Lianke Yan

Carlos Rojas

Discovering Fiction

Doomed to hell, Spanish poet Federico Garcia Lorca is confronted by two different versions of his former self.

The Ingenious Gentleman and Poet Federico Garcia Lorca Ascends to Hell

Azaña

Por que perdimos la guerra; antologia de testimonios de los vencidos en la contienda civil

zahrl. Ill., Kt

Por que perdimos la guerra

Por qué perdimos la guerra. ([Edited by] Carlos Rojas.).

Porqué perdimos la guerra

Por qué perdimos la guerra

Floridor Pérez

La vuelta de Pedro Urdemales

Lisa Rofel

The contributors to New World Orderings demonstrate that China’s twenty-first-century rise occurs not only through economics and state politics but equally through the mutual entanglements of overlapping social, economic, and cultural worlds in Southeast Asia, Africa, and Latin America. They show how the Chinese state has sought to reconfigure the nation’s position in the world and the centrality of trade, labor, religion, migration, gender, race, and literature to this reconfiguration. Among other topics, the contributors examine China’s post-Bandung cultural diplomacy with African nations, how West African “pastor-entrepreneurs” in China interpreted and preached the prosperity doctrine, the diversity of Chinese-Argentine social relations in the soy supply chain, and the ties between China and India within the complex history of inter-Asian exchange and Chinese migration to Southeast Asia. By examining China’s long historical relationship with the Global South, this volume presents a non-state-centric history of China that foregrounds the importance of transnational communicative and imaginative worldmaking processes and interactions. Contributors. Andrea Bachner, Luciano Damián Bolinaga, Nellie Chu, Rachel Cypher, Mingwei Huang, T. Tu Huynh, Yu-lin Lee, Ng Kim Chew, Lisa Rofel, Carlos Rojas, Shuang Shen, Derek Sheridan, Nicolai Volland

China and the Global South

New World Orderings

Eileen Chow

What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.

The Oxford Handbook of Chinese Cinemas

DIV In Carlos Rojasâ€™s imaginative novel, the Spanish poet Federico GarcÃ­a Lorca, murdered by Francoist rebels in August 1936, finds himself in an inferno that somehow resembles Breughelâ€™s Tower of Babel. He sits alone in a small theater in this private hell, viewing scenes from his own life performed over and over and over. Unexpectedly, two doppelgÃ¤ngers appear, one a middle-aged Lorca, the other an irascible octogenarian self, and the poet faces a nightmarish confusion of alternative identities and destinies. Carlos Rojas uses a fantastic premiseâ€”GarcÃ­a Lorca in hellâ€”to reexamine the poetâ€™s life and speculate on alternatives to his tragic end. Rojas creates with a surrealistâ€™s eye and a moral philosopherâ€™s mind. He conjures a profoundly original world, and in so doing earns a place among such international peers as Gabriel GarcÃ­a MÃ¡rquez, Philip Roth, J. M. Coetzee, and JosÃ© Saramago. /div

Proceso a Godoy

El jardín de las Hespérides

Steven L. Stephenson

Myxomycetes: Biology, Systematics, Biogeography and Ecology, Second Edition provides a complete collection of general and technical information on myxomycetes microorganisms. Its broad scope takes an integrated approach, considering a number of important aspects surrounding their genetics and molecular phylogeny. The book treats myxomycetes as a distinct group from fungi and includes molecular information that discusses systematics and evolutionary pathways. Written and developed by an international team of specialists, this second edition contains updated information on all aspects of myxomycetes. It incorporates relevant and new material on current barcoding developments, plasmodial network experimentation, and non-STEM disciplinary assimilation of myxomycete information. This book is a unique and authoritative resource for researchers in organismal biology and ecology disciplines, as well as students and academics in biology, ecology, microbiology, and similar subject areas. Written in a simple, concise and relatively non-technical style, allowing for a broad readership within biological, environmental and life science programs at academic and research institutions Contains the comprehensive body of information available on myxomycetes under one cover, with contributions from the leading authorities in their respective areas of expertise Provides straightforward, compiled information about myxomycetes and the potential of this group for basic and applied research Offers completely updated material in every chapter, including new material on barcoding and Physarum polycephalum biological factors

Biology, Systematics, Biogeography and Ecology

Myxomycetes

Obtain all the necessary tools for developing a progressive web application (PWA) with Vue.js, a modern JavaScript framework. You’ll see how PWAs behave like a regular responsive website and have a similar structure to that of a web application, but feel like a native mobile app. Along the way you’ll take advantage of Vue.js features to build fast, high-performing progressive web apps that work offline. Building Progressive Web Applications with Vue.js starts by explaining the basic concepts and structure of PWAs, and moves on to designing the app shell and other features that distinguish a PWA from simple web pages. In the following chapters, the book talks about the improved web technologies, such as service workers, caching strategies, background sync, and push notifications, that make PWAs powerful. What You Will Learn Harness the power of Vue.js to build PWAs Understand the function and relevance of a manifest file Discover service workers and why they are revolutionary Work with the Cache API and caching strategies Use IndexedDB, background sync, and push notifications Enhance your apps with Firebase Implement the Workbox library in your apps Who This Book Is ForWeb developers who want to venture into building PWAs would find the book useful.

Reliable, Fast, and Engaging Apps with Vue.js

Building Progressive Web Applications with Vue.js

Acclaimed translator Edith Grossman brings to English-language readers Rojas’s imaginative vision of Francisco de Goya and the reverberations of his art in Fascist Spain This historical novel by one of Spain’s most celebrated authors weaves a tale of disparate time periods: the early years of the nineteenth century, when Francisco de Goya was at the height of his artistic career, and the final years of Generalissimo Franco’s Fascist rule in the 1970s. Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain’s War of Independence. Goya obliges the king’s request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco’s body lying in state and experiences again a dark and monstrous despair. Rojas's work is a dazzling tour de force, a unique combination of narrative invention and art historical expertise that only he could have brought to the page.

The Valley of the Fallen

Robert Bailey

This new title covers the extensive cruising area of Galicia in the north west of Spain from Ribadeo to Bayona, where the beautiful ras provide shelter from the Atlantic in picturesque harbours and remote anchorages. The authors have spent several seasons cruising in the area and making use of their local connections have produced a modern guide that provides in-depth information necessary for yachts spending time visiting the rias and ports of Galicia. Annotated town plans covering over 90 destinations show shore-side facilities and recommended restaurants and side panels provide advice on interesting places to visit, local customs and features of interest. Carlos Rojas has sailed yachts since 2000, a short but intensive career during which he has crossed the Atlantic, cruised in the Pacific, made several passages across Biscay and sailed to Ireland and France. His professional involvement in technology companies as an engineer, manager and director has given him an insight into design and usability that he applies to his pilot books. Carlos has lived most of his life in Britain but he is originally from Spain, a country that he knows well, naming Galicia as one of his favourite areas. Robert Bailey was brought up in a sailing family. Over a period of 35 years, and with the aid of a Nicholson 32 and Rustler 36, much of the coastline of the north western approaches to Europe, from the Faroe Islands in the north to the Morbihan in the south, were avidly explored. In 2001 he adopted a more flexible approach to his career as an aerospace engineer and this allowed him to take up cruising instruction. He is now a Yachtmaster Instructor.

Cruising Galicia

Ralph A. Litzinger

Even as China is central to the contemporary global economy, its socialist past continues to shape its capitalist present. This volume's contributors see contemporary China as haunted by the promises of capitalism, the institutional legacy of the Maoist regime, and the spirit of Marxist resistance. China's development does not result from historical imperatives or deliberate economic strategies, but from the effects of discrete practices the contributors call protocols, which stem from an overlapping mix of socialist and capitalist institutional strategies, political procedures, legal regulations, religious rituals, and everyday practices. Analyzing the process of urbanization and the ways marginalized communities and migrant workers are positioned in relation to the transforming social landscape, the contributors show how these protocols constitute the Chinese national imaginary while opening spaces for new emancipatory possibilities. Offering a nuanced theory of contemporary China's hybrid political economy, Ghost Protocol situates China's development at the juncture between the world as experienced and the world as imagined. Contributors. Yomi Braester, Alexander Des Forges, Kabzung, Rachel Leng, Ralph A. Litzinger, Lisa Rofel, Carlos Rojas, Bryan Tilt, Robin Visser, Biao Xiang, Emily T. Yeh

Development and Displacement in Global China

Ghost Protocol

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another. An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right. As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.

Carlos Rojas

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