Bettina Brandt

Yasemin Yildiz

Cultural texts born out of migration frequently defy easy categorization as they cross borders, languages, histories, and media in unpredictable ways. Instead of corralling them into identity categories, whether German or otherwise, the essays in this volume, building on the influential work of Leslie A. Adelson, interrogate how to respond to their methodological challenge in innovative ways. Investigating a wide variety of twentieth- and twenty-first-century texts that touch upon "things German" in the broadest sense—from print and born-digital literature to essay film, nature drawings, and memorial sites—the contributions employ transnational and multilingual lenses to show how these works reframe migration and temporality, bringing into view antifascist aesthetics, refugee time, postmigrant Heimat, translational poetics, and post-Holocaust affects. With new literary texts by Yoko Tawada and Zafer Şenocak and essays by Gizem Arslan, Brett de Bary, Bettina Brandt, Claudia Breger, Deniz Göktürk, John Namjun Kim, Yuliya Komska, Paul Michael Lützeler, B. Venkat Mani, Barbara Mennel, Katrina L. Nousek, Anna Parkinson, Damani J. Partridge, Erik Porath, Jamie Trnka, Ulrike Vedder, and Yasemin Yildiz.

Migration, Translation, and Temporality in Twentieth- and Twenty-First-Century German Literature and Culture

Tales That Touch

Master's Thesis from the year 2009 in the subject Law - European and International Law, Intellectual Properties, grade: 1,00, University of Otago (Law), course: LL.M., language: English, abstract: In recent years, there have been several high profile instances where Māori whānau1 have taken the body of a loved one against the wishes of other immediate family members for the purposes of burying the relative on ancestral land. A high profile incident occurred in 1995, with the uplifting of the entertainer Billy T. James’ body from his home by his uncle, so that, in accordance with Māori custom, the body could lie on a marae2 for a period of mourning. Since the Billy T. James case,3 there have been a number of so-called “body snatching” incidents including the “snatching” of the body of John Takamore, and the “snatching” of the body of Tina Marshall-McMenamin.

"Body Snatching" in contemporary Aotearoa/New Zealand: A legal conflict between cultures

Valentina Glajar

Two languages—German and Romanian—inform the novels, essays, and collage poetry of Nobel laureate Herta Müller. Describing her writing as “autofictional,” Müller depicts the effects of violence, cruelty, and terror on her characters based on her own experiences in Communist Romania under the repressive Nicolae Ceau?escu regime. Herta Müller: Politics and Aesthetics explores Müller’s writings from different literary, cultural, and historical perspectives. Part 1 features Müller’s Nobel lecture, five new collage poems, and an interview with Ernest Wichner, a German-Romanian author who has traveled with her and sheds light on her writing. Parts 2 and 3, featuring essays by scholars from across Europe and the United States, address the political and poetical aspects of Müller’s texts. Contributors discuss life under the Romanian Communist dictatorship while also stressing key elements of Müller’s poetics, which promises both self-conscious formal experimentation and political intervention. One of the first books in English to thoroughly examine Müller’s writing, this volume addresses audiences with an interest in dissident, exile, migration, experimental, and transnational literature.

Politics and Aesthetics

Herta Müller

Britta Hochkirchen

Mit Bildern die Komplexität geschichtlicher Zeit reflektieren, fotografieren, zeichnen: Dies ist eine wenig beachtete, aber höchst produktive Dimension im Schaffen des Bielefelder Historikers Reinhart Koselleck. Damit wertete er die bildliche Dimension der Geschichte und ihrer Erforschung auf, lange bevor von einem »Iconic Turn« die Rede war. Die Beiträger*innen des Bandes setzen sich umfassend mit Kosellecks Bildpraxis auseinander und verbinden sie mit seinen Forschungen zur Begriffsgeschichte, Historik, Erinnerung und körperlich-sinnlichen Wahrnehmung des Politischen. Die Ergebnisse des Bandes dokumentieren zudem das Projekt des forschenden Ausstellens und gehen in weiten Teilen auf eine Ausstellung zurück, die 2018 an drei Orten in Bielefeld gezeigt wurde.

Reinhart Koselleck und das Bild

Two languages--German and Romanian--inform the novels, essays, and collage poetry of Nobel laureate Herta Müller. Describing her writing as "autofictional," Müller depicts the effects of violence, cruelty, and terror on her characters based on her own experiences in Communist Romania under the repressive Nicolae Ceau?escu regime. Herta Müller: Politics and Aesthetics explores Müller's writings from different literary, cultural, and historical perspectives. Part 1 features Müller's Nobel lecture, five new collage poems, and an interview with Ernest Wichner, a German-Romanian author who has traveled with her and sheds light on her writing. Parts 2 and 3, featuring essays by scholars from across Europe and the United States, address the political and poetical aspects of Müller's texts. Contributors discuss life under the Romanian Communist dictatorship while also stressing key elements of Müller's poetics, which promises both self-conscious formal experimentation and political intervention. One of the first books in English to thoroughly examine Müller's writing, this volume addresses audiences with an interest in dissident, exile, migration, experimental, and transnational literature.

Daniel Leonhard Purdy

Over the course of the eighteenth century, European intellectuals shifted from admiring China as a utopian place of wonder to despising it as a backwards and despotic state. That transformation had little to do with changes in China itself, and everything to do with Enlightenment conceptions of political identity and Europe's own burgeoning global power. China in the German Enlightenment considers the place of German philosophy, particularly the work of Leibniz, Goethe, Herder, and Hegel, in this development. Beginning with the first English translation of Walter Demel's classic essay "How the Chinese Became Yellow," the collection's essays examine the connections between eighteenth-century philosophy, German Orientalism, and the origins of modern race theory.

Bettina Brandt

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