Caroline Blyth

In this fascinating book, Caroline Blyth takes a close look at Bibles marketed to teen girls and asks how these might perpetuate harmful gender stereotypes that lie at the heart of rape culture. The author considers the devotionals, commentaries, and advice sections placed throughout these Bibles, which offer teen girl readers life advice on topics such as friendships, body image, and how to navigate romantic relationships. Within these discussions, there is a strong emphasis on modesty, purity, and sexual passivity as markers of young women's 'godliness'. Yet, as the author argues, these gendered ideals are prescribed to readers using rape-supportive discourses and the tactics of coercive control. Moreover, the placement of these various editorial inserts within the pages of sacred scripture gives them considerable power to reinforce deeply harmful ideologies about gender, sexuality, and sexual violence. Given the seeming popularity of these Bibles among Christian teen girls, the need to dismantle their damaging rhetoric is especially urgent. This book will be of particular interest to those studying the Bible, religion, gender, and theology, as well as the general reader.

Rape Culture, Purity Culture, and Coercive Control in Teen Girl Bibles

Nasili Vaka’uta

This volume takes readers on a fascinating journey through the visual arts of Aotearoa New Zealand, Australia and the Pacific Islands, contemplating the multivocal dialogues that occur between these artistic media and the texts and traditions of the Bible. With their distinctively antipodean perspectives, contributors explore the innovative ways that both creators and beholders of Oceanic arts draw upon their contexts and cultures in order to open up creative engagements with the stories, themes and theologies of the biblical traditions. Various motifs weave their way throughout the volume, including antipodean landscapes and ecology, (post)colonialism, philosophy, Oceanic spiritualities and the often contested engagements between western and indigenous cultures. Within this weaving process, each essay invites readers to contemplate these various forms of visual culture through Oceanic eyes, and to appreciate the fresh insights that this process can bring to reading and interpreting the biblical traditions. The result is a rich and interdisciplinary array of conversations that will capture the attention of readers within the fields of biblical reception studies, cultural studies, theology and art history.

The Bible and Art, Perspectives from Oceania

Emily Colgan

Katie B. Edwards

This volume considers the complex relationships that exist between Christianity, rape culture, and gender violence. Each chapter explores the various roles that Christian theologies, teachings, and practices have played in shaping contemporary understandings of gender violence and in sanctioning rape-supportive cultural belief systems and practices. Our contributors explore this topic from a range of disciplinary perspectives, including theology, gender and queer studies, cultural studies, pastoral care, and counseling. Together, the chapters in this volume testify to the considerable influence that Christianity has had, and continues to have, in directing conversations within the Christian tradition around gender violence and rape culture. They therefore invite readers to engage fruitfully in these conversations, fostering transformative dialogues with the Christian community about our shared responsibility to tackle the current global crisis of gender violence.

Christian Perspectives

Rape Culture, Gender Violence, and Religion

The Routledge Companion to Eve is a comprehensive and interdisciplinary collection which explores the history of interpretation that surrounds Eve’s character in both religious writings and cultural texts. The primary themes discussed in the volume include the religious, historical, and cultural ideologies that have influenced interpretations of Eve, as well as the cultural impact of these interpretations on gender identities and injustices. Chapters trace the evolution of Eve’s interpretive history from ancient biblical texts up to the present day. The contributors engage with both traditional modes of inquiry in text-based religious research as well as the newer fields of reception history and cultural criticism to explore the rich history of interpretation and reception surrounding Eve, as well as the cultural and historical impact these interpretations have had on women’s religious and social lives across space and time. The Routledge Companion to Eve is an original and important collection which will equip readers to begin their own explorations of Eve’s extraordinary legacy. It will be an invaluable resource for scholars of Gender Studies, Biblical Studies, Theology, Religion and Gender, Literary Studies, History of Art, and Cultural Studies.

The Routledge Companion to Eve

The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.

The Lost Seduction

Reimagining Delilah’s Afterlives as Femme Fatale

Alison Jack

The Bible has always enjoyed notoriety within the genres of crime fiction and drama; numerous authors have explicitly drawn on biblical traditions as thematic foci to explore social anxieties about violence, religion, and the search for justice and truth. The Bible in Crime Fiction and Drama brings together a multi-disciplinary scholarship from the fields of biblical interpretation, literary criticism, criminology, and studies in film and television to discuss international texts and media spanning the beginning of the 20th century to the present day. The volume concludes with an afterword by crime writer and academic, Liam McIvanney. These essays explore both explicit and implicit engagements between biblical texts and crime narratives, analysing the multiple layers of meaning that such engagements can produce – cross-referencing Sherlock Holmes with the murder mystery in the Book of Tobit, observing biblical violence through the eyes of Christian fundamentalists in Henning Mankell's Before the Frost, catching the thread of homily in the serial murders of Se7en, or analysing biblical sexual violence in light of television crime procedurals. The contributors also raise intriguing questions about the significance of the Bible as a religious and cultural text – its association with the culturally pervasive themes of violence, (im)morality, and redemption, and its relevance as a symbol of the (often fraught) location that religion occupies within contemporary secular culture.

Murderous Texts

The Bible in Crime Fiction and Drama

This book explores the Bible’s ongoing relevance in contemporary discussions around rape culture and gender violence. Each chapter considers the ways that biblical texts and themes engage with various forms of gender violence, including the subjective, physical violence of rape, the symbolic violence of misogynistic and heteronormative discourses, and the structural violence of patriarchal power systems. The authors within this volume attempt to name (and shame) the multiple forms of gender violence present within the biblical traditions, contesting the erasure of this violence within both the biblical texts themselves and their interpretive traditions. They also consider the complex connections between biblical gender violence and the perpetuation and validation of rape culture in contemporary popular culture. This volume invites new and ongoing conversations about the Bible’s complicity in rape-supportive cultures and practices, challenging readers to read these texts in light of the global crisis of gender violence.

Biblical Perspectives

This collection of poetry brings to life many of the important patterns of development in the verse of the late-Victorian period, and offers a fuller reflection of ‘decadence’ than those anthologies confined to the 1890s. ‘Major’ writers such as Tennyson, Browning, Hardy and Hopkins are presented alongside less well-known poets, fifty of whom are female, and other traditional figures such as Stevenson, William Morris and Christina Rossetti are given a fresh look. The book also contains a comparative chronology of prose 1872-1900 and of movements in the visual arts. Accompanied by an acclaimed critical commentary, the volume enables readers to discover poetry in the wider context of the literary, aesthetic and intellectual forces of the late-Victorian world as a whole.

An Anthology of Late-Victorian Poetry, 1872-1900

Decadent Verse

This volume is both an essential resource for undergraduates and graduates studying Victorian and Decadent literature and an instructive work for enthusiastic readers of verse. The wide span of the 1872–1900 epoch enables readers to appreciate in great depth the literary developments that led to the fin de siècle, unlike most studies of this period, which focus solely on the 1890s, with no relation to cultural and historical developments in the previous two important decades.

Caroline Blyth

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