Arundhati Roy

Still, to say that it all began when Sophie Mol came to Ayemenem is only one way of looking at it . . . It could be argued that it actually began thousands of years ago. Long before the Marxists came. Before the British took Malabar, before the Dutch Ascendancy, before Vasco da Gama arrived, before the Zamorin’s conquest of Calicut. Before Christianity arrived in a boat and seeped into Kerala like tea from a teabag. That it really began in the days when the Love Laws were made. The laws that lay down who should be loved, and how. And how much.

The God of Small Things

A dazzling, richly moving new novel by the internationally celebrated author of The God of Small Things The Ministry of Utmost Happiness takes us on an intimate journey of many years across the Indian subcontinent--from the cramped neighborhoods of Old Delhi and the roads of the new city to the mountains and valleys of Kashmir and beyond, where war is peace and peace is war. It is an aching love story and a decisive remonstration, a story told in a whisper, in a shout, through unsentimental tears and sometimes with a bitter laugh. Each of its characters is indelibly, tenderly rendered. Its heroes are people who have been broken by the world they live in and then rescued, patched together by acts of love--and by hope. The tale begins with Anjum--who used to be Aftab--unrolling a threadbare Persian carpet in a city graveyard she calls home. We encounter the odd, unforgettable Tilo and the men who loved her--including Musa, sweetheart and ex-sweetheart, lover and ex-lover; their fates are as entwined as their arms used to be and always will be. We meet Tilo's landlord, a former suitor, now an intelligence officer posted to Kabul. And then we meet the two Miss Jebeens: the first a child born in Srinagar and buried in its overcrowded Martyrs' Graveyard; the second found at midnight, abandoned on a concrete sidewalk in the heart of New Delhi. As this ravishing, deeply humane novel braids these lives together, it reinvents what a novel can do and can be. The Ministry of Utmost Happiness demonstrates on every page the miracle of Arundhati Roy's storytelling gifts.

The Ministry of Utmost Happiness

Arundhati Roy welcomes readers and writers alike to reflect on the meaning of freedom in her latest collection of essays.

Azadi: Freedom. Fascism. Fiction.

With anger and compassion, Roy exposes the sordid underbelly and dark inhumanity of capitalism in India and around the globe.

A Ghost Story

Capitalism

In constant conversation with the themes and settings of her novels, the essays form a near-unbroken memoir of Arundhati Roy's journey as both a writer and a citizen, of both India and the world, from "The End of Imagination", which begins this book, to 'Azadi', with which it ends.

Collected Nonfiction

My Seditious Heart

Arundhati Roy examines the persistent inequality in India through an extensive critique of Gandhi's views on race, caste and imperialism.

Caste, Race, and the Annihilation of Caste, the Debate Between B. R. Ambedkar and M. K. Gandhi

The Doctor and the Saint

Describes how India's ambitious dam projects created suffering along with modernization

The Cost of Living

Brings together five of Arundhati Roy's acclaimed books of essays into one comprehensive volume for the first time.

The End of Imagination

John Cusack

In this rich dialogue on surveillance, empire, and power, Roy and Cusack describe meeting NSA whistleblower Ed Snowden in Moscow.

Things That Can and Cannot Be Said

‘The terse, typewritten note slipped under my door in a sealed envelope confirmed my appointment with “India’s single biggest internal security challenge”. I’d been waiting for months to hear from them...’ In early 2010, Arundhati Roy travelled into the forests of Central India, homeland to millions of indigenous people, dreamland to some of the world’s biggest mining corporations. The result is this powerful and unprecedented report from the heart of an unfolding revolution.

Walking with the Comrades

A few weeks after India detonated a thermonuclear device in 1998, Arundhati Roy wrote the essay The End of Imagination, in which she said: My world has died. And I write to mourn its passing. The essay, as have all its successors, attracted worldwide attention, debate and acclaim. In the years since, the essays she has published in magazines and newspapers worldwide have reinforced an impression of a writer in the modern world prepared to use her fame and gifts in the cause of the voiceless and the overlooked. Those essays are gathered together here. Carefully revealed and closely argued, they demand to be read and discussed; they dispute, they challenge, they provoke and they uplift.

The Algebra of Infinite Justice

Mr Chidambaram’s War ‘The low, flat-topped hills of south Orissa have been home to the Dongria Kondh long before there was a country called India or a state called Orissa...’ Walking with the Comrades ‘The terse, typewritten note slipped under my door in a sealed envelope confirmed my appointment with “India’s single biggest internal security challenge”. I’d been waiting for months to hear from them...’ Trickledown Revolution ‘In the early morning hours of 2 July 2010, in the remote forests of Adilabad, the Andhra Pradesh State Police fired a bullet into the chest of a man called Cherukuri Rajkumar, known to his comrades as Azad...’ War has spread from the borders of India to the forests in the very heart of the country. Combining brilliant analysis and reportage by one of India’s iconic writers, Broken Republic examines the nature of progress and development in the emerging global superpower, and asks fundamental questions about modern civilization itself.

Three Essays

Broken Republic

Discusses global politics, democracy, media empires, and the situation in Iraq.

An Ordinary Person's Guide to Empire

field notes on democracy

Listening to grasshoppers

War Talk

Bhimrao Ramji Ambedkar

The Annotated Critical Edition

Annihilation of Caste

Teresa Casal

The story of an Indian family during the 1969 Communist disturbances in Kerala province. It is told through the eyes of a boy and his sister who are the children of a rich rubber planter. Politics, family drama, illicit love. A debut in fiction.

O Deus das pequenas coisas

The Shape Of The Beast Is Our World Laid Bare, With Great Courage, Passion And Eloquence, By A Mind That Has Engaged Unhesitatingly With Its Changing Realities, Often Anticipating The Way Things Have Moved In The Last Decade. In The Fourteen Interviews Collected Here, Conducted Between January 2001 And March 2008, Arundhati Roy Examines The Nature Of State And Corporate Power As It Has Emerged During This Period, And The Shape That Resistance Movements Are Taking. As She Speaks, Among Other Things, About People Displaced By Dams And Industry, The Genocide In Gujarat, Maoist Rebels, The War In Kashmir And The Global War On Terror, She Raises Fundamental Questions About Democracy, Justice And Non-Violent Protest. Unabashedly Political, This Is Also A Deeply Personal Collection. Through The Conversations, Arundhati Talks About The Necessity Of Taking A Stand, As Also The Dilemma Of Guarding The Private Space Necessary For Writing In A World That Demands Urgent, Unequivocal Intervention. And In The Final Interview, She Discusses With Uncommon Candour Her Ambiguous Feelings About Success And Both The Pressures And The Freedom That Come With It.

Arundhati Roy

About

Books

Join the club