Bryony Lavery

The bloody chamber

A play by Bryony Lavery in collaboration with Sound&Fury. A submarine is on patrol in the arctic. The crew sleep, eat, drill, long for word from home, and silently shadow their target. Their lives, at once extraordinary and mundane, are shattered by a global crisis from which uniquely personal stories emerge. Inspired by the Russian submarine disaster of August 2000, in collaboration with Sound&Fury, Bryony Lavery's play imagines the life of submariners, deep below the icy seas on the fraying front line of the cold war. Kursk was iproduced at the Young Vic Theatre 2009 and revived to great acclaim in 2010.

Kursk

Bryony Lavery is the award-winning author of many plays, including "Frozen" and "The Magic Toyshop."

Stockholm

Simon Armitage

Jackie Kay

Patrick Marber

Davey Anderson

James Graham

Snoo Wilson

Mark Ravenhill

Katori Hall

Drawing together the work of 12 leading playwrights, this National Theatre Connections anthology celebrates highlights from 21 years of the Connections festival with a retrospective selection of plays. Featuring work by some of the most prolific playwrights of the 20th and 21st centuries, and together in one volume, the anthology offers young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department over the years, with the young performer in mind. In 2016, these plays were then performed by approximately 500 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional partner regional theatres at which the works were showcased. The anthology contains all 12 of the play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Snoo Wilson, Gary Kemp and Guy Pratt; Simon Armitage; Jackie Kay; Patrick Marber; Mark Ravenhill; Bryony Lavery & Frantic Assembly; Davey Anderson; James Graham; Katori Hall; Carl Grose; Stacey Gregg; and Lucinda Coxon.

Blackout; Eclipse; What Are They Like?; Bassett; I'm Spilling My Heart Out Here; Gargantua; Children of Killers; Take Away; It Snows; The Musicians; Citizenship; Bedbug

Connections 500

Stacey Gregg

Lucinda Coxon

Carl Grose

Frantic assembly

Anton Chekhov

Nothing's new Everything's old. I'm exactly the same as ever Only more lazy More aimless More curmudgeonly...' One of the high points of world drama, Chekhov's bittersweet tale of frustrated lives and unrequited loves - by turns witty, playful, nostalgic and tragic - is captured in all its complexity by Bryony Lavery's spirited, sharply-written adaptation, first produced at Birmingham Rep in 2007.

Uncle Vanya

Lisa Evans

Dracula and Frankenstein: Two Horror Plays brings together two classic horror tales updated for the 21st century and adapted for the stage by two of Britain’s leading playwrights. Bram Stoker’s Dracula adapted by Bryony Lavery: This is the modern world. Its inhabitants can go anywhere, even toTransylvania. They can communicate globally in the blink of an eye. But their feet, in their modern shoes, walk upon the gravestones of a vast cosmic graveyard. Count Dracula is still alive. He could always come through walls, arrive on a moonbeam but, in the modern world, he has emails, smartphones, webcams and the worldwide web... Mary Shelley’s Frankenstein adapted by Lisa Evans: Mary is imprisoned in a present-day psychiatric hospital, convicted of murdering her baby daughter. During her incarceration she becomes obsessed with Mary Shelley’s famous novel. The novel comes to lifewithin her imagination, and we are left to question just who the realmonster really is, Mary or Frankenstein himself...

Two Horror Plays

Dracula and Frankenstein

More Light and the other 'ladies of the Emperor' have been immured with the recently deceased Chinese ruler. Used to a secure and luxurious existence, they are driven to extreme of human behaviour which test to the limit their mutual loyalty.More Light by Bryony Lavery was specially commissioned by the Royal National Theatre for the BT National Connections Scheme for young people.

More Light

Her Aching Heart ; Wicked ; Two Marias

This is a comedy of wedding days and life-long responsibilities, told with wit and flair by one of Britain's most distinctive writers. Briony Lavery's plays include: Her Aching Heart, Goliath and Frozen.

A Wedding Story

Not one of us must breathe a word of what we've found. It's a dark and stormy night. Jim, the inn-keeper's granddaughter, opens the door to a terrifying stranger. At the old sailor's feet sits a huge sea-chest, full of secrets. Jim invites him in - and her dangerous voyage begins. Treasure Island, Robert Louis Stevenson's classic story of murder, money and mutiny, premiered at the National Theatre, London, in December 2014, in a thrilling adaptation by Bryony Lavery.

Treasure Island

The sexes collide in this genre-defying, spooky romantic comedy which takes a funny and a funny-peculiar look at modern women and their relationships.

Smoke

Play

Magdalen King-Hall

Lady Barbara Skelton is beautiful, wild and truly wicked. Forced into a respectable marriage with a man she can't love, she soon becomes bored and embarks on a secret life of gambling, highway robbery and murder. But she's playing a dangerous game. Shadowed by betrayal, threatened by revenge, can Barbara escape her wicked life? Or will she be abandoned to a terrible fate? Gainsborough Studios made Magdalen King-Hall's historical novel into an unusually racy costume drama starring Margaret Lockwood and James Mason, The Wicked Lady, which became the top-grossing British movie of 1946. This stage adaptation incorporates aerial sequences created with the help of specialist company, Upswing.

The Wicked Lady

Alice Birch

Winsome Pinnock

Sabrina Mahfouz

Katherine Chandler

Rebecca Lenkiewicz

Suhayla El-Bushra

Sarah Daniels

Deborah Bruce

Natasha Marshall

Chinoyerem Odimba

Rena Owen

Rebecca Prichard

Chloe Moss

Ursula Rani Sarma

Shelley Silas

Sandrine Uwayo

Anna Reynolds

Somalia Seaton

Naomi Wallace

Lucy Kirkwood

Jacqueline Holborough

Morgan Lloyd-Malcolm

Daisy King

Vivienne Franzmann

Lin Coghlan

Annie Caulfield

Raina Dunne

Danni Brown

Laura Lomas

Theresa Ikoko

Katie Hims

Sonya Hale

Linda Brogan

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

Celebrating 40 Years of Clean Break Theatre Company

Rebel Voices: Monologues for Women by Women

Sarah Waters

Claire Tomalin

Madeleine Thien

Kit de Waal

April De Angelis

Carol Ann Duffy

Philippa Gregory

Emma Woolf

Jasvinder Sanghera

Anne Sebba

Djamila Ribeiro

A.S. Byatt

Sian Evans

Suchen Christine Lim

Fiona Rintoul

Debbie Taylor

Ida Vitale

Jaki McCarrick

Laura Miles

Kalista Sy

A revised edition of the publisher’s inaugural publication in 1990, which won the Pandora Award from Women-in-Publishing. Inspirational in its original format, this new edition features poems, stories, essays and interviews with 30 + women writers, both emerging authors and luminaries of contemporary literature such as: – Choices: The Writing of Possession by A.S. Byatt – Becoming a Writer by Saskia Calliste – Jenny – a song by April de Angelis – Interview with Kit de Waal – Anne Hathaway by Carol Ann Duffy – Let the World Burn through you by Sian Evans – Early Women Writers by Philippa Gregory – The Creative Process by Mary Hamer – The Writing Life by Jackie Kay – Screen Diversity by Shuchi Kothari – Writing Plays by Bryony Lavery – The Novelist as Wanderer by Annee Lawrence – Interview with Roseanne Liang – Mei Kwei, I love you by Suchen Christine Lim – The Badminton Court by Jaki McCarrick – Interview with Laura Miles – The Motherload by Raman Mundair – The Feminist Library by Magda Oldziejewska – Fortune Favours The Brave... by Kaite O’Reilly – Interview with Jacqueline Pepall – The Art of Translation by Gabi Reigh – Conditions of Amefricanity -Djamila Ribeiro – Inspiration: Where does it come from? by Fiona Rintoul – Interview with Jasvinder Sanghera – A Room of One’s Own ...or Not? by Anne Sebba – Being a Feminist Writer by Kalista Sy – Mslexia by Debbie Taylor – My Mother, Reading a Novel by Madeleine Thien – Interview with Clare Tomalin – Fortune by Ida Vitale, transl. Tanya Huntington – Interview with Sarah Waters – Virginia Woolf...100 years on by Emma Woolf Includes the original writing workshops plus illustrations from contemporary and vintage illustrators. Guest editor Ann Sandham has compiled the new collection. Reviews: The Women Writers Handbook is a superb, powerful collection of writings from 30 women that are considered to be the emerging authors and luminaries of contemporary fiction, from Carol Ann Duffy to Kit De Waal. With its short chapters, background to who the author is and with 20% of all profits going towards the campaign for a full-sized statue of Virginia Woolf, the first in the UK, it is absolutely a book to buy, read and help to highlight the creativities of women, as well as inspiring other women to believe that they can also do it too. Not only is every piece of work that is included different, well written and informative but the way that the whole book is laid out with inspiring quotes but also beautiful illustrations from women. I loved the activities that can be found at the end of the book, writing workshop activities that could be used within a group in order to breakdown boundaries, to help overcome the fears and misgivings of individuals who would like to become writers, as well as activities to help create depth in characters. I think this inclusion of interactivity, as well as giving a feminist spin on fairy tales is a cleverly unique concept. ...its absolutely one to pick up and for a worthy cause too. --thereadingcloset Knowledgeably compiled and deftly edited, 'The Women Writers Handbook'; by Ann Sandham (Commissioning Editor for Ladybird Children's Books at Penguin Random House) also features an informative Foreword by Cheryl Robson (the Aurora Metro Books publisher). Of special note is the inclusion of a instruction article on how to operate a writing workshop, a five page Resource Directory (compiled by Saskia Calliste), and a fun one-page Quiz. Informative, thought-provoking, inspiring, 'The Women Writers Handbook'; is an extraordinary, unique, and thoroughly 'reader friendly' in both organization and presentation. Certain to be an immediate and enduringly popular addition to personal, professional, community, college, and university library Writing/Publishing collections in general, 'The Women Writers Handbook'; is unreservedly recommended for Women's Fiction, Literature, and Writing supplemental curriculum reading lists in particular. --Midwest Book Review As a young woman both studying literature and harbouring dreams of becoming a writer myself, it seems to me that the world of writers is a great looming circle of male literary greats. Dickens, Wilde, Shakespeare, Scott, Browning the list of the most respected literary figures seems both to be endless and decidedly full of men. The whole industry seems overwhelmingly male with merely a few select women being let into this strange world governed by men. Although I have felt very welcomed and my voice heard in my studies and critique of literature, there seems to be precious few ways for me to become a meaningful contributor to the discipline. That is why it is so important that a book like this exists, giving guidance like this, telling stories like these, and using women's voices to do so. Sandham offers a helping hand to all aspiring female writers to aid them in navigating their ventures into the literary world. The Handbook offers a space to women from all backgrounds to share their stories in my favourite segment: Women's Voices. One story that stood out to me most was told by Magda Oldziejewska in The Feminist Library. Oldziejewska recounts her experience of discovering the Feminist Library; an archive in London which exists to preserve the lives, works and memories of many women. I especially liked this piece as it shows that there does in fact exist a space for women to feel not only safe and welcomed, but actively valued in the literary world. A space where we can learn about the forgotten women who came before us and ensure that the great female powers of our time do not slip into the void of lost female writers. The importance of creating access points to the literary world for women is monumental and Sandham has so beautifully created another in her making of this Handbook. The later segments of the Handbook (Writing Workshops and Workshop Sessions) give an incredible level of insight into the more finnicky aspects of serious writing with guides on Developing Complex Characters to Self-censorship. The frank discussion provided throughout the workshop segments is an indispensable tool for any budding author looking to get real and seriously improve the quality of their writing. I would recommend The Women Writers' Handbook not only to women with explicit intentions to embark on their literary careers who need some support, but to anyone who seeks to better understand both the struggles and triumphs of women in the world of literature. --portobellobookblog What a fabulous source book - full of inspirational essays, short stories, poems and interviews with some top female writers - about the writing process, feminism and the experience of female authors, designed to get the juices flowing for any woman who has the hankering to write. If this was not enough to make you want to grab your note book and pen and embark on a writing project, then there are also writing exercises designed to stimulate the creative impulses and a directory of resources to help you on your way! And... quotes from some of the top women writers, both contemporary, and from history, are spread liberally throughout the publication, as encouragement. If I have not already persuaded you that you need a copy of this book to hand on the writing desk you are now surely going to purchase (should you not have one already), perhaps it will help if you know that 20% of the profits from the sale of this book will go towards the Virginia Woolf statue campaign! --Sue, Vine Voice Thrilled to get my hands on a copy of this updated version of The Women Writers’ Handbook, released to celebrate the 30th anniversary of Aurora Metro books. Edited by Ann Sandham, a fabulous collection of poems, stories and interviews from a diverse group of internationally acclaimed women. Also included are the workshops from the original edition of this anthology and there is a newly updated resources list. As well as being a good read with lovely black and white drawings dotted throughout, it’s a really useful book - one I know I will return to time and time again. In addition, 20% of each sale is being donated to the Virginia Woolf statue campaign to go towards funding a statue of the esteemed British writer - the author of pioneering essays on women’s writing and the politics of power, so this is very apt. --Daisy Hollands In aid of the Virginia Woolf Statue campaign at: www.aurorametro.org/virgini-woolf-statue

The Women Writers Handbook 2020

Henrik Ibsen

Nora loves her husband above everything. But when she risks her reputation in order to save him, the consequences force her to examine her devotion, and she finds herself struggling for her own life. Henrik Ibsen's ground-breaking play created a huge sensation at its premiere in 1879 and is as fresh and pertinent as ever, with an unfading capacity to shock.

A Doll's House

Name one certainty . . . one sure thing . . . one thing you truly believe . . . Two families are flung together on a night of cataclysmic weather. Bruised, tired and seduced by the flow of alcohol, they wrestle with their differences until, suddenly, the unthinkable happens. Something unbelievable. As their versions of what happened begin to fall apart and their perspectives become clouded by suspicion, they turn on each other in a desperate fight to understand the truth. Frantic Assembly and Bryony Lavery follow the success of their previous collaborations (Stockholm and Beautiful Burnout) with this thrilling and highly visceral exploration of love and loss. Bryony Lavery's The Believers premiered at The Drum Theatre in February 2014, before touring the UK in a co-production between Frantic Assembly and Theatre Royal Plymouth, in association with Curve Theatre, Leicester.

The Believers

My theme is memory, that winged host? that soared about me one grey morning of wartime. Billeted to Brideshead during the Second World War, Captain Charles Ryder is overwhelmed by memories of his Oxford days and holidays spent in the fine stately home under the privileged spell of the dazzling Marchmains. As past and present blur, Charles recalls his enchantment with the beguiling Sebastian, his beautiful sister Julia and the doomed Catholic family, and considers how they would change his life for ever. Evelyn Waugh's Brideshead Revisited, reimagined for the stage by Bryony Lavery, was co-produced by English Touring Theatre and York Theatre Royal. The show premiered at York Theatre Royal in April 2016 and then toured the UK.

Brideshead Revisited

For the first time, this volume contains Bryony Lavery's most popular plays.

Origin of the Species; Two Marias; Her Aching Heart; Nothing Compares to You

Lavery Plays:1

Premiered at the Lucille Lortel Theatre, New York, in 2004, 'Last Easter' tells the story of a group of friends, all of whom work in the theatre, and the emotional and physical journeys they undertake together when one of their number reveals that she is seriously ill. It is a story of friendship, laughter and good red wine - and ultimately how friends can help us cope with the most difficult decisions life can throw at us.

Last Easter

Bryony Lavery

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