Brandon Christopher

Jim Casey

From their inception, 'low culture' comics have intersected with the 'high culture' of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess's 'A Midsummer Night's Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth, among many others. As comic books and their big-screen progeny dominate mainstream popular culture, the association of Shakespeare with comics offers creators and critics tools with which to interrogate the place of Shakespeare within the English and global literary and cultural traditions. Shakespeare and Comics argues that, at a moment when the reassessment and reimagining of literary canons has become more urgent than ever, thinking about Shakespeare through the lens of comics invites us to imagine a literary and cultural landscape in which so-called 'great works' exist alongside and in equal conversation with marginalized writers, topics and forms.

Negotiating Cultural Value

Shakespeare and Comics

"I am 13 years old. I just realized that I'm not as good-looking as my mom led me to believe. I wear two pairs of underwear everywhere. These are my stories."It was 1985, and if you weren't a diehard Knight Rider fan then you probably wouldn't survive on the savage and perilous playground of St. Charles private school. It was a time unlike any other, filled with strange fashion choices, schoolyard extortion rackets, and first dates. It was a time for kids who stuck firecrackers in cats' asses, a time for pretending to be murdered to freak out neighbors, and a time for realizing that no one really liked you. It was the perfect time for a Dirty Little Altar Boy.Middle-class, middle child, way uncool hair-these are the true confessions of a 13-year-old at the crossroads of junior high and hellfire eternity.

Brandon Christopher

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