Bill Berkson

A Frank O'Hara Notebook

Richard Brautigan

Lewis Warsh

Ted Berrigan

Robert Creeley

Michael Bond

Jim Carroll

Aram Saroyan

Tom Clark

Alice Notley

Anne Waldman

Joe Brainard

Bill Brown

Philip Whalen

Stephen Ratcliffe

Diane Di Prima

John Thorpe

David Meltzer

Lewis MacAdams

Phoebe MacAdams

Joel Weishaus

Arthur Okamura

Max Crosley

Bobbie Louise Hawkins

Duncan Mc Naughton

Jim Brodey

Ebbe Borregaard

Joanne Kyger

John Doss

Gailyn Saroyan

Keith Lampe

Lawrence Kearney

Charlie Vermont

Poetry. California Interest. Afterword by Lytle Shaw. The Song Cave presents an expanded edition of the long out of print City Lights Books classic ON THE MESA: AN ANTHOLOGY OF BOLINAS WRITING in celebration of its 50th anniversary. This is a gathering of poets, writers and artists living on or around the mesa in Bolinas, California. Not so much a school of thought as a meeting of those who happened to be at this geographical location at this wobbly point in time, several divergent movements in American poetry (Black Mountain, San Francisco Renaissance, Beat, and New York School poets) came together with new Western and mystic elements at the unpaved crossroads of Bolinas. Featuring work by: Gordin Bladwin, Bill Berkson, Ted Berrigan, Michael Bond, Ebbe Borregaard, Joe Brainard, Richard Brautigan, Jim Brodey, Bill Brown, Jim Carroll, Tom Clark, Robert Creeley, Max Crosley, Diane Di Prima, John Doss, Bobbie Louise Hawkins, Lawrence Kearney, Joanne Kyger, Keith Lampe, Lewis Macadams, Phoebe Macadams, Duncan MC Naughton, David Meltzer, Alice Notley, Arthur Okamura, Stephen Ratcliffe, Aram Saroyan, Gailyn Saroyan, John Thorpe, Charlie Vermont, Anne Waldman, Lewis Warsh, Joel Weishaus, and Philip Whalen.

An Anthology of Bolinas Writers

On the Mesa

Joe LeSueur

Poetry. Memoir. A scrapbook-style homage to the one of the great American poets of the 20th century, including poems, tributes and reminiscences by many of those who knew O'Hara best, including Robert Duncan, Allen Ginsberg, John Wieners, Kenward Elmslie, Ted Berrigan, Elaine de Kooning, Philip Guston, Joe Brainard and many others. Includes a rich array of black and white photographs. Edited by Bill Berkson and Joe LeSueur, two of O'Hara's most intimate friends.

Homage to Frank O'Hara

Steven A. Nash

The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco. The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco.

100 Years of Landscape Art in the Bay Area

Facing Eden

George Schneeman

Start Over

A Winter's Tale

Frank O'Hara

James Schuyler

Ron Padgett

Ann Lauterbach

Frank Lima

From 1963 to 1978 Joe Brainard (author of I REMEMBER) created more than 100 works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality. Together these works accumulate into a sophisticated, complex work of great wit, equal parts surprise and subtlety.The Nancy Book is the first published collection of Brainard's Nancy texts, drawings, collages and paintings (with nearly eighty full page reproductions), including collaborations with luminary New York School poets such as Frank O?Hara and Ted Berrigan, an essay by Ann Lauterbach that illuminates, with critical and poetic acumen, the complexity of Brainard's transformation of Nancy.OEvery page of this book will make you smile or laugh'not with recognition but with startled joy. Joe Brainard took an unchanging icon of the American norm and inserted her into countless fashionable or scandalous contexts, subtly metamorphosing something that seemed eternal into absurdly contemporary forms. He is as funny as only a philosopher can be.O Edmund White.OJoe Brainard's pursuit of the once ubiquitous fuzzy-haired pest Nancy chronicled one of the great love-hate relationships in American popular culture. It's wonderful to have it all between the covers of a book.O John Ashbery

The Nancy Book

Bernadette Mayer

"In or around 1977, Bernadette Mayer and Bill Berkson initiated a correspondence that eventually centered on question-and-answer exchanges usually folded inside accompanying cover letters. The candor and intensity of these epistolary interviews was sustained well into the mid 1980s. Included are intimate musings on everyday life, childhood, marriage, sex, poetry and other arts, cooking, weather, house-and-garden details, fashion, politics, philosophy, time, identity, morality, and much else besides. Although the exchanges have continued intermittently to this day, it is the bulk of that early, high-intensity phase that the present volume represents ... The title What's Your Idea of a Good Time? was the question that sparked the original project"--P. 7.

Letters & Interviews 1977-1985

What's Your Idea of a Good Time?

Bill Berkson

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