Carol Martin

At an unparalleled time of the construction of reality across the fields of the science and humanities on a variety of platforms, theatre and performance participates in the current obsession with the problems and possibilities of the epistemologies of the real by using and revising the conventions of dramatic writing and performance to create and recreate personal, national, historical, and virtual realities. Theatre of the Real examines a wide range of international theatre and performance that claims a special relationship to contemporary reality in order to theorize how theatre and performance participates in how we come to know, experience, and understand the important events of our personal, social and political lives. The wide range of works discussed include Kamp and History of the World - Part Eleven by Hotel Modern, Is.Man by Adelheid Roosen, I am My Own Wife by Doug Wright, and Southern Exposure by JoAnne Akalaitis.

Theatre of the Real

This work is a unique collection of key articles on feminist theatre and performance form The Drama Review (TDR). Carol Martin juxtaposes theory and practice to provide an exceptionally comprehensive overview of the development of feminist theatre. This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley. It also contains full performances texts by two of the most influential and controversial practiitioners of feminist theatre: Dress Suits to Hire by Holly Hughes and The Constant State of Desire by Karen Finley. A Sourcebook on Feminist Theatre and Performance is an essential purchase for students of theatre studies, performance studies and women's theatre.

On and Beyond the Stage

A Sourcebook on Feminist Theatre and Performance

Ann Martin

We're under a cow. We're under a cow. We're under her here. We're under her now! And for all the animals sheltering underneath Madge the cow, theres no better place to be when you are caught in a Great Big, Terrible, Awful Storm!

Underneath a Cow

The Lighthouse assumes a personality and communicates with her keeper. Their intimate relationship is displayed in how he works within her in order to make her all she can be. When met with confusing questions she cannot answer, he, who knows her heart, seeks to give her rest by an unusual and unexpected venture to find those answers.

The Lighthouse

Kimmett Edgar

Ian O'Donnell

Prisons are dangerous places, and assaults, threats, theft and verbal abuse are pervasive - attributable both to the characteristics of the captive population and to an institutional sub culture which promotes violence as a means of resolving conflicts. Yet the crimes perpetrated by prisoners on other prisoners have attracted little interest, and criminological research has contributed little to an understanding of situations in which violence arises in penal institutions. This book seeks to remedy this, and to address and answer a number of key questions: how do features of the prison social setting shape conflicts?; what social norms guide the decision to use violence?; what are the personal and social consequences of spending months or years in places where distrust and anxiety are normal?; how do staff respond to the dangers that are part of daily life in many prisons?; is it possible to identify factors associated with risk and resilience?; and what methods of handling conflicts do prisoners use that could prevent violence? Prison Violence adopts a distinctive approach to answering these questions, and is based on extensive research, including interviews with both victims and perpetrators of prison violence; it pioneers a conflict-centred approach, seeking to understand the pathways into and out of situations where there is potential for violence, focusing on interpersonal and institutional dynamics rather than on individual psychological factors.

Conflict, power and vicitmization

Prison Violence

Henry Bial

Bertolt Brecht is one of the most prolific and influential writer-directors of the twentieth century. This fascinating anthology brings together in one volume many of the most important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise available in English: The Beggar or The Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. Editors Martin and Bial have brought together a unique compendium which covers all the key areas including: * the development of Brecht's aesthetic theories * the relationship of Epic theatre to orthodox dramatic theatre * Brecht's collaboration with Kurt Weill, Paul Dessau and Max Frisch * Brecht's influence on a variety of cultures and contexts including England, Italy , Moscow and Japan. Together these essays are an ideal companion to Brecht's plays, and provide an invaluable reconsideration of Brecht's work. Contributors include: Werner Hecht, Mordecai Gorelik, Eric Bentley, Jean-Paul Sartre, Kurt Weill, Ernst Bloch, Darko Suvin, Carl Weber, Paul Dessau, Denis Calandra, W. Stuart McDowell, Ernst Schmacher, Hans-Joachim Bunge, Martin Esslin, Artuto Lazzari, Tadashi Uchino, Diana Taylor, Elin Diamond, and Lee Baxandall.

Carol Martin

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