Johann Marquez-Barja

Laura Ricci

Barbara Guidi

Carlos Calafate

Ombretta Gaggi

This book constitutes the refereed proceedings of the Third EAI International Conference on Smart Objects and Technologies for Social Good, GOODTECHS 2017, held in Pisa, Italy, November 29-30, 2017. The 38 revised full papers presented were carefully reviewed and selected from 70 submissions. The papers reflect the design, implementation, deployment, operation and evaluation of smart objects and technologies for social good. A social good can be understood as a service that benefits a large number of people in a most possible way. Some classic examples are healthcare, safety, environment, democracy, and human rights, or even art, entertainment, and communication.

Third International Conference, GOODTECHS 2017, Pisa, Italy, November 29-30, 2017, Proceedings

Smart Objects and Technologies for Social Good

Sterling and Francine Clark Art Institute

Richard Kendall

Sarah Lees

Distinguished by his brilliantly energetic brushwork, Giovanni Boldini (1842–1931) was one of the most prominent Italian artists of the late 19th century. Still, he has remained little known beyond his native country. This beautiful book is the first published on Boldini in English in a generation and accompanies the first major exhibition of his works outside of Europe. Born in Ferrara, Boldini moved to Paris in 1871, where he lived for the rest of his life. This important volume focuses on his work from 1871 to 1886, which reflects the influence of his contemporaries—Degas, Manet, Caillebotte, Meissonier, and Fortuny, among others. It features Boldini’s fanciful paintings made for the art market and depictions of the city around him—from the bustling streets and squares to cafés, theaters, and concert halls—as well as paintings of friends and models, and a selection of later portraits that established him as one of the quintessential portraitists of the Belle Époque.

Giovanni Boldini in Impressionist Paris

Barbara Guidi

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