Bella Vivante

From their personal lives at home to their roles in the realms of religion, health, economics, governance, war, philosophy, and poetry, this is the story of ancient women in all their aspects. Vivante explores women's lives in four ancient civilizations of the Mediterranean: Egypt, Mesopotamia, Greece, and Rome. While the experiences of women in ancient cultures were certainly very different from those of most women today, a tendency to focus too much on negative or restrictive images has until now provided readers with a rather incomplete picture. Looking at this important era from a female-oriented perspective, Vivante widens the perceptual lens and makes it possible to highlight the fundamental empowered aspects of women's activities in order to present them in balance with the various limits imposed on their societal participation. Beginning with powerful images of goddesses and women's roles in the religious sphere, Vivante details the foundation for women's activities in all other social realms. While these four Mediterranean civilizations were distinctive, they also influenced each other through various forms of contact—trade, colonization, and war. Both the similarities and the differences permit richer comparisons and promote a deeper understanding of the lives of women in each.

Women in the Ancient Mediterranean World

Daughters of Gaia

Covers more than sixty women who published significant fiction after 1945, with a brief biography, exposition of major works and themes, survey of critical reception, and references to primary and secondary sources for each.

An A-to-Z Guide

Contemporary American Women Fiction Writers

Nancy Sorkin Rabinowitz

Ruby Blondell

Mary-Kay Gamel

Women on the Edge, a collection of Alcestis, Medea, Helen, and Iphegenia at Aulis, provides a broad sample of Euripides' plays focusing on women, and spans the chronology of his surviving works, from the earliest, to his last, incomplete, and posthumously produced masterpiece. Each play shows women in various roles--slave, unmarried girl, devoted wife, alienated wife, mother, daughter--providing a range of evidence about the kinds of meaning and effects the category woman conveyed in ancient Athens. The female protagonists in these plays test the boundaries--literal and conceptual--of their lives. Although women are often represented in tragedy as powerful and free in their thoughts, speech and actions, real Athenian women were apparently expected to live unseen and silent, under control of fathers and husbands, with little political or economic power. Women in tragedy often disrupt "normal" life by their words and actions: they speak out boldly, tell lies, cause public unrest, violate custom, defy orders, even kill. Female characters in tragedy take actions, and raise issues central to the plays in which they appear, sometimes in strong opposition to male characters. The four plays in this collection offer examples of women who support the status quo and women who oppose and disrupt it; sometimes these are the same characters.

Bella Vivante

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