Art institute (Chicago, Ill.).

Elizabeth Siegel

Tokihiro Satō

"Trained as a sculptor, Japanese artist Tokihiro Sato first turned to photography as a means of documenting his work. It is through his photographs, however, that the artist has found a way to successfully blend process and product. Sato creates long-exposure photographs in which he travels through the frame of the landscape, drawing with a flashlight (by night) or reflecting sunlight back at the camera with a mirror (by day). These lights are recorded as traces of the artist's presence, while he himself is rendered invisible by his motion during the course of the exposure. Installed as large-scale transparencies that are lit from behind, these glowing images embody presence and absence, and materiality and spirituality." "This catalogue is one of the first records of Sato's work to appear in the United States. The book reproduces fourteen transparencies in rich duotone, and features an essay by Art Institute of Chicago curator Elizabeth Siegel. Also included is an interview with the artist, in which he elucidates his technique and discusses the relationship between photography and sculpture that he explores in his work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Tokihiro Sato Photographs

Photo Respiration

Art Institute of Chicago

Detroit Institute of Arts

Cristina Acidini Luchinat

Marco Chiarini

Cristina Acidini

Palazzo Strozzi

Palazzo Strozzi (Florence, Italie).

"Publisdhed in conjuntion with the exhibition: Magnificenza! the Medici, Michelangelo, & the Art of Late Renaissance Florence (In Italy, L'Ombra del genio: Michelangelo e l'arte a Firenze, 1538-1631) ..."--Title page verso.

The Medici, Michelangelo, & the Art of Late Renaissance Florence

Museum of Modern Art (New York, N.Y.)

Museum of Contemporary Art (Los Angeles, Calif.)

Adam Gopnik

Kirk Varnedoe

Modern Art, Popular Culture

High & Low

Timothy Clark

Osamu Ueda

Timothy A. R. Clark

Donald Jenkins

The floating world--the closely related pleasure and entertainment districts of Tokyo in the eighteenth and nineteenth centuries--embodied and idealized fashion, chic, and urbanity for its habituees, and inspired a profusion of woodblock prints depicting renowned courtesans and adored matinee idols. Considered ephemera in their time, these prints are treasured works of art today. In this volume of floating world prints (ukiyo-e), the authors present a selection of Kabuki actor portraits and theater scenes from The Art Institute of Chicago's world-renowned Buckingham Collection of Japanese Prints. Together with interpretive essays that place the prints in their historical and cultural context, the authors offer a catalog of 880 prints, 136 of them in color, containing the most complete and up- to-date information available about each print. Donald Jenkins's essay explains printmaking and explores the lives and milieu of the Katsukawa school print makers. Timothy Clark, in his essay, vividly depicts the world of Kabuki theater and describes a particular production of a popular play, from the vantage points of various participants. Osamu Ueda has provided dates and identification for the subjects of many of the prints in the collection, as well as biographies of the leading Kabuki actors and brief lives of the printmakers of the Katsukawa school.

Print Makers of the Katsukawa School

The Actor's Image

Odilon Redon, Gustave Moreau [and] Rodolphe Bresdin

Art institute (Chicago, Ill.).

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