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Rembrandt Harmenszoon van Rijn

Rembrandt (Harmensz van Rijn)

Franziska Gottwald

Presents and explores the seven known oil sketches of Christ on oak panels by Rembrandt, along with over 60 paintings, drawings and prints by him and his pupils.

Rembrandt and the Face of Jesus

Lara Yeager-Crasselt

Olivia Savatier Sjöholm

Jan Blanc

يقدم كتالوج "رامبرانت وفيرمير والعصر الذهبي الهولندي" لمحة عامة عن جميع الأعمال الفنية في المعرض الذي يقام في اللوفر أبوظبي. فإلى جانب صور اللوحات الفنية المعروضة، يتضمن الكتاب أربعة مقالات علمية، تضع الأولى "مجموعة ليدن" في سياق العصر الذهبي الهولندي. وتسلط الثانية والثالثة الضوء على الدور الرئيسي الذي لعبته هولندا في العالم في القرن السابع عشر، والخصائص المميزة للعصر الذهبي الهولندي، فضلاً عن أعمال رامبرانت ومعاصريه في المجتمع الهولندي في ذلك الوقت. أما المقال الرابع، فيبرز الدور الخاص الذي لعبه الرسم في العملية الإبداعية لدى الفنانين الهولنديين

رامبرانت وفيرمير والعصر الذهبي الهولندي

Accompanying the exhibition at Louvre Abu Dhabi, the catalogue Rembrandt, Vermeer and the Dutch Golden Age provides an image-rich overview of the artworks exhibited, complimented by four essays. The first situates The Leiden Collection within the context of the Dutch Golden Age. The second and third describe the major role that the Netherlands played on a global scale in the in the 17th century, the specificities of the Dutch Golden Age as well as the work of Rembrandt and his contemporaries, rooted in the society of that time and place. The fourth essay sheds light on the particular role that drawing played in the creative process of Dutch artists.

Rembrandt, Vermeer and the Dutch Golden Age

Adriaan E. Waiboer

A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris.

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