C. Ondine Chavoya

Combining the artistry of photographer Delilah Montoya with an informative introduction written by professor and librarian Maria Teresa Marquez, Women Boxers: The New Warriors explores the world of las malcriadas, those women who challenge society's views of femininity, violence, and physicality. Montoya's photographs profile twelve powerful, devoted athletes who are taking advantage of the Women's Movement and the right to live, work, and box in a man's world. The boxers featured are from all over the United States, and include super bantamweight Jackie Chavez, holder of the IFBA Super Bantamweight Title, light middleweight Akondaye "Storm" Fountain, welterweight Christy "Coalminer's Daughter" Martin, and lightweight Mia "The Knockout" St. John, holder of the IBA Women's Lightweight Title and the IFBA Lightweight World Title. The introductory essay succinctly traces the phenomenon of women boxers, noting that as early as 1728 boxing matches between women were reported in London newspapers. Since 1997, women's amateur boxing competitions have been held in Europe, Africa, and Asia; countries such as Egypt, India and Kazakhstan are among 28 countries represented in women's boxing organizations. And women's amateur boxing may be sanctioned soon for the first time as an Olympic sport. In spite of the increased popularity of women's boxing, it remains controversial. Many still believe that women boxers are simply women who make a living by selling their bodies. Women boxers struggle to get televised matches and suitable prize money, and many boxing promoters refuse to support fights between female boxers. With an essay by C. Ondine Chavoya tracing Montoya's artistic career, this is a rareand fascinating look at the sport of women's boxing.

The New Warriors

Women Boxers

Terezita Romo

Jennifer A. González

Chon Noriega

This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

A Critical Anthology

Chicano and Chicana Art

The powerful work of queer Chicano artists in Los Angeles is explored in this exciting and thoughtful book. Working between the 1960s and early 1990s, the artists profiled in this compendium represent a broad cross section of L.A.'s art scene. With nearly 400 illustrations and ten essays, this volume presents histories of artistic experimentation and reveals networks of collaboration and exchange that resulted in some of the most intriguing art of late 20th-century America. From "mail art" to the rise of Chicano, gay, and feminist print media; the formation of alternative spaces to punk music and performance; fashion culture to the AIDS crisis--the artists and works featured here comprise a boundary-pushing network of voices and talents.

C. Ondine Chavoya

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