Barbara Tepa Lupack

For centuries, the Arthurian legends have fascinated and inspired countless writers, artists, and readers, many of whom first became acquainted with the story as youngsters. From the numerous retellings of Malory and versions of Tennyson for young people to the host of illustrated volumes to which the Arthurian Revival gave rise. From the Arthurian youth groups for boys (and eventually for girls) run by schools and churches to the school operas, theater pieces, and other entertainment for younger audiences; and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.

Essays on Arthurian Juvenilia

Adapting the Arthurian Legends for Children

In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.

Cultural, Historical, and Literary Contexts

The Othering of Women in Silent Film

Essays analyze ten popular films adapted from contemporary American fiction by women, addressing the ways in which the writers' feminist messages are reinterpreted and examining the extent to which filmmakers adapt, retain, or erase the feminist content of the original fiction. Films examined in include Ordinary People, The Women of Brewster Place, and Interview with the Vampire. Contains bandw photos. Paper edition (unseen), $24.95. No index. Annotation copyrighted by Book News, Inc., Portland, OR

Adapting Contemporary American Fiction by Women to Film

Vision/re-vision

The volume's twelve essays, whose authors include some of the foremost scholars of contemporary literature and film, offer critical insights not only into the visions of the novelist and the filmmaker but also into contemporary cultural concerns."--BOOK JACKET.

Adapting Classic Women's Fiction to Film

Nineteenth-century Women at the Movies

The 1930s were a period of triumph and turmoil in Poland, yet the decade saw the production of a number of exceptional dramatic works. Some dramatists of the period, among them Jerzy Tepa, are not well-known today because many of their plays were lost, or presumed to be lost, during the war years. However, the recent rediscoveries of Tepa’s Ivar Kreuger and Jeanne de la Motte allow a fascinating glimpse into a rich and vital period of Polish literary culture unfamiliar to most English readers and scholars. This book not only introduces Tepa and his work to new readers but also demonstrates why he was one of the leading voices of the Polish interwar era.

Two Plays by Jerzy W. Tepa

Ivar Kreuger and Jeanne de la Motte

Twenty-two reviews and thirteen essays trace the critical reputation of Jerzy Kosinski's literary works. One interview is included.

Critical Essays on Jerzy Kosinski

A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera

Richard E. Norman and Race Filmmaking

Jerzy W. Tepa

The first bilingual edition of Jerzy W. Tepa's successful interwar drama, which tells the story of a female spy during World War I, and looks uneasily forward at the rise of Nazism in neighboring Germany. Engaging, cinematic, Fräulein Doktor is suitable to both the drama classroom and the general readership.

Fräulein Doktor

Alan Lupack

Arthurian book illustration, which came into its own in the Arthurian Revival of the nineteenth century and began to flourish as an important art form, has done more than any other visual art to shape notions of King Arthur and his court and to introduce the legends to the widest possible audience. Yet to date there has been no comprehensive study of Arthurian illustration. Illustrating Camelot fills this critical gap, by examining the special collaboration between illustrators and authors and exploring the ways that the best Arthurian illustrators move beyond mere reproduction to become interpretive readers of the texts they embellish. In versions that range from illustrated editions of Tennyson's Idylls of the King to the numerous editions and popular children's retellings of Malory's Morte d'Arthur and in forms that range from Julia Margaret Cameron's landmark photographic portraits to Russell Flint's lush watercolours, from Gustave Doré's Gothic-styled engravings to Howard Pyle's American-inspired drawings, these illustrators - as this pioneering volume demonstrates - not only reinterpret the timeless tales but also reflect the values of their age. Richly illustrated with both colour and black and white plates, the book will appeal to anyone interested in the stories of King Arthur and the world of Camelot. BARBARA TEPA LUPACK is former Academic Dean at SUNY and Fulbright Professor of American Literature in Poland and France.

Illustrating Camelot

Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew Over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie's Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate.

Adapting the Contemporary American Novel to Film

Take Two

Tales from the Women of Camelot

The Girl's King Arthur

A comprehensive analysis of the ways in which the black American experience has been depicted in film adaptations of popular literature.

From Micheaux to Toni Morrison

Literary Adaptations in Black American Cinema

Although madness is a popular theme in literature, contemporary American writers use that theme in a new and unfamiliar way, not just to convey the result of an unnerving or infuriating reality but also to comment on its hypocrisies. Barbara Tepa Lupack examines the cultural and literary contexts of five major works of contemporary fiction: Joseph Heller's Catch-22 (1961), Ken Kesey's One Flew Over the Cuckoo's Nest (1962), Kurt Vonnegut's Slaughterhouse-Five (1969), Jerzy Kosinski's Being There (1971), and William Styron's Sophie's Choice (1979). She shows that each book is complex, with deep roots in American political reality, and each portrays a protagonist who is mad or is considered to be mad--but who reveals a special insight into the dangers of social, political, and cultural conformity. Each of these characters dwells in a sort of wasteland, ranging from the corrupt military base of Pianosa to the plastic suburb of Ilium, from the Nazi death camps to the ravaged Eternal City and bombed-out Dresden. All seek confirmation of their authenticity, and all offer social and ethical remedies that challenge bureaucratic institutions--solutions that amount to inmates running the asylum.

Inmates Running the Asylum

Insanity as Redemption in Contemporary American Fiction

The first full-length study to focus exclusively on American reinterpretations of the Arthurian legends.

Barbara Tepa Lupack

About

Books

Join the club