Bill Kouwenhoven

Bonnie Yochelso

Why do girls love pink toys, and boys love blue ones? The fi ne arts photographer Jeongmee Yoon (*1969, Seoul) poses this question in her work, The Pink and Blue Project, for which she began photographing Korean and American girls and boys in their rooms in 2005. The gender-specifi c color schemes quickly established themselves as an overarching phenomenon, independent of cultural or ethnic background. Yoon's impressive portraits, for which she spent hours carefully arranging pink or blue objects, question these color codes and the consumer habits of both parents and children. They reveal the connections linking gender identity and social norms, consumer culture, and media. She continued this project by visiting the children years later and capturing how their favorite colors had changed. Jeongmee Yoon was awarded the ILWOO Foundation Prize for her project.

The Pink and Blue Project

JeongMee Yoon

Michael Itkoff

Aaron Schuman

Michael Itkoff has traveled the world since 2002 taking portraits of everyday people in the street. In his photographs a makeshift backdrop is held behind each of his subjects in London, Sydney, Hanoi, Bangkok, and New York. This technique, normally reserved for celebrity and commercial portraiture, creates a striking aesthetic isolating the subjects from their urban contexts and allowing them to exist in a shared visual space as part of the same extended family.--Publisher.

Street Portraits

Ananda Van Der Pluijm

An Incomplete History is a reflection of what s left after erosion has hit a life. Soil is the earth s fragile skin that anchors all life. When this soil slips away, a life crumbles, a family falls apart and memories start to fade. Ananda uses photography to reconnect with her surroundings and to find her bearings. Her previous series Martin were an attempt to reconnect with her half brother, whom she hadn t seen for ten years. This new work, An Incomplete History, explores her feelings of absence after her father, who she had not seen for a long time, died. Having only one object, a fossil, to remember him by, she set out to lay bare the remains after erosion hit a family in Tanzania. At a site of historical and archeological importance, she looked through a magnifying glass into what it means to be connected to land and family. Crafted as a love story, the book shows the cruel effects of erosion on belonging and family life, knowing that life goes on."

Bill Kouwenhoven

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