Peter Thomson

Baz Kershaw

Explores the rich and complex histories of English, Scottish and Welsh theatres in the 'long' twentieth century since 1895.

The Cambridge History of British Theatre

How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide

Research Methods in Theatre and Performance

The Politics of Performance^ addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice. It raises issues about the nature of alternative theatre as a movement and the aesthetics of its styles of production, especially in relation to progressive counter-cultural formations. It analyses in detail the work of key practitioners in socially engaged theatre during four decades, setting each in the context of social, political and cultural history and focusing particularly on how they used that context to enhance the potential efficacy of their productions. The book is thus a detailed analysis of oppositional theatre as radical cultural practice in its various efforts to subvert the status quo. Its purpose is to raise the profile of these approaches to performance by proposing, and demonstrating how they may have had a significant impact on social and political history.

Radical Theatre as Cultural Intervention

The Politics of Performance

Simon Jones

Angela Piccini

L. Allegue

Ludivine Fuschini

Practice-as-Research: In Performance and Screen presents a thoroughgoing exploration of the major fissures of established knowledge created by a new trans-disciplinary, worldwide project for the twenty-first century. Focussing on the most fleeting and yet pervasive practices of the performance and screen arts, it both documents and analyses the practical-theoretical integration of hands-on creative and scholarly methods of research. Through an innovative combination of manuscript, catalogue and digital multi-media formats, it aims to embody the principles of performance and screen practice-as-research in its structure and design – making book pages and DVD images mutually illuminating. With over fifty practitioner-researcher contributors, Practice-as-Research constitutes the most comprehensive presentation of this sometimes controversial and frequently fresh way of doing things with an imaginative convergence of artistic and scholarly processes.

In Performance and Screen

Practice-as-Research

The Radical in Performance investigates the crisis in contemporary theatre, and celebrates the subversive in performance. It is the first full-length study to explore the link between a western theatre which, says Kershaw, is largely outdated and the blossoming of postmodern performance, much of which has a genuinely radical edge. In staying focused on the period between Brecht and Baudrillard, modernity and postmodernism, Baz Kershaw identifies crucial resources for the revitalisation of the radical across a wide spectrum of cultural practices. This is a timely, necessary and rigorous book. It will be a compelling read for anyone searching for a critical catalyst for new ways of viewing and practising cultural politics.

Between Brecht and Baudrillard

The Radical in Performance

A study into the relationships between performance, theatre and environmental ecology.

Environments and Performance Events

Theatre Ecology

Addresses fundamental questions about the social and political purposes of performance through an investigation of post-war alternative and community theatre. A detailed analysis of oppositional theatre as radical cultural practice.

Investigating the crisis in contemporary theatre, this study explores the link between western theatre which is becoming increasingly outdated and the blossoming of postmodern performance.

Baz Kershaw

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