Bruno Zevi

Joseph A. Barry

This classic work (first published in Italian in 1948, translated in 1957, and revised in 1974) examines the history of architecture in light of its essence as space, animating and illuminating architectural creations so that their beauty—or indifference—is exposed. Along with commercial and dwelling units, temples, palaces, and cathedrals, Zevi treats structures such as fountains, columns, and monuments, subjecting them all to aesthetic, cultural, and functional criteria and explaining them in easily understood terms. Beautifully illustrated with examples from the entire history of the art, this is one of the most stimulating and provocative books ever written on the history and purpose of architecture.

How to Look at Architecture

Architecture as Space

Storia dell'architettura moderna

Saper vedere l'architettura. Saggio sull'interpretazione spaziale dell'architettura

Storia e controstoria dell'architettura in Italia

Frank Lloyd Wright called Bruno Zevi ”the most penetrating architectural critic of our time,” and one could ask for no better proof than Zevi's masterpiece, The Modern Language of Architecture . In it, Zevi sets forth seven principles, or ”antirules,” to codify the new language of architecture created by Le Corbusier, Gropius, Mies van der Rohe, and Wright. In place of the classical language of the Beaux Art school, with its focus on abstract principles of order, proportion, and symmetry, he presents an alternative system of communication characterized by a free interpretation of contents and function, an emphasis on difference and dissonance, a dynamic of multidimensional vision, and independent interplay of elements, an organic marriage of engineering and design, a concept of living spaces that are designed for use, and an integration of buildings into their surroundings. Anticipating the innovations of postmodern architecture, Zevi argues forcefully for complexity and against unity, for decomposition dialogue between architecture and historiography, finding elements of the modern language of architecture throughout history, and discussing the process of architectural innovation. Sumptuously illustrated, and written in a clear, accessible manner, The Modern Language of Architecture will long remain one of the classics of architectural criticism and history.

The Modern Language Of Architecture

Saber Ver La Arquitectura

Mit dem 1921 gebauten Einsteinturm in Potsdam erlangte der junge Erich Mendelsohn frühe Berühmtheit. Die beiden Kaufhäuser für Schocken in Stuttgart und Chemnitz sowie der Kinokomplex am Kurfürstendamm in Berlin zeigten ihn bereits auf der Höhe seiner Meisterschaft: dynamisch-fließende Linienführung mit konstruktiver Klarheit gepaart in Gebäuden von expressiver Plastizität. Ab 1933 führte ihn die Emigration zunächst nach Großbritannien und Palästina, von 1941 bis zu seinem Tode wirkte er in den USA. Das von Bruno Zevi, dem Grand old man der italienischen Architekturgeschichtsschreibung, engagiert und einfühlsam herausgegebene Gesamtwerk ist ein fundamentales Kompendium, unerläßlich für jeden, der sich ernsthaft mit Mendelsohn und seinem Werk beschäftigen will. Eine Sammlung von über 1000 Skizzen, Entwürfen, Plänen, Modellfotos und zeitgenössischen Gebäudeaufnahmen, die Erich Mendelsohns Innovationskraft erschöpfend dokumentiert.

The Complete Works

Erich Mendelsohn

Examines the designs of Erich Mendelsohn for a variety of stores, factories, houses, and other buildings and discusses the development of his style of architecture

Apprendre à voir l'architecture

The proceedings of an epoch making symposium. The foremost

Landscape and the zero degree of architectural language

José Luis Sert

Sert's Architecture in the Miró Foundation

Frank Lloyd Wright

Der Studio-Paperback-Klassiker �ber Frank Lloyd Wright, einen der wichtigsten Architekten des 20. Jahrhunderts - als preisg�nstige Sonderausgabe.

Bruno Zevi

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