Carl H. Sederholm

Antonio Alcala Gonzalez

"Lovecraft in the 21st Century assembles reflections from a wide range of perspectives on the significance of Lovecraft's influence in contemporary times"--

Dead, But Still Dreaming

Lovecraft in the 21st Century

Dennis R. Perry

Adapting Poe collects new interdisciplinary essays by leading scholars that combine the latest work in adaptation theory with fresh discussions of Edgar Allan Poe, his work, and popular culture. The book examines a range of genres and media into which Poe has been adapted, such as film, comic art, music, literary criticism, promotional campaigns, television, and internet videos. Each essay re-evaluates Poe's influence not only on popular culture today, but also as a significant figure in its development. As a whole, this collection demonstrates Poe's pervasive and continuing relevance to the images and ideas of contemporary culture.

Re-Imaginings in Popular Culture

Adapting Poe

Lovecraft in the 21st Century assembles reflections from a wide range of perspectives on the significance of Lovecraft’s influence in contemporary times. Building on a focus centered on the anthropocene, adaptation, and visual media, the chapters in this collection focus on the following lines: Adaptation of Lovecraft’s legacy in theater, television, film, graphic narratives, and game artwork The connection between the writer’s legacy and his life Considering capitalism, the posthuman, and the Anthropocene when reading Lovecraft How contemporary authors have worked through the implicit racial and sexual politics in Lovecraft’s fiction. Reading Lovecraft’s fiction in light of contemporary approaches to gender and sexuality

D. Perry

Poe, 'The House of Usher,' and the American Gothic discusses the interrelation between Poe's tale and the modern horror genre, demonstrating how Poe's work continues to serve as a model for exploring the deepest and most primitive corners of the human mind and heart.

Poe, “The House of Usher,” and the American Gothic

Jeffrey Andrew Weinstock

Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Howard Phillips Lovecraft, the American author of “weird tales” who died in 1937 impoverished and relatively unknown, has become a twenty-first-century star, cropping up in places both anticipated and unexpected. Authors, filmmakers, and shapers of popular culture like Stephen King, Neil Gaiman, and Guillermo del Toro acknowledge his influence; his fiction is key to the work of posthuman philosophers and cultural critics such as Graham Harman and Eugene Thacker; and Lovecraft’s creations have achieved unprecedented cultural ubiquity, even showing up on the animated program South Park. The Age of Lovecraft is the first sustained analysis of Lovecraft in relation to twenty-first-century critical theory and culture, delving into troubling aspects of his thought and writings. With contributions from scholars including Gothic expert David Punter, historian W. Scott Poole, musicologist Isabella van Elferen, and philosopher of the posthuman Patricia MacCormack, this wide-ranging volume brings together thinkers from an array of disciplines to consider Lovecraft’s contemporary cultural presence and its implications. Bookended by a preface from horror fiction luminary Ramsey Campbell and an extended interview with the central author of the New Weird, China Miéville, the collection addresses the question of “why Lovecraft, why now?” through a variety of approaches and angles. A must for scholars, students, and theoretically inclined readers interested in Lovecraft, popular culture, and intellectual trends, The Age of Lovecraft offers the most thorough examination of Lovecraft’s place in contemporary philosophy and critical theory to date as it seeks to shed light on the larger phenomenon of the dominance of weird fiction in the twenty-first century. Contributors: Jessica George; Brian Johnson, Carleton U; James Kneale, U College London; Patricia MacCormack, Anglia Ruskin U, Cambridge; Jed Mayer, SUNY New Paltz; China Miéville, Warwick U; W. Scott Poole, College of Charleston; David Punter, U of Bristol; David Simmons, Northampton U; Isabella van Elferen, Kingston U London.

Carl H. Sederholm

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