Caroline Bergvall

Teresa Carmody

Vanessa Place

Laynie Browne

Poetry. Fiction. Women's Studies. Edited by Caroline Bergvall, Laynie Browne, Teresa Carmody, and Vanessa Place, the book includes work by 64 women from 10 countries. Contributors respond to the question: What is conceptual writing? I'LL DROWN MY BOOK offers feminist perspectives within this literary phenomenon. Contributors are Kathy Acker, Oana Avasilichioaei and Erin Moure, Dodie Bellamy, Lee Ann Brown, Angela Carr, Mónica de la Torre, Danielle Dutton, Renee Gladman, Jen Hofer, Bernadette Mayer, Sharon Mesmer, Laura Mullen, Harryette Mullen, Deborah Richards, Juliana Spahr, Cecilia Vicuña, Wendy Walker, Jen Bervin, Inger Christiansen, Marcella Durand, Katie Degentesh, Nada Gordon, Jennifer Karmin, Mette Moestrup, Yedda Morrison, Anne Portugal, Joan Retallack, Cia Rinne, giovanni singleton, Anne Tardos, Hannah Weiner, Christine Wertheim, Norma Cole, Debra Di Blasi, Stacy Doris and Lisa Robertson, Sarah Dowling, Bhanu Kapil, Rachel Levitsky, Laura Moriarty, Redell Olsen, Chus Pato, Julie Patton, Kristin Prevallet, a.rawlings, Ryoko Seikiguchi, Susan M. Schultz, Rosmarie Waldrop, Renee Angle, Rachel Blau DuPlessis, Theresa Hak Kyung Cha, Tina Darragh, Judith Goldman, Susan Howe, Maryrose Larkin, Tracie Morris, Sawako Nakayasu, M. NourbeSe Philip, Jena Osman, kathryn l. pringle, Frances Richard, Kim Rosenfeld, and Rachel Zolf.

Conceptual Writing by Women

I'll Drown My Book

A riveting new volume exploring the power and provocation of medieval English and the trope of the seafarer

Drift

FIG is the second installment of the ongoing series Goan Atom. It is a colllection of 12 poetic pieces written between 1996 and 2004. They have each previously been produced as off-page collaborations or text-installations. This range of artistic and poetic contexts and the compositional processes that result from these is a crucial aspect of the goanatom poetics represented in FIG. Each piece has been carefully rethought and twelve short prefatory notes have been written and developed especially for the book. They function as an additional textual layer, a poetic dimension in their own right. The pieces in FIG explore the connections between the materialities of written or inscriptive language and the materialities of human physicality. Language inscribed in the speaking, listening, writing body. This includes the pursuit of physical and sexual imaginaries, bilingual and translative poetics, time-led and context-specific writings, textual and spoken patterns of misrecognition. It is one of the premises of FIG that the poetic texts are written with an accent and with body. The bookâe(tm)s drawings and photographic material add to the traffic between verbal and visual textualities.

Goan Atom 2

Neel Mukherjee

Olivia Laing

Helen Macdonald

Jackie Kay

Kamila Shamsie

Marina Warner

David Herd

Rachel Holmes

Josh Cohen

Alex Preston

Ian Duhig

Upon changing his religion, a young man is denounced as an apostate and flees his country hiding in the back of a freezer lorry… After years of travelling and losing almost everything – his country, his children, his wife, his farm – an Afghan man finds unexpected warmth and comfort in a stranger’s home... A student protester is forced to leave his homeland after a government crackdown, and spends the next 25 years in limbo, trapped in the UK asylum system... Modelled on Chaucer’s Canterbury Tales, the second volume of Refugee Tales sets out to communicate the experiences of those who, having sought asylum in the UK, find themselves indefinitely detained. Here, poets and novelists create a space in which the stories of those who have been detained can be safely heard, a space in which hospitality is the prevailing discourse and listening becomes an act of welcome. All profits go to the Gatwick Detainee Welfare Group and Kent Help for Refugees.

Refugee Tales: Volume II

Caroline Bergvall

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