Constantine Chatzipapatheodoridis

Arezou Zalipour

Jonathan Kemp

Anuj Gupta

Prateek

Oliver Ross

Akshaya K. Rath

Shramana Das Purkayastha

J. Edgar Bauer

Joe Weinberg

Daniel J Sander

Taylor Cade West

Antônio M. da Silva

Swikriti Sanyal

Gibson Ncube

Prince Karakire

Elen Turner

Priyam Ghosh

Manvi Arora

Shinjini Chattopadhyay

Rohit Kumar Dasgupta

Rasheda Parveen

Lipi Begum

Viewed​ from the perspective of evolution, different sexes originated from a single sex, biologically equipped to reproduce without any compulsion of getting engaged in sexual act. But it was in the story of evolution that different sexes would emerge and “meeting/mating” would be necessary for reproduction of similar creatures with occasional accidental outcome of some sexes bearing cross-sex physical or mental features. The story also included another principle of Nature—the principle of attraction and generated eco-biologically. The time it came to be included in human vocabulary under the umbrella term ‘love’, religion or organized social supervision started categorizing things under binary basis, of course, for the sake of exercising authority and control on the member of a group. The rest is a long history of such exercises from different institutions which into being as part of power mechanism. So it happened that every religion or sect condemned any form of sexual or mental relationship outside the binary male-female combination and ‘laws’ were passed favour of such authentication. But throughout the historical times the relationship outside the category always existed, not just among the human beings but also among the animal beings. So to call such relationship ‘unnatural’ is to go against Nature itself, which is full of contradictions and anomalies and accidents; for, because of those things evolution could take place as a dynamic process moving through selection and deselection. It is apparent that the LGBTQ issues arose out of complex human condition on this planet, and approaching the issues requires high level of multidisciplinary holistic researches and perspectives. Recently a verdict of the Supreme Court of India recriminalizing same-sex relationship brought into forefront the LGBTQ issues in India. Criticism of the verdict burst out across the media followed by symbolic protests and violations of the law, and the honourable judges came under sharp criticism from many corners. People, however, must bear in mind that the judges just interpreted what is coded in the constitution in the form of law. The Section 377 IPC was, in fact, imposed under Judeo-Christian codes in 1861 during the British rule. What has been ruled out as “against the order of nature” is actually supposed Jud​eo-Christian injunction on any form of sexual relationship outside the institution of marriage following heterosexual norms. Earlier many ‘progressive’ people rejoiced in the 2009 judgement of the Delhi High Court allowing consensual homosexual act between adults. It is everybody’s fundamental right to approach the court, and to expect the court to go beyond the structure of the constitution may not be prudent. One question can be raised here: whether law can properly understand and address the complex issues of LGBTQ questions. The court can deliver only if it is equipped with the necessary provisions supplied by the Parliament through comprehensive multidisciplinary researches, discussions and conclusions fit for our age. The state must take up such initiatives to minimize the rising frustrations of certain sections of the society.

Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935), Vol. VI, No. 1, 2014.

Special Issue on LGBT and Queer Studies

This book is the first ever collection on diasporic screen production in New Zealand. Through contributions by a diverse range of local and international scholars, it identifies the central characteristics, histories, practices and trajectories of screen media made by and/or about migrant and diasporic peoples in New Zealand, including Asians, Pacific Islanders and other communities. It addresses issues pertinent to representation of migrant and diasporic life and experience on screen, and showcases critical dialogues with directors, scriptwriters, producers and other key figures whose work reflects experiences of migration, diaspora and multiculturalism in contemporary New Zealand. With a foreword by Hamid Naficy, the key theorist of accented cinema, this comprehensive collection addresses essential questions about migrant, multicultural and diasporic screen media, policies of representation, and the new aesthetic styles and production regimes emerging from New Zealand film and TV. Migrant and Diasporic Film and Filmmaking in New Zealand is a touchstone for emerging work concerned with migration, diaspora and multiculturalism in New Zealand’s screen production and practice.

Migrant and Diasporic Film and Filmmaking in New Zealand

Arezou Zalipour

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