Bernard W. Bell

Emily Grosholz

James Benjamin Stewart

W. E. B. Du Bois was one of the most profound and influential African-American intellectuals of the twentieth century. This volume addresses the complexities of Du Bois' legacy, showing how his work gets to the heart of today's theorizing about the color line.

Philosophy, Politics, and Poetics

W.E.B. Du Bois on Race and Culture

In 1987 Bernard W. Bell published "The Afro-American Novel and Its Tradition", a comprehensive interpretive history of more than 150 novels written by African Americans from 1853 to 1983. This is a sequel and companion to the earlier work, expanding the coverage to 2001.

Its Folk Roots and Modern Literary Branches

The Contemporary African American Novel

Offers a collection of Clarence Major's poetry, fiction, and art, providing critical interpretations alongside each selection.

Portraits of an African American Postmodernist

Clarence Major and His Art

This study is an addition to the growing body of scholarly analysis examining the Afro-American contribution. It is based on the premise that in the last 25 years the traditional canon of American literature excluded important minority authors. Proceeding chronologically from William Wells Brown's Clotel (1853), to experimental novels of the 1980s, Bell comments on more than 150 works, with close readings of 41 novelists. His remarks are framed by an inquiry into the distinctive elements of Afro-American fiction. ISBN 0-87023-568-0 : $25.00.

The Afro-American Novel and Its Tradition

James B. Stewart

Emily R. Grosholz

Interpreting Du Bois' thoughts on race and culture in a broadly philosophical sense, this volume assembles original essays by some of today's leading scholars in a critical dialogue on different important theoretical and practical issues that concerned him throughout his long career: the conundrum of race, the issue of gender equality, and the perplexities of pan-Africanism.

Bernard W. Bell

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