Émile Zola

Brian Nelson

The Fortune of the Rougons is the first in Zola's Rougon-Macquart series of novels.

The Fortune of the Rougons

'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.' The Kill (La Curée) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable 'appetites' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard's son Maxime. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Kill

The seventh novel in Zola's Rougon-Macquart cycle, The Assommoir is the story of a woman's struggle for happiness in working-class Paris.

The Assommoir

Includes bibliography, chronology, explanatory notes.

The Belly of Paris/ Le Ventre de Paris

Five Tribes

In the high mountains of Tibet, rumors are spreading. People whisper of an outbreak, of thousands of dead, of bodies pushed into mass graves. It is some strange new disease ... a disease, they say, that can kill in minutes. The Chinese government says the rumors aren't true, but no one is allowed in or out of Tibet. At the Pentagon, Admiral James Curtiss is called to an emergency meeting. Satellite images prove that a massive genocide is underway, and an American spy has made a startling discovery. This is no disease. It's a weapons test. Chinese scientists have developed a way to kill based on a person's genetic traits. But that is only the tip of the iceberg. The success of their new weapon proves that the Chinese are nearing "Replication"-a revolutionary breakthrough that will tip the global balance of power and change the way wars are waged. Now the US must scramble to catch up before it is too late. Admiral Curtiss gathers the nation's top scientists, including a promising young graduate student named Eric Hill who just might hold the missing piece to the replication puzzle. Soon Hill and his colleague Jane Hunter are caught up in a deadly game of sabotage as the two nations strive to be the first to reach the coveted goal. But in their headlong race, they create something unexpected ... something the world has never seen and something more powerful than they had ever imagined. The Last Sword Maker is an exciting globe-trotting thriller with unforgettable characters that depicts a haunting vision of the future of warfare. "A gripping, frighteningly plausible techno-thriller...Nelson's intriguing scientific predictions and distinctive near-future setting make this sure to please speculative fiction readers as well as thriller fans."-Publishers Weekly "An all-too-plausible examination of how emerging technologies could be weaponized to horrible ends. I don't recommend reading this one right before bedtime-unless you are prepared to stay up very, very late to finish it."-Lisa Brackmann, New York Times bestselling author "A head-spinning sci-fi-infused military thriller, with China and the United States putting everything they have into developing the perfect weapon, no matter the cost. "-Francisco Toro, columnist, Washington Post "The danger is unique, and the treachery vast, in this rapid-paced adventure that delivers in equal doses of amazing, yet possible. An intriguing tale that will leave you thinking. "-Steve Berry, New York Times bestselling author "A compelling thriller...Nelson's riveting narrative captures the drama of great power competition...This is a terrific debut."-Patrick Duddy, Duke University, former US Ambassador to Venezuela "An amazing read. The Last Sword Maker has everything"-Moises Naim, New York Times bestselling author "A terrifying vision of future warfare in the vein of Tom Clancy's and Michael Crichton's novels...A powerhouse near-future thriller with explosive action and exciting science."-Foreword Reviews

The Last Sword Maker

�mile Zola was the leader of the literary movement known as 'naturalism' and is one of the great figures of the novel. In his monumental Les Rougon-Macquart (1871-93), he explored the social and cultural landscape of the late nineteenth century in ways that scandalized bourgeois society. Zola opened the novel up to a new realm of subjects, including the realities of working-class life, class relations, and questions of gender and sexuality, and his writing embodied a new freedom of expression, with his bold, outspoken voice often inviting controversy. In this Very Short Introduction, Brian Nelson examines Zola's major themes and narrative art. He illuminates the social and political contexts of Zola's work, and provides readings of five individual novels (The Belly of Paris, L'Assommoir, The Ladies' Paradise, Germinal, and Earth). Zola's naturalist theories, which attempted to align literature with science, helped to generate the stereotypical notion that his fiction was somehow nonfictional. Nelson, however, reveals how the most distinctive elements of Zola's writing go far beyond his theoretical naturalism, giving his novels their unique force. Throughout, he sets Zola's work in context, considering his relations with contemporary painters, his role in the Dreyfus Affair, and his eventual murder. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Émile Zola: a Very Short Introduction

Émile Zola was the leader of the literary movement known as 'naturalism' and is one of the great figures of the novel. In his monumental Les Rougon-Macquart (1871-93), he explored the social and cultural landscape of the late nineteenth century in ways that scandalized bourgeois society. Zola opened the novel up to a new realm of subjects, including the realities of working-class life, class relations, and questions of gender and sexuality, and his writing embodied a new freedom of expression, with his bold, outspoken voice often inviting controversy. In this Very Short Introduction, Brian Nelson examines Zola's major themes and narrative art. He illuminates the social and political contexts of Zola's work, and provides readings of five individual novels (The Belly of Paris, L'Assommoir, The Ladies' Paradise, Germinal, and Earth). Zola's naturalist theories, which attempted to align literature with science, helped to generate the stereotypical notion that his fiction was somehow nonfictional. Nelson, however, reveals how the most distinctive elements of Zola's writing go far beyond his theoretical naturalism, giving his novels their unique force. Throughout, he sets Zola's work in context, considering his relations with contemporary painters, his role in the Dreyfus Affair, and his eventual murder. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Émile Zola: A Very Short Introduction

Fiona Neilson

Excellent study guide on this famous French novel written by Albert Camus with detailed notes by a Professor of French Studies and a colleague specialising in French literature.

Insight Text Guide

The Outsider

Wolf Boetcher

Country of My Choice

Brigid Maher

This volume explores the relationship between literature and translation from three perspectives: the creative dimensions of the translation process; the way texts circulate between languages; and the way texts are received in translation by new audiences. The distinctiveness of the volume lies in the fact that it considers these fundamental aspects of literary translation together and in terms of their interconnections. Contributors examine a wide variety of texts, including world classics, poetry, genre fiction, transnational literature, and life writing from around the world. Both theoretical and empirical issues are covered, with some contributors approaching the topic as practitioners of literary translation, and others writing from within the academy.

Creation, Circulation, Reception

Perspectives on Literature and Translation

In this highly accessible introduction, Brian Nelson provides an overview of French literature - its themes and forms, traditions and transformations - from the Middle Ages to the present. Major writers, including Francophone authors writing from areas other than France, are discussed chronologically in the context of their times, to provide a sense of the development of the French literary tradition and the strengths of some of the most influential writers within it. Nelson offers close readings of exemplary passages from key works, presented in English translation and with the original French. The exploration of the work of important writers, including Villon, Racine, Molière, Voltaire, Balzac, Flaubert, Zola, Proust, Sartre and Beckett, highlights the richness and diversity of French literature.

The Cambridge Introduction to French Literature

(Applause Books). Includes: Amy Hill: Tokyo Bound ; David Henry Hwang: Bondage ; Velina Hasu Houston: As Sometimes in a Dead Man's Face ; Lane Nishikawa and Victor Talmadge: The Gate of Heaven ; Dwight Okita: The Rainy Season .

9 Plays from the Multiethnic Landscape

Asian American Drama

Countdown to Doomsday The year is 2026. The US military has a new weapon in its arsenal: an intelligent life-form so versatile that it can not only create a new generation of weapons but can become a weapon itself--entering a host's body to manipulate (or kill) them. Admiral James Curtiss is tasked with deploying the new weapons, first in Cuba, then Venezuela, then China. But the news of the military's breakthrough has gotten out and there are menacing forces trying to steal it. What's more, a single man has somehow harnessed the new power and has become something more than human--godlike and seemingly indestructible. He is known only as the Inventor, and he has a warning for humanity: abandon the new technology or the human race will face extinction. It's a countdown to doomsday. But humanity's final fate may be decided in the most unlikely of places: among the primitive tribes of the Kalahari Desert where a top secret military mission has just taken an unexpected turn.

Leslie Hill

Dimitris Vardoulakis

Professor of French Studies Leslie Hill

What does it mean to come after Blanchot? Three things, at least. First, it is to recognise that it is no longer possible to believe in an essentialist determination of literary discourse or of aesthetic experience. All this has disappeared; and there is no way back. Second, there is the question of history. What is Blanchot's legacy to us, his readers? Any name, however, irreplaceably singular, is always already preceded, limited, challenged even, by the abiding anonymity of the person, animal, or thing it claims to name. Every name is necessarily impersonal, anonymous, other. Blanchot "after Blanchot," then, can best he understood in the sense of that which is "according to Blanchot"--and that is nothing other than the infinite process of reading and rereading Blanchot: without end. Here, a third meaning to the phrase "after Blanchot" comes into view. For if we come after Blanchot, it is surely because Blanchot is still before us, still in front, still in the future, still to come.

Literature, Criticism, Philosophy

After Blanchot

Countdown to Doomsday The year is 2026. The US military has a new weapon in its arsenal: an intelligent life-form so versatile that it can not only create a new generation of weapons but can become a weapon itself—entering a host’s body to manipulate (or kill) them. Admiral James Curtiss is tasked with deploying the new weapons, first in Cuba, then Venezuela, then China. But the news of the military’s breakthrough has gotten out and there are menacing forces trying to steal it. What’s more, a single man has somehow harnessed the new power and has become something more than human—godlike and seemingly indestructible. He is known only as the Inventor, and he has a warning for humanity: abandon the new technology or the human race will face extinction. It’s a countdown to doomsday. But humanity’s final fate may be decided in the most unlikely of places: among the primitive tribes of the Kalahari Desert where a top secret military mission has just taken an unexpected turn.

An engaging, highly accessible and informative introduction to French literature from the Middle Ages to the present.

Emile Zola is a towering literary figure of the nineteenth century. His main literary achievement was his twenty-volume novel cycle, Les Rougon-Macquart (1870–93). In this series he combines a novelist's skills with those of the investigative journalist to examine the social, sexual and moral landscape of the late nineteenth century in a way that scandalized bourgeois society. In 1898 Zola crowned his literary career with a political act, his famous open letter ('J'accuse...!') to the President of the French Republic in defence of Alfred Dreyfus. The essays in this volume offer readings of individual novels as well as analyses of Zola's originality, his representation of society, sexuality and gender, his relations with the painters of his time, his narrative art, and his role in the Dreyfus Affair. The Companion also includes a chronology, detailed summaries of all of Zola's novels, suggestions for further reading, and information about specialist resources.

Brian Nelson

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