detail about Weegee's transformation from freelance newspaper photographer to fine artist with the publication of his enormously successful book Naked City, in 1945.”—Cécile Whiting, author of Pop L.A.: Art and the City in the 1960s “Lee and Meyer return Weegee to his 'working world' by exploring the multiple contexts of his production-the Photo League, the tabloids, the exhibition galleries, and the book market. The volume adds an important dimension to our understanding of how Weegee straddled the worlds of popular culture, photojournalism, and left politics."—Miles Orvell, author of American Photography and John Vachon's America: Photographs and Letters from the Depression to World War II (UC Press) “Groundbreaking. Anthony Lee and Richard Meyer delve deeply into a rich archive of media and exhibition history, criticism, and biography to arrive at original interpretations of the most enigmatic photographer in modern visual and print culture.”—Jordana Mendelson, author of Documenting Spain: Artists, Exhibition Culture, and the Modern Nation, 1929-1939

Weegee and Naked City

During the 1930s San Francisco's most ambitious public murals were painted by artists on the left. In this study, Anthony Lee shows how these painters, led by Diego Rivera, sought to transform murals into a vehicle for their rejection of the economic and political status quo and their support of labor and radical ideologies, including Communism. In addressing these subjects, the mural painters developed a new imagery, based on the activities of the city's laboring population - its efforts to organize, its protests, its strikes.

Diego Rivera, Radical Politics, and San Francisco's Public Murals

Painting on the Left

Self-love and Self-healing in William Kennedy's Ironweed

Manet and Intentionality

Straight from the Horse's Mouth

Associate Professor of Art History Anthony W Lee

Throughout European history, Jews have been associated with commerce and the money trade, rendered both visible and vulnerable, like Shylock, by their economic distinctiveness. This is the story of Jewish perceptions of this economic difference and its effect on modern Jewish identity.

Anthony W. Lee

About

Books

Join the club