Brigitte Fitoussi

Pioneers of the 1950s and of the optimistic American way of life, Charles and Ray Eames created the greatest modern furniture "classics" between 1941 and 1978. They designed more than 20 chair models, mostly unique pieces, and developed know-how in the art of sitting. The Plywood Chairs LCW and DCW (1946), the Aluminum Group (1958) and the Lounge Chair (1956) have become true symbols of design that remain references today. Still produced, they inspire the admiration of new generations to convey the generous social ideal of their designers.

Furniture 1941-1978

Eames

Design Museum Enterprise Limited

Imogen Fortes

In this series, the Design Museum looks at the fifty design icons of major cities around the world - icons that, when viewed together, inherently sum up the character of their city. Covering anything from buildings, monuments and iconic designers to a classic film or street sign, these books explore a tapestry of infamous designs, all with their own story to tell. One part design history, one part visual guidebook, this fascinating series unlocks the design stories of the biggest, most creative cities in the world. With entries on design icons from I.M. Pei's glass pyramid to the humble baguette, Le Monde newspaper to Le Corbusier's striking Maison La Roche, Paris in Fifty Design Icons builds an intricate portrait of Europe's most romantic city. With stunning photography, this book is the perfect gift for design enthusiasts and anyone who loves anything Parisian. Also available in the series: London in Fifty Design Icons New York in Fifty Design Icons Berlin in Fifty Design Icons

Paris in Fifty Design Icons

Aaron Betsky

Richard (ART) Hutten

The Dutch designer Richard Hutten is barely 39 and has already gained an indelible reputation in the international design world. In 2008 a design academy carrying his name will open in Seoul. Together with the architect company MVRDV he is designing a complete school, for which he's also compiling the educational programme - and the biggest design shopping centre in the world, which will be situated nearby. For the Central Museum in Utrecht he has designed the restaurant, the garden furniture and the bookshop. The orders for his contemporary version of the Berlage chair are difficult to keep up with, and the Domoor mug, the Bronto chair and the Zzzidt chair (the 'skippy') remain very successful. Hutten's designs - 'works in use' as he likes to call them - are well sought after by celebrities and colleagues such as Paola Antonelli, Queen Beatrix, Aaron Betsky, Humberto Campana, Karl Lagerfeld, Philippe Starck a.o. In this bulky book, many of these people describe their day-to-day contact with the creations of Richard Hutten. Furthermore the reader also becomes acquainted with the environment of this internationally appreciated designer and with the context and history of his designs. Text in English and French. 200 colour illustrations

Brigitte Fitoussi

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