Benoît Challand

Providing a longue durée perspective on the Arab uprisings of 2011, Benoît Challand narrates the transformation of citizenship in the Arab Middle East, from a condition of latent citizenship in the colonial and post-independence era to the revolutionary dynamics that stimulated democratic participation. Considering the parallel histories of citizenship in Yemen and Tunisia, Challand develops innovative theories of violence and representation that view cultural representations as calls for a decentralized political order and democratic accountability over the security forces. He argues that a new collective imaginary emerged in 2011 when the people represented itself as the only legitimate power able to decide when violence ought to be used to protect all citizens from corrupt power. Shedding light upon uprisings in Yemen and Tunisia, but also elsewhere in the Middle East, this book offers deeper insights into conceptions of violence, representation, and democracy.

Violence and Representation in the Arab Uprisings

Considers the history of citizenship in Yemen and Tunisia to explain why democratic participation was undermined after the 2011 revolutionary wave.

European University Institute. Department of Political and Social Sciences

External Support for Palestinian Civil Society

The Power to Promote and to Exclude

Robert Schuman Centre

International Aid to Palestinian NGOs

Civil Society, Autonomy and Donors

"Providing a longue durée perspective on the Arab uprisings of 2011, Benoît Challand narrates the transformation of citizenship in the Arab Middle East, from a condition of latent citizenship in the colonial and post-independence era to the revolutionary dynamics that stimulated democratic participation. Considering the parallel histories of citizenship in Yemen and Tunisia, Challand develops innovative theories of violence and representation that view cultural representations as calls for a decentralized political order and democratic accountability over the security forces. He argues that a new collective imaginary, or the collective force of the people, emerged as a force in 2011, representing itself as the sovereign power that could decide when violence ought to be used to protect all citizens from corrupt power. Shedding light upon uprisings in Yemen, Tunisia, but also elsewhere in the Middle East, this book offers deeper insights into conceptions of violence, representation, and democracy."--

Chiara Bottici

The Politics of Imagination offers a multidisciplinary perspective on the contemporary relationship between politics and the imagination. What role does our capacity to form images play in politics? And can we define politics as a struggle for people’s imagination? As a result of the increasingly central place of the media in our lives, the political role of imagination has undergone a massive quantitative and a qualitative change. As such, there has been a revival of interest in the concept of imagination, as the intimate connections between our capacity to form images and politics becomes more and more evident. Bringing together scholars from different disciplines and theoretical outlooks, The Politics of Imagination examines how the power of imagination reverberates in the various ambits of social and political life: in law, history, art, gender, economy, religion and the natural sciences. And it will be of considerable interest to those with contemporary interests in philosophy, political philosophy, political science, legal theory, gender studies, sociology, nationalism, identity studies, cultural studies, and media studies.

The Politics of Imagination

In Imagining Europe, Chiara Bottici and Benoît Challand explore the formation of modern European identity. Europe has not always been there, although we have been imagining it for quite some time. Even after the birth of a polity called the European Union, the meaning of Europe remained a very much contested topic. What is Europe? What are its boundaries? Is there a specific European identity or is the EU just the name for a group of institutions? This book answers these questions, showing that in Europe's formation, myth and memory, although distinct, are often merged in a common attempt to construct an identity for its present and its future. In a time when Europe is facing an existential crisis, when its meaning is being questioned, Imagining Europe explores a vital and often unacknowledged aspect of the European project.

Myth, Memory, and Identity

Imagining Europe

Chiara Bottici and Benoît Challand explore the formative process of a European identity situated between myth and memory.

While globalization unifies the world, divisions re-emerge within it in the form of a spectacular separation between Islam and the West. How can it be that Huntington’s contested idea of a clash of civilizations became such a powerful political myth through which so many people look at the world? Bottici and Challand disentangle such a process of myth-making both in the West and in Muslim majority countries, and call for a renewed critical attitude towards it. By analysing a process of elaboration of this myth that took place in academic books, arts and media, comics and Hollywood films, they show that the clash of civilizations has become a cognitive scheme through which people look at the world, a practical image on the basis of which they act on it, as well as a drama which mobilizes passions and emotions. Written in a concise and accessible way, this book is a timely and valuable contribution to the academic literature, and more generally, to the public debate. As such, it will be an important reference for scholars and students of political science, sociology, philosophy, cultural studies, Middle Eastern politics and Islam.

Benoît Challand

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