Benjamin Reiss

A perfect hybrid of European and Japanese comics and a rich exploration of the combined wonder and alienation of immigrant life. In August 2002, artist Benjamin Reiss flies to Tokyo to spend a year with Kayoko, the Japanese girl he met in France a year earlier. What he finds upon landing is a vast and complex culture, steeped in tradition but full of surprises. As one year stretches into six, Benjamin becomes immersed in the world of sento baths, taiko drums, and bento boxes, while studying cartooning under several masters of manga.

Super Tokyoland

Rachel Adams

David Serlin

Keywords for Disability Studies aims to broaden and define the conceptual framework of disability studies for readers and practitioners in the field and beyond. The volume engages some of the most pressing debates of our time, such as prenatal testing, euthanasia, accessibility in public transportation and the workplace, post-traumatic stress, and questions about the beginning and end of life. Each of the 60 essays in Keywords for Disability Studies focuses on a distinct critical concept, including “ethics,” “medicalization,” “performance,” “reproduction,” “identity,” and “stigma,” among others. Although the essays recognize that “disability” is often used as an umbrella term, the contributors to the volume avoid treating individual disabilities as keywords, and instead interrogate concepts that encompass different components of the social and bodily experience of disability. The essays approach disability as an embodied condition, a mutable historical phenomenon, and a social, political, and cultural identity. An invaluable resource for students and scholars alike, Keywords for Disability Studies brings the debates that have often remained internal to disability studies into a wider field of critical discourse, providing opportunities for fresh theoretical considerations of the field’s core presuppositions through a variety of disciplinary perspectives. Visit keywords.nyupress.org for online essays, teaching resources, and more.

Keywords for Disability Studies

Why the modern world forgot how to sleep Why is sleep so frustrating for so many people? While human history presents a vast diversity of sleeping styles, today we define a good night s sleep very narrowly: eight hours in one straight shot, sealed off in private bedrooms, children apart from parents. The curious product of industrialization, electricity, medicine, and capitalism, this set of sleeping rules has existed for only a few centuries. Yet few seem to be able to live by them. For the world s poor, modern sleep is full of financial and physical risk; but even the well-off now require drugs and gadgets to regulate waking and sleeping. Taming sleep is big business, but it has come at an enormous cost to our well-being. In "Wild Nights, " Benjamin Reiss draws on centuries of literary, medical, and scientific writings to show how ordinary lives were upended as sleep became modern. In so doing, he offers hope to weary readers: as sleep was transformed once before, so too can it change again today. "

How Taming Sleep Created Our Restless World

Wild Nights

Reiss uses P. T. Barnum's Joice Heth hoax to examine the race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an enslaved woman said to be the 161-year-old former nurse of the infant George Washington. The newly emerging commercial press turned her act into one of the first media spectacles in American history.

Race, Death, and Memory in Barnum’s America

The Showman and the Slave

Introduces key terms, concepts, debates, and histories for Disability Studies Keywords for Disability Studies aims to broaden and define the conceptual framework of disability studies for readers and practitioners in the field and beyond. The volume engages some of the most pressing debates of our time, such as prenatal testing, euthanasia, accessibility in public transportation and the workplace, post-traumatic stress, and questions about the beginning and end of life. Each of the 60 essays in Keywords for Disability Studies focuses on a distinct critical concept, including “ethics,” “medicalization,” “performance,” “reproduction,” “identity,” and “stigma,” among others. Although the essays recognize that “disability” is often used as an umbrella term, the contributors to the volume avoid treating individual disabilities as keywords, and instead interrogate concepts that encompass different components of the social and bodily experience of disability. The essays approach disability as an embodied condition, a mutable historical phenomenon, and a social, political, and cultural identity. An invaluable resource for students and scholars alike, Keywords for Disability Studies brings the debates that have often remained internal to disability studies into a wider field of critical discourse, providing opportunities for fresh theoretical considerations of the field’s core presuppositions through a variety of disciplinary perspectives. Visit keywords.nyupress.org for online essays, teaching resources, and more.

Reiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history.

In the mid-1800s, a utopian movement to rehabilitate the insane resulted in a wave of publicly funded asylums—many of which became unexpected centers of cultural activity. Housed in magnificent structures with lush grounds, patients participated in theatrical programs, debating societies, literary journals, schools, and religious services. Theaters of Madness explores both the culture these rich offerings fomented and the asylum’s place in the fabric of nineteenth-century life, reanimating a time when the treatment of the insane was a central topic in debates over democracy, freedom, and modernity. Benjamin Reiss explores the creative lives of patients and the cultural demands of their doctors. Their frequently clashing views turned practically all of American culture—from blackface minstrel shows to the works of William Shakespeare—into a battlefield in the war on insanity. Reiss also shows how asylums touched the lives and shaped the writing of key figures, such as Emerson and Poe, who viewed the system alternately as the fulfillment of a democratic ideal and as a kind of medical enslavement. Without neglecting this troubling contradiction, Theaters of Madness prompts us to reflect on what our society can learn from a generation that urgently and creatively tried to solve the problem of mental illness.

Benjamin Reiss

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