Bart van Es

The extraordinary true story of a young Jewish girl in Holland under Nazi occupation who finds refuge in the homes of an underground network of foster families, one of them the author's grandparents Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after? So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light. It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed. The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.

A Story of War and Family, Lost and Found

The Cut Out Girl

Cut Out Girl

COSTA BOOK OF THE YEAR AWARD WINNER “The hidden gem of the year . . . Sensational and gripping, and shedding light on some of the most urgent issues of our time, this was our unanimous winner.” —Judges of the 2018 Costa Award The extraordinary true story of a young Jewish girl in Holland during World War II, who hides from the Nazis in the homes of an underground network of foster families, one of them the author's grandparents Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after? So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light. It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed. The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.

From The Two Gentlemen of Verona in the early 1590s to The Two Noble Kinsmen at the end of his career around 1614, Shakespeare wrote at least eighteen plays that can be called 'comedies': a far higher number than that for any other genre in which he wrote. So what is a Shakespearean comedy? We associate these plays with such themes as mistaken identities, happy marriages, and exuberant cross dressing, but how representative are these of the oeuvre as a whole? In this Very Short Introduction, Bart van Es explores the full range of the playwright's comic writing, from the neat classical plotting of early works like The Comedy of Errors to the corrupt world of the so-called problem plays, written in the middle years of Shakespeare's life. Examining Shakespeare's influences and sources, van Es compares his plays to those of his rivals, and looks at the history of the plays in performance, from the biographies of Shakespeare's original actors to the plays' endless reinvention in modern stage productions and in films. Identifying the key qualities that make Shakespearean comedy distinctive, van Es traces the changing nature of Shakespeare's comic writing over the course of a career that spanned nearly a quarter century of theatrical change. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Shakespeare's Comedies: A Very Short Introduction

How did Shakespeare's working conditions affect his artistic development? Shakespeare in Company is the first book systematically to address that question, charting a series of changes in the theatrical marketplace from 1592 to 1614. Its central thesis is that the formation of the Chamberlain's Men had a transformative effect on Shakespeare's writing. Based on research into hundreds of manuscripts and plays by contemporaries, the book gives a powerfulaccount of the influence of actors such as Kemp, Armin, and Burbage, not simply on individual characters in Shakespeare's drama, but on the structure of his plays as a whole. It examines other writers,including Marlowe, Jonson, and Fletcher, and offers a new account of the place of co-authorship in the playwright's career. An original picture thus emerges of Shakespeare as a theatrical collaborator, investor, poet, and performer on the English stage.

Shakespeare in Company

Oxford-hoogleraar Bart van Es verliet Nederland jaren geleden, maar één verhaal uit zijn kindertijd verliet hem nooit: het verhaal over het jonge Joodse meisje Lientje dat door zijn grootouders verborgen werd gehouden voor de nazi's. Ze voedden het meisje op als hun eigen dochter, maar decennia na de oorlog werd het contact plots verbroken. Wat is Lientjes verhaal? En wat veroorzaakte die diepe breuk? Op een dag krijgt Van Es Lientje's poëziealbum in handen. Lien zelf is immiddels in de tachtig en woont in Amsterdam. Tussen hen ontstaat een bijzondere vriendschap, maar Lientjes verhalen brengen ook verschrikkelijke gebeurtenissen aan het licht. Ver-geet-mij-niet is een verhaal over tegenstrijdigheden - over grote moed en vrijgevigheid, maar ook over verkeerde intenties en diepe wonden. Over hoe onze pijnlijkste ervaringen ons vormen en hoe we daarmee in het reine kunnen komen, zelfs een mensenleven later.

Bart van Es

About

Books

Join the club