Barbara Burns

Theory and Patterns of Tragedy in the Later Novellen of Theodor Storm

Louise von François (1817-1893) was a German realist writer whose work appeared in several editions during her lifetime and was translated abroad. Her most famous novel, Die letzte Reckenburgerin, attracted significant critical attention from her contemporaries and was regarded as one of the most innovative novels of the century. Her other prose fiction, however, is less well known. In the context of the ongoing re-assessment of nineteenth-century women writers, this book evaluates the thematic preoccupations and narrative technique of François's creative work as a whole. Through a study of ten representative texts, most of which have not been subject to detailed literary analysis in the past, the author considers François's powerful portrayals of female self-reliance, and seeks to elucidate aspects of her most cherished convictions, which centred on values of honour and duty, and on a vision of a more equitable and decent society.

The Prose Fiction of Louise Von François (1817-1893)

Joy Charnley

This volume brings together two very popular and active research fields: Swiss Studies and Intercultural Studies. It includes contributions on the movement of ideas, literatures, and individuals from one culture to another or one language to another, and the ways in which they have been either assimilated or questioned. All of the writers explore this general theme; some come from a literary angle, some look at linguistic inventiveness and translation, whilst others study the problems faced when crossing geographical and cultural borders or presenting ideas which do not `travel¿ well. By emphasising the connections, borrowings and mutual influences between Switzerland and other countries such as Germany, Hungary, France, the UK, and the Americas, the articles reaffirm the importance for Switzerland of intellectual openness and cultural exchange. Barbara Burns is Senior Lecturer in German at the University of Glasgow. She has published books and articles on a number of nineteenth-century German writers including Theodor Storm, Detlev von Liliencron, Louise von François and Adolf Müllner, and also has an interest in Swiss Studies, in particular the work of Eveline Hasler on which she has recently been publishing. She is Germanic Editor of the MHRA journal The Year¿s Work in Modern Language Studies. Joy Charnley has co-edited eight volumes of essays on Swiss literatures and history with Malcolm Pender and in 1996 they co-founded the Centre for Swiss Cultural Studies in Glasgow. She has written books and articles on French-speaking Swiss authors such as Yvette Z¿Graggen, Alice Rivaz, Anne-Lise Grobéty, Anne Cuneo, Janine Massard and Amélie Plume.

Barbara Burns

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