Carol Dyhouse

This book is about the reshaping of women's lives, loves and dreams. It tells the story of how expectations and emotional landscapes have shifted since 1950, when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings.

From Cinderella to Frozen

Love Lives

Arka Kapak “Görünmeyen kadını görünür kılma çabası” ya da Gerda Lerner’ in ifadesiyle “Kadınların tarihöncesinden kadın tarihine geçiş” aşaması... İyi kötü bir erkek tarihi yazılmış yazılmış olmasına da, kadının tarihi hâlâ emekleme safhasında. Her zaman “meçhul askerden daha meçhul birisi vardır: meçhul askerin karısı”. Britanyalı sosyal tarihçi Carol Dyhouse çalışmalarını özellikle toplumsal cinsiyet alanında yoğunlaştıran önemli bir araştırmacı.Dyhouse, Gösteriş başlıklı bu kitabında dikkatini kadınlığın, kadın bedeninin kamusal alanda sergilenmesine çeviriyor.Bazen biraz öncesine, bazen biraz sonrasına atıfta bulunsa da objektifini 20.yüzyıla, tüketim çağı kültürüne odaklayarak kadın kimliğinin tarihsel gelişiminin incelenmesine katkıda bulunuyor. Bunu yaparken klasik tarihçinin pek de gönül indirmeyeceği kaynaklara yöneliyor Dyhouse: Alışılagelmiş literatürü değerlendirmenin yanında, tekstil müzelerine dalıyor, dönemin moda dergilerini karıştırıyor, Hollywood filmlerinde iz sürüyor, öne çıkan kimi isimlerin hayat hikâyelerini merak ediyor, parfüm adlarındaki sembolleri anlamlandırıyor... Bir yanıyla kadın vurgulu alternatif bir 20.yüzyıl tarihi sunuyor bize; öte yandan, şu kışkırtıcı soruyu da gündeme getiriyor: “Gösteriş” kadınların ataerkil düzene sakince boyun eğmesi midir, yoksa tam tersine bu düzeni kendi silahıyla vurarak erkek egemen sisteme bir meydan okuması mıdır?

kadınlar, tarih, feminizm

Gösteriş

What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons. When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable. Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout. In Heartthrobs, social and cultural historian Carole Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.

A History of Women and Desire

Heartthrobs

Horror, scandal and moral panic! The popular fascination with the moral decline of young women has permeated society for over a hundred years. Be it flappers, beat girls, dolly birds or ladettes, public outrage at girls' perceived permissiveness has been a mass-media staple with each changing generation. Eminent social historian Carol Dyhouse examines what it really means and has meant to be a girl growing up in the swirl of twentieth-century social change in this detailed, factual and empathetic history. Dyhouse uses studies, interviews, articles and news items to piece together the story of girlhood, clearly demonstrating the value of feminism and other liberating cultural shifts in expanding girls' aspirations and opportunities, in spite of the negative press that has accompanied these freedoms. This is a sparkling, panoramic account of the ever-evolving opportunities and challenges for girls, the new ways they have able to present and speak up for themselves, and the popular hysteria that has frequently accompanied their progress.

Panic and Progress in the History of Young Women

Girl Trouble

women, history, feminism

Glamour

Мужчина мечты. Как массовая культура создавала образ идеального мужчины

Girls behave badly. If they're not obscenity-shouting, pint-swigging laddettes they're narcissistic, living dolls floating around in a cloud of self-obsession, far too busy twerking to care. And this is news. In this witty and wonderful book, eminent historian Carol Dyhouse shows that for over a century now, where there's a horrific headline, a scandal or a wave of moral outrage you can bet a girl's to blame. Whether it be stories of brazen flappers staying out, and up, all night in the 1920s, inappropriate places for Mars bars in the 1960s or Courtney Love's mere existence in the 1990s, bad girls have been a mass-media staple for more than a century. And yet, despite the continued obsession with their perceived faults and blatant disobedience, girls are infinitely better off today than they were a century ago. This is the story of the challenges and opportunities faced by young women growing up in the swirl of the twentieth century and the pop-hysteria that continues to accompany their progress."

The story of how women's lives, loves, and dreams have been re-shaped since 1950, the year of Walt Disney's Cinderella and a time when teenage girls dreamed of marriage, Mr Right, and happy endings... Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next fifty years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control - and feminism. However, while widening opportunities for women were seen as progress, feminists were regularly caricatured as man-haters, cast in the role of ugly sisters, witches or wicked fairies in the fairy-tale. This book is about the reshaping of women's lives, loves and dreams since 1950, the year in which Walt Disney's film Cinderella gave expression to popular ideas of romance, and at a time when marriage was a major determinant of female life chances and teenage girls dreamed of Mr Right and happy endings. It ends with the runaway success of Disney's Frozen, in 2013 - a film with relevance to very different times. Along the way, it illuminates how women's expectations and emotional landscapes have shifted, asking bold questions about how women's lives have been transformed since 1950. How have women's changing life experiences been mirrored in new expectations about marriage, intimacy, and family life? How have new forms of independence through education and work, and greater control over childbearing, altered women's life ambitions? And were feminists right to believe that sexual equality would improve relationships between men and women?

What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons. When girls were supposed to be shrinking violets, passionate females risked being seen as 'unbridled', or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged 'fast' and undesirable. Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about 'shop-girl' taste in literature and in men, but as consumers, girls had new clout. In Heartthrobs, social and cultural historian Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and 'fandom', she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the 'male gaze': this book looks at men through the eyes of women.

In 1939 women represented nearly one quarter of the student population in British universities. Though tantamount to a "social revolution" in the eyes of many contemporaries, the process has recieved scant attention from historians. Whilst prejudice and hostility towards women lingered on in Oxford and Cambridge, it has often been assumed that the female presence was welcomed elsewhere. The younger, civic universities commonly advertised themselves as making "no distinction of sex" in admissions, appointments, or in educational policy.; This work of social history, based on extensive archival research, examines the truth of these claims and explores the experiences of women teachers and students in this period.

Women in British Universities, 1870-1939

No Distinction of Sex?

Girls learn about "femininity" from childhood onwards, first through their relationships in the family, and later from their teachers and peers. Using sources which vary from diaries to Inspector’s reports, this book studies the socialization of middle- and working-class girls in late Victorian and early-Edwardian England. It traces the ways in which schooling at all social levels at this time tended to reinforce lessons in the sexual division of labour and patterns of authority between men and women, which girls had already learned at home. Considering the social anxieties that helped to shape the curriculum offered to working-class girls through the period 1870-1920, the book goes on to focus on the emergence of a social psychology of adolescent girlhood in the early-twentieth century and finally, examines the relationship between feminism and girls’ education.

Carol Dyhouse

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