Brandon Hobson

Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago--from National Book Award finalist Brandon Hobson In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family's annual bonfire approaching--an occasion marking both the Cherokee National Holiday and Ray-Ray's death, and a rare moment in which they openly talk about his memory--Maria attempts to call the family together from their physical and emotional distances once more. But as the bonfire draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. Maria and Ernest take in a foster child who seems to almost miraculously keep Ernest's mental fog at bay. Sonja becomes dangerously fixated on a man named Vin, despite--or perhaps because of--his ties to tragedy in her lifetime and lifetimes before. And in the wake of a suicide attempt, Edgar finds himself in the mysterious Darkening Land: a place between the living and the dead, where old atrocities echo. Drawing deeply on Cherokee folklore, The Removed seamlessly blends the real and spiritual to excavate the deep reverberations of trauma--a meditation on family, grief, home, and the power of stories on both a personal and ancestral level.

The Removed: a Novel

2018 NATIONAL BOOK AWARD FICTION FINALIST Set in rural Oklahoma during the late 1980s, Where the Dead Sit Talking is a stunning and lyrical Native American coming-of-age story. With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his mother’s years of substance abuse, Sequoyah keeps mostly to himself, living with his emotions pressed deep below the surface. At least until he meets seventeen-year-old Rosemary, a troubled artist who also lives with the family. Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah’s feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

Where the Dead Sit Talking

"A spare, lyrical Native American coming of age story set in rural Oklahoma in the late 1980s. With his single mother in jail, Sequoyah, a fifteen-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface--that is, until he meets the seventeen-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American backgrounds and tumultuous paths through the foster care system, but as Sequoyah's feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both"--

Where the dead sit talking

Storyteller

From National Book Award finalist Brandon Hobson, a kaleidoscopic middle-grade adventure that mixes the anxieties, friendships, and wonders of a Cherokee boy's life with Cherokee history and lore.
Ziggy has ANXIETY. Partly this is because of the way his mind works, and how overwhelmed he can get when other people (especially his classmate Alice) are in the room. And partly it's because his mother disappeared when he was very young, making her one of many Native women who've gone mysteriously missing. Ziggy and his sister, Moon, want answers, but nobody around can give them.

Once Ziggy gets it in his head that clues to his mother's disappearance may be found in a nearby cave, there's no stopping him from going there. Along with Moon, Alice, and his best friend, Corso, he sets out on a mind-bending adventure where he'll discover his story is tied to all the stories of the Cherokees that have come before him.

Ziggy might not have any control over the past -- but if he learns the lessons of the storytellers, he might be able to better shape his future and find the friends he needs.

The Storyteller

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Fiction. "DEEP ELLUM is a novel of beauty and power, about family and transcending family, lives unwinding even as they tangle together. Brandon Hobson writes luminescent prose of hard-edged, quiet intensity. His narrator owns a voice at once mysterious and intimate, like a long-lost, slightly suspect friend returning to tell you how the world really is. In a mere 120 pages, Hobson fashions a universe so vivid you can read it in one sitting and stagger back to the world entranced."—Jerry Stahl "Both dreamy and gritty, bleak and oblique, DEEP ELLUM treads the sketchy margins of Dallas, following one young man as he tries to reconnect with his family and reconcile his mystifying past with his uncertain present. Brandon Hobson's mordant portrait of the lost and damaged among us recalls the estranged, drifting world of Denis Johnson's Jesus' Son."—Stewart O'Nan

Deep Ellum

LOST CHAPLIN FILMS DISCOVERED Los Angeles -A private collection of films involving the famous actor Charlie Chaplin was uncovered on Monday, according to numerous sources. A reel of Chaplin's private home films, including a sexual encounter containing over 30 minutes of footage, had been stored for many years in Switzerland in the basement of Anton Bon Scott, a former friend of Chaplin's. The acclaimed actor evidently kept private films of his sexual encounters throughout his life and asked Mr. Scott to preserve them after Chaplin's death. The private reel is the only film unseen by anyone other than Chaplin and perhaps a few others. "They're somewhere in the middle of nowhere," sources state. "They're in Texas, I think. They're not here in L.A." Film historians have described the discovery as "priceless."

Brandon Hobson

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