Bill V. Mullen

Jeanelle K. Hope

Fighting Back from Anti-Lynching to Abolition

Black Antifascist Tradition

Christopher Vials

How anti-fascism is as American as apple pie Since the birth of fascism in the 1920s, well before the global renaissance of “white nationalism,” the United States has been home to its own distinct fascist movements, some of which decisively influenced the course of US history. Yet long before “antifa” became a household word in the United States, they were met, time and again, by an equally deep antifascist current. Many on the left are unaware that the United States has a rich antifascist tradition, because it has rarely been discussed as such, nor has it been accessible in one place. This reader reconstructs the history of US antifascism into the twenty-first century, showing how generations of writers, organizers, and fighters spoke to each other over time. Spanning the 1930s to the present, this chronologically-arranged, primary source reader is made up of antifascist writings by Americans and by exiles in the US, some instantly recognizable, others long-forgotten. It also includes a sampling of influential writings from the US fascist, white nationalist, and proto-fascist traditions. Its contents, mostly written by people embedded in antifascist movements, include a number of pieces produced abroad that deeply influenced the US left. The collection thus places US antifascism in a global context.

The US Antifascism Reader

Fred Ho

A collection of writing on the historical alliances, cultural connections, and shared political strategies linking African Americans and Asian Americans.

Revolutionary Political and Cultural Connections Between African Americans and Asian Americans

Afro Asia

The biography of one of the world's most earth-shattering African-American writers

Living in Fire

James Baldwin

Cathryn Watson

After Japan's defeat of Russia in the 1904 territorial war, W. E. B. Du Bois declared, “The Color Line in civilization has been crossed in modern times as it was in the great past. The awakening of the yellow races is certain. That the awakening of the brown and black races will follow in time, no unprejudiced student of history can doubt.” Du Bois's lifelong certitude that Asia would play a central role in determining the fates of races, nations, and world systems of power has not until now been made fully available. W. E. B. Du Bois on Asia captures in unprecedented detail Du Bois's first-person experiences of and responses to Indian nationalism, the war between China and Japan, the life of Mahatma Gandhi, colonialism in Malaysia and Burma, and the promise of China's Communist Revolution. It also provides critical understanding of Du Bois's obsession with the eternal relationship between Asia and Africa dating from antiquity to the postcolonial era. The Du Bois of this collection emerges as a forerunner of post colonialist thought, a lifelong internationalist, and the most important African American reader of Asia's place in the making of the modern world.

Crossing the World Color Line

W. E. B. Du Bois on Asia

Revolutionary Across the Color Line

W. E. B. Du Bois

James Smethurst

This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the interpretive framework of American cultural studies. Tracing the development of the Left over the course of the last century, the essays connect the Old Left of the pre-World War II era to the New Left and Third World nationalist Left of the 1960s and 1970s, as well as to the multicultural Left that has emerged since the 1970s. Individual essays explore the Left in relation to the work of such key figures as Ralph Ellison, T. S. Eliot, Chester Himes, Harry Belafonte, Americo Paredes, and Alice Childress. The collection also reconsiders the role of the Left in such critical cultural and historical moments as the Harlem Renaissance, the Cold War, and the Black Arts Movement of the 1960s and 1970s. The contributors are Anthony Dawahare, Barbara Foley, Marcial Gonzalez, Fred Ho, William J. Maxwell, Bill V. Mullen, Cary Nelson, B. V. Olguin, Rachel Rubin, Eric Schocket, James Smethurst, Michelle Stephens, Alan Wald, and Mary Helen Washington.

Bill V. Mullen

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