Beatriz Milhazes

Frédéric Paul

This is the first book on the collages of Brazilian artist Beatriz Milhazes (born 1960). During a residency in Brittany, in 2003, Milhazes offered chocolates and sweets to the art center team, asking them to return the wrapping papers afterward. From these the artist commenced a new project: her collages. Until this point, Milhazes had considered collage a secondary activity, a way of drafting her paintings. With time, her collage technique developed along its own path. "Collages have a kind of dialogue with an imaginary journal," she writes. "Collected papers come from a variety of interests: sometimes it's an aesthetic attraction, but other times they're part of a routine, such as with chocolate wrapping paper or cuttings remaining from existing impressions. That's why composition in collage creates a dialogue that's exclusive to collages." As Frédéric Paul, the book's editor, observes, by using disposable ingredients in her collages, Milhazes emphasizes the acceleration of cycles of taste. "The frivolity of sweets and shopping express the frivolous versatility of trend indicators. They are also, surely, an expression of the assumed decorative frivolity. Milhazes's work has the extraordinary complexity of simple things and faces us with a breathtaking plastic evidence."

Collages

Beatriz Milhazes' flowers undergo endless variations. One moment they are naturalistically painted, another moment they are abstractly transformed or only graphically suggested. Demonstrating the depth and versatility of her chosen subject, this book accompanies the first solo exhibition of Beatriz Milhazes in Germany.Here she is in conversation with Sebastian Preuss discussing her work and the inspiration behind it.

Coloriages avec Beatriz Milhazes

Josh Smith

Maria Lassnig

Jean-Luc Mylayne

Maria Lassnig - Beatriz Milhazes - Josh Smith

Beatriz Milhazes was born, lives and works in Brazil. Internationally renowned, she has exhibited world-wide and represented Brazil at the Venice Biennale 2003. Her exhibitions include a major survey show at the Centro Cultural Banco Do Brazil, Rio de Janeiro, a solo show at Ikon Gallery, Birmingham and the Sao Paolo Biennale 2004. Milhazes rich and complex work draws together motifs which have their roots in her everyday environment, and includes references to natural forms, folk art, carnival, and Brazilian baroque decoration. She transforms these influences into abstract patterns and ornamental shapes, which shift between the recognisable and the unfamiliar. Using a technique reminiscent of collage, intricately layered images are built up, their surfaces pulsating with intense colour. The combination of harmony with often violent contrasts results in a visual experience that seems musical and which is full of unexpected tricks and treats.

Beatriz Milhazes : [exposition, Paris, Fondation Cartier pour l'art contemporain, 4 avril-21 juin 2009]

Joshua Smith

Parkett 85 celebrates the revered nonagenarian Austrian painter Maria Lassnig with new writing by Manuela Ammer, Robert Storr and Ludmila Vachtova; the Brazilian painter of carnival-inspired tropical plants and patterns, Beatriz Milhazes, with texts by Tanya Barson, Arto Lindsay and Barry Schwabsky; the strangely compelling French photographer of birds and bird habitats, Jean-Luc Mylayne, with writing by Josef Helfenstein and Fionn Meade; and the rising New York painter, Josh Smith, with texts by Christophe Cherix, Anne Pontegnie and Ira Wool. Also in this issue: Gabriel Kuri and Damian Ortega in conversation; Mark Godfrey on Sharon Lockhart; texts by Mark Von Schlegell, Andrew Weiner, Rainer Michael Mason and Rachel Price. Insert is by Matthias Uhr and spine is by Josh Smith.

Parkett 85

Dorothea Jaffé

Candy Stobbs

The Whitechapel Gallery opens the first exhibition of its three-year curatorial partnership with the Gallery at Windsor, Vero Beach, Florida. Opening on 3 December, Beatriz Milhazes: Screenprints 1996 - 2011 is the first annual exhibition at Windsor curated by the Whitechapel Gallery, London, to coincide with Art Basel Miami Beach. This is the first time the Whitechapel Gallery has embarked on a partnership of this kind, and provides a new US platform for the Gallery.Beatriz Milhazes is an internationally renowned Brazilian artist, whose exuberantly coloured, rhythmically constructed artworks have been exhibited worldwide. Beatriz Milhazes: Screenprints 1996 - 2011 is the first comprehensive display of the artist's bold and abstract works on paper.

Beatriz Milhazes Screenprints 1996-2011

Esta monografia apresenta o trabalho de Beatriz Milhazes, a pintora brasileira que funde a abstração modernista com as cores e a luz de seu país natal. Com mais de 280 pinturas, um ensaio aprofundado sobre seu trabalho, uma longa conversa, um dicionário poético de motivos-chave e uma biografia ano a ano, o livro explora todas as fases da artista em seu esplendor e significado. Edição de Colecionador (no 101-1,100), cada uma numerada e assinada por Beatriz Milhazes.

Clifford E. Landers

Jean-Paul Russell

Arnaldo Antunes

Coisa Linda

Beatriz Milhazes é uma artista central na arte contemporânea brasileira, no panorama da pintura internacional e na história recente da abstração. Milhazes trabalha com um complexo repertório de imagens associadas a diversos motivos, origens e fontes, primordialmente em pintura, mas também em gravura, colagem, desenho, escultura e têxteis. Suas composições são intrincadas, densas, multicoloridas e literalmente cheias de camadas ? de cores, tintas, papéis e significados. As fontes são diversas e plurais ? do modernismo ao barroco, da chamada arte popular à cultura pop, da moda à joalheria, da própria história da arte à natureza, da arquitetura à abstração. Este livro acompanha a maior exposição dedicada ao trabalho da artista, Beatriz Milhazes: Avenida Paulista. Seu título faz referência ao nome da avenida em que estão situadas as duas instituições que coorganizam o projeto: o Museu de Arte de São Paulo Assis Chateaubriand e o Itaú Cultural. A publicação, em capa dura com serigrafia, é ricamente ilustrada, com quatro capas distintas, dois tipos de papéis, abrangendo a produção da artista de 1989 até 2020, além de contar com nove textos inéditos sobre sua obra, abordando múltiplos aspectos de sua produção. Trata-se de um livro indispensável para quem acompanha ou quer conhecer o trabalho de Beatriz Milhazes, uma das artistas mais significativas da cena brasileira e internacional no século 21.

Beatriz Milhazes

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