Ashwin Desai

Goolam H. Vahed

Inside Indian Indenture is a timely and monumental work which makes a significant contribution to our understanding of South African Indian history. It tells a story about the many beginnings and multiple journeys that made up the indentured experience. The authors seek to trespass directly into the lives of the indentured themselves. They explore the terrain of the everyday by focusing on religious and cultural expressions, leisure activities, power relations on the plantations, the weapons of resistance and forms of collaboration that were developed in conflicts with the colonial overlords. Fascinating accounts brimming with desire, skulduggery and tender mercies, as much as with oppression and exploitation, show that the indentured were as much agents as they were victims and silent witnesses.

A South African Story, 1860-1914

Inside Indian Indenture

Goolem Vahed

In the pantheon of freedom fighters, Mohandas Karamchand Gandhi has pride of place. His fame and influence extend far beyond India and are nowhere more significant than in South Africa. "India gave us a Mohandas, we gave them a Mahatma," goes a popular South African refrain. Contemporary South African leaders, including Mandela, have consistently lauded him as being part of the epic battle to defeat the racist white regime. The South African Gandhi focuses on Gandhi's first leadership experiences and the complicated man they reveal—a man who actually supported the British Empire. Ashwin Desai and Goolam Vahed unveil a man who, throughout his stay on African soil, stayed true to Empire while showing a disdain for Africans. For Gandhi, whites and Indians were bonded by an Aryan bloodline that had no place for the African. Gandhi's racism was matched by his class prejudice towards the Indian indentured. He persistently claimed that they were ignorant and needed his leadership, and he wrote their resistances and compromises in surviving a brutal labor regime out of history. The South African Gandhi writes the indentured and working class back into history. The authors show that Gandhi never missed an opportunity to show his loyalty to Empire, with a particular penchant for war as a means to do so. He served as an Empire stretcher-bearer in the Boer War while the British occupied South Africa, he demanded guns in the aftermath of the Bhambatha Rebellion, and he toured the villages of India during the First World War as recruiter for the Imperial army. This meticulously researched book punctures the dominant narrative of Gandhi and uncovers an ambiguous figure whose time on African soil was marked by a desire to seek the integration of Indians, minus many basic rights, into the white body politic while simultaneously excluding Africans from his moral compass and political ideals.

Stretcher-Bearer of Empire

The South African Gandhi

South African Gandhi

Ashwin Desai is Professor of Sociology at the University of Johannesburg. Among his books on sport are an edited collection, The Race to Transform: Sport in Post-Apartheid South Africa and Reverse Sweep: A Story of South African Cricket Since Apartheid.

The Beautiful Game and the Making of Place

Wentworth

"We Are the Poors follows the growth of the most unexpected of these community movements, beginning in one township of Durban, linking up with community and labor struggles in other parts of the country, and coming together in massive anti-government protests at the time of the UN World Conference Against Racism in 2001. It describes from the inside how the downtrodden regain their dignity and create hope for a better future in the face of a neoliberal onslaught, and shows the human faces of the struggle against the corporate model of globalization in a Third World country."--Jacket.

Community Struggles in Post-Apartheid South Africa

We Are the Poors

Goolam Vahed

Positions the history and inner workings of the Natal Indian Congress (NIC) against the canvas of the major political developments in South Africa during the 1970s and 1980s up to the first democratic elections in 1994 Following a hiatus in the 1960s, the Natal Indian Congress (NIC) in South Africa was revived in 1971. In fascinating detail, Ashwin Desai and Goolam Vahed bring the inner workings of the NIC to life against the canvas of major political developments in South Africa during the 1970s and 1980s, and up to the first democratic elections in 1994. The NIC was relaunched during the rise of the Black Consciousness Movement, which attracted a following among Indian university students, and whose invocation of Indians as Black led to a major debate about ethnic organisations such as the NIC. This debate persisted in the 1980s with the rise of the United Democratic Front and its commitment to non-racialism. The NIC was central to other major debates of the period, most significantly the lines drawn between boycotting and participating in government-created structures such as the Tri-Cameral Parliament. Despite threats of banning and incarceration, the NIC kept attracting recruits who encouraged the development of community organisations, such as students radicalised by the 1980s education boycotts and civic protests. Colour, Class and Community, The Natal Indian Congress, 1971—1994 details how some members of the NIC played dual roles, as members of a legal organisation and as allies of the African National Congress’ underground armed struggle. Drawing on varied sources, including oral interviews, newspaper reports, and minutes of organisational meetings, this in-depth study tells a largely untold history, challenging existing narratives around Indian ‘cabalism’, and bringing the African and Indian political story into present debates about race, class and nation.

Colour, Class and Community - The Natal Indian Congress, 1971-1994

An important study of the revival of the Natal Indian Congress in 1971 to the first democratic elections in 1994. In fascinating detail, Ashwin Desai and Goolam Vahed bring the inner workings of the NIC to life against the canvas of major political developments in South Africa during the 1970s and 1980s.

Ashwin Desai

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