Carla Fernandes

Cláudia Ribeiro

Vito Evola

Dance Data, Cognition, and Multimodal Communication is the result of a collaborative and transdisciplinary effort towards a first definition of "dance data", with its complexities and contradictions, in a time where cognitive science is growing in parallel to the need of a renewed awareness of the body’s agency in our manyfold interactions with the world. It is a reflection on the observation of bodily movements in artistic settings, and one that views human social interactions, multimodal communication, and cognitive processes through a different lens—that of the close collaboration between performing artists, designers, and scholars. This collection focuses simultaneously on methods and technologies for creating, documenting, or representing dance data. The editors highlight works focusing on the dancers’ embodied minds, including research using neural, cognitive, behavioural, and linguistic data in the context of dance composition processes. Each chapter deals with dance data from an interdisciplinary perspective, presenting theoretical and methodological discussions emerging from empirical studies, as well as more experimental ones. The book, which includes digital Support Material on the volume's Routledge website, will be of great interest to students and scholars in contemporary dance, neuro-cognitive science, intangible cultural heritage, performing arts, cognitive linguistics, embodiment, design, new media, and creativity studies.

Dance Data, Cognition, and Multimodal Communication

Collectif,

Charlotte Arnaud

Philippe Courtemanche

Eva Morsch Kihn

1999

Cinémas d'Amérique latine

L'une des constantes de l'œuvre roabastienne est la tension dialectique et créatrice entre oralité et écriture qu'analyse ici Carla Fernandes. La source première de cette tension fondatrice de l'œuvre réside dans la caractéristique de la culture paraguayenne : la co-présence de deux langues, le guarani et l'espagnol, qui suppose la co-présence de deux modes de pensée, au sens large du terme. L'auteur étudie la situation linguistique au Paraguay, la survivance et la transmission des textes mythiques oraux dans leurs rapports à l'œuvre de Roa Bastos.

Écriture et oralité

AUGUSTO ROA BASTOS

Institut pluridisciplinaire d'études sur l'Amérique latine de Toulouse

Cinémas du réel en Amérique latine (XXIe siècle)

Carla Fernandes

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