Bettina Steinbrügge

Agnes Husslein-Arco

This publication documents a group show that explores the relationship between productivity and creativity. Various artists--including Claire Fontaine, Thomas Baumann, Siggi Hofer, Santiago Sierra, Josephine Pryde, Christoph Meier and Adrian Williams--comment on the conflation of time and money.

exhausted self

Busy

Sabine Schaschl-Cooper

René Zechlin

on the paradox of feminism

Cooling out

Liz Craft

Halle für Kunst Lüneburg eV.

Edited by Bettina Steinbruegge. Text by Bettina Steinbruegge, Bruce Hainley, Heike Munder.

95-06

Ursula Mayer

Ursula Blickle

The title But We Loved Her was taken from a picture in the April 17, 2013 issue of the British newspaper The Independent, the day Margaret Thatcher was interred. The London-based artist collected all the newspaper articles in the days that followed Thatcher's death, programmatically positioning these four words at the forefront of her exhibition in Vienna, and in a phase of her work that foregrounds questions about the opportunities offers by neoliberal identity, about consumer culture in a post-capitalistic society, and about their precursors.Ursula Mayer studied at the Academy of Fine Arts in Vienna and Goldsmiths College in London. She won the Otto Mauer Prize in 2007, and was a scholar in the International Studio & Curatorial Program (ISCP) in New York in 2011. Her films have been presented at international film festivals such as Locarno, Oberhausen and Rotterdam.But We Loved Her is the first monograph on Ursula Mayer and accompanies her exhibition at the 21er Haus, Vienna, 13 October, 2013 - 12 January, 2014.

But We Loved Her

Ben Rivers

"Ways of Worldmaking is the first comprehensive monograph on British experimental filmmaker Ben Rivers (born 1972). In recent years, Rivers has been celebrated as one of the most important experimental filmmakers of his generation. The series of exhibitions collected in this book explore the diversity and breadth of his work. Often following people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds."--Publisher's website.

Ways of Worldmaking

Bettina Steinbrügge

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