Caroline Scott

In the tradition of Jennifer Robson and Hazel Gaynor, this unforgettable debut novel is a sweeping tale of forbidden love, profound loss, and the startling truth of the broken families left behind in the wake of World War I. 1921. Survivors of the Great War are desperately trying to piece together the fragments of their broken lives. While many have been reunited with their loved ones, Edie’s husband Francis is still missing. Francis is presumed to have been killed in action, but Edie knows he is alive. Harry, Francis’s brother, was there the day Francis went missing in Ypres. And like Edie, he’s hopeful Francis is living somewhere in France, lost and confused. Hired by grieving families in need of closure, Harry returns to the Western Front to photograph soldiers’ graves. As he travels through France gathering news for British wives and mothers, he searches for evidence his own brother is still alive. When Edie receives a mysterious photograph that she believes was taken by Francis, she is more certain than ever he isn’t dead. Edie embarks on her own journey in the hope of finding some trace of her husband. Is he truly gone, or could he still be alive? And if he is, why hasn’t he come home? As Harry and Edie’s paths converge, they get closer to the truth about Francis and, as they do, are soon faced with the life-changing impact of the answers they discover. An incredibly moving account of an often-forgotten moment in history—those years after the war that were filled with the unknown—The Poppy Wife tells the story of the thousands of soldiers who were lost amid the chaos and ruins in battle-scarred France; and the even greater number of men and women hoping to find them again.

A Novel of the Great War

The Poppy Wife

With delectable prose, a sharp heroine ahead of her time, and an adventure across the English countryside in search of great food, Good Taste is the perfect historical novel for fans of Dear Mrs. Bird and The Guernsey Literary and Potato Peel Pie Society. You can tell a lot about a person from what they like to eat... England in 1932 is in the grip of the Great Depression. Author of a much-loved but not very successful biography, Stella Douglas is a bit depressed herself. When she's summoned to see her editor in London, she dreads being told her writing career is over before it's even started. But much to her surprise, she finds she is being commissioned to write a history of food in England and how the English like to eat. It's to be quintessentially English and will remind English housewives of the old ways, and English men of the glory of their country. The publishers hope such a book will lift the spirits of the nation. The only problem is--all English food is actually quite terrible (and anything good is from elsewhere). So Stella sets about inviting recipes from all corners of England, in the hope of discovering a hidden culinary gem. But what she discovers is oatcakes and gravy and lots and lots of potatoes. Longing for something more thrilling, she heads off to speak to the nation's housewives. But when her car breaks down and the dashing and charismatic antiques dealer Freddie springs to her rescue, she is led in a very different direction... Full of wit, life, and--against all odds--delicious food, Good Taste is a story of discovery and one woman's desire to make her own way as a modern woman.

A Novel in Search of Great Food

Good Taste

From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a tale of a young war widow and one life-changing, sun-drenched visit to Cornwall in the summer of 1923... Esme Nicholls is to spend the summer in Cornwall. Her late husband Alec, who died fighting in the war, grew up in Penzance, and she’s hoping to learn more about the man she loved and lost. While there, she will stay with Gilbert, in his rambling seaside house, where he lives with his former brothers in arms. Esme is fascinated by this community of eccentric artists and former soldiers, and as she gets to know the men and their stories, she begins to feel this summer might be exactly what she needs. But everything is not as idyllic as it seems – a mysterious new arrival later in the summer will turn Esme’s world upside down, and make her question everything she thought she knew about her life, and the people in it. Full of light, laughter and larger-than-life characters, The Visitors is a novel of one woman finally finding her voice and choosing her own path forwards. Praise for Caroline Scott: ‘A page-turning literary gem’ The Times, Best Books of 2020 'A touching novel of love and loss' Sunday Times 'A beautifully written must-read' heat 'A gripping, devastating novel' Sarra Manning, RED ‘A powerful novel’ Good Housekeeping ‘A heartbreaking read’ Anita Frank 'Breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘Achingly moving and most beautifully written’ Rachel Hore ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Drew me in from the first line and held me enthralled until the very end' Fiona Valpy ‘Quietly devastating' Daily Mail 'A compulsive, heart-wrenching read' Liz Trenow ‘Powerful’ Woman & Home 'Page turning, mysterious, engrossing and compelling' Lorna Cook ‘A carefully nuanced, complex story’ Woman’s Weekly ‘Caroline Scott evokes the damage and desolation of the Great War with aching authenticity' Iona Grey ‘Poignant’ Best 'Momentous, revelatory and astonishing historical fiction!' Historical Novel Society ‘Wonderful and evocative’ Suzanne Goldring ‘Based on true events, this is a powerful story’ Bella ‘Immersive, poignant, intricately woven’ Judith Kinghorn ‘An evocative read’ heat ‘The story left me breathless’ Kate Furnivall ‘A poignant hymn to those who gave up their lives for their country and to those who were left behind’ Fanny Blake 'I was utterly captivated by this novel' Isabelle Broom

The Visitors

‘A page-turning literary gem’ THE TIMES, BEST BOOKS OF 2020 From the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a beautiful and compelling story based on true events, perfect for fans of Maggie O'Farrell and Helen Dunmore. One Great War soldier with no memory. Three women who claim him as their own. 1918. A soldier is arrested in Durham Cathedral in the last week of the First World War, but he has no memory of who he is or how he came to be there. He is given the name Adam and transferred to a rehabilitation institution in the Lake District where Doctor James Haworth is determined to uncover his identity. But, unwilling to relive the trauma of war, Adam has locked his memory away, seemingly for good. Then a newspaper publishes a feature about Adam, and three women come forward, each claiming that he is someone she lost in the war. But without memory, how do you know who to believe? Based on true events, When I Come Home Again is a beautiful and compelling story about love, loss and longing in the aftermath of war, perfect for fans of Maggie O'Farrell and Helen Dunmore. Praise for When I Come Home Again: ‘A superb and quietly devastating novel’ The Times, Book of the Month 'Scott unravels her haunting tale in unpretentious but persuasive prose' Sunday Times ‘A heartbreaking read… I highly recommend it’ Anita Frank 'Breathtaking exploration of loss, love and precious memories’ My Weekly, Pick of the Month ‘Achingly moving and most beautifully written’ Rachel Hore ‘This beautiful book packs a huge emotional punch’ Fabulous ‘Drew me in from the first line and held me enthralled until the very end' Fiona Valpy ‘Quietly devastating' Daily Mail 'A compulsive, heart-wrenching read' Liz Trenow ‘Powerful’ Woman & Home 'Page turning, mysterious, engrossing and compelling' Lorna Cook ‘A carefully nuanced, complex story’ Woman’s Weekly ‘Caroline Scott evokes the damage and desolation of the Great War with aching authenticity' Iona Grey ‘Poignant’ Best ‘Wonderful and evocative’ Suzanne Goldring ‘Based on true events, this is a powerful story’ Bella ‘Immersive, poignant, intricately woven’ Judith Kinghorn ‘An evocative read’ heat ‘The story left me breathless. Powerful, heartrending, and oh so tender’ Kate Furnivall ‘Tense and compelling’ Lancashire Post ‘Scott litters her tale with clues and red herrings in the best mystery-writer way so we are kept guessing as to where the truth really lies’ The BookBag

'A page-turning literary gem' THE TIMES, BEST BOOKS OF 2020

When I Come Home Again

**A BBC RADIO 2 BOOK CLUB PICK** Perfect for fans of The Tattooist of Auschwitz and Birdsong If someone you loved went missing, would you ever stop searching for them? 'This excellent debut is a melancholic reminder of the rippling after-effects of war' The Times '[An] impressive debut... a touching novel of love and loss' Sunday Times 1921. The Great War is over and while many survivors have been reunited with their loved ones, Edie's husband Francis has not come home. He has been declared 'missing, believed killed', but when Edie receives a mysterious photograph in the post, taken by Francis, hope flares. And so she begins to search. Francis's brother, Harry, is also searching. Hired by grieving families to photograph gravesites, he has returned to the Western Front. He too longs for Francis to be alive, so they can forgive each other for the last conversation they ever had. And as Harry and Edie's paths converge, they begin to get closer to a startling truth. An incredibly moving account of an often-forgotten moment in history, The Photographer of the Lost is an epic novel of forbidden love, loss and the shattered hearts left behind in the wake of the First World War. Caroline Scott is a freelance writer and historian specializing in WWI and women's history. The Photographer of the Lost is partially inspired by her family history. Praise for The Photographer of the Lost: 'There's only one word for this novel... and that's epic... A beautifully written must-read' heat 'A gripping, devastating novel about the lost and the ones they left behind' Sarra Manning, RED 'The pain of not knowing where a son, brother or husband lies, and the guilt and psychological dissonance that torment survivors, are movingly conveyed in this terrific first novel' Daily Mail 'Scott has done an amazing job of drawing on real stories to craft a powerful novel' Good Housekeeping 'A poignant hymn to those who gave up their lives for their country and to those who were left behind' Fanny Blake, author of A Summer Reunion 'I was utterly captivated by this novel, which swept me away, broke my heart, then shone wonderful light through all the pieces' Isabelle Broom, author of One Winter Morning 'Beautiful, unflinching: The Photographer of the Lost is going to be on an awful lot of Best Books of the Year lists, mine included... unforgettable' Iona Grey, author of The Glittering Hour 'Had me spellbound from the first page to the last' Hazel Gaynor, author of The Lighthouse Keeper's Daughter 'An amazing debut. It captivated me from start to finish and I can't recommend it highly enough' NB Magazine

The Photographer of the Lost

Visitors

"In a classroom where only a few learners are limited in English, teachers face the difficult task of supporting them while also catering for the mainstream classroom needs. Now featuring full colour throughout, this new edition of this flexible teaching programme shows teachers how to help new arrivals, assessing their vocabulary and grammar needs and including all the resources and lesson plans necessary. Considering the rise in global migration to the UK and the launch of the new National Curriculum, this updated edition forms a vital addition to the primary classroom, including addressing the new curriculum demands and an additional chapter blended learning and learning to learn"--

Teaching Children English As an Additional Language

Here is a typical classroom scenario: out of the thirty children, two-thirds speak a different language at home and only speak English at school. Even though many pupils’ English skills are almost non-existent, teachers are expected to provide the national curriculum for every child in the class. Teaching Children English as an Additional Language solves this problem with a ten-week teaching programme of units and lesson activities for children aged seven–eleven (Key Stage 2) new to English. It will help these children learn some very basic English sentences, questions and vocabulary, to get them through regular day-to-day routines more easily. By offering a flexible step by step approach this book helps EAL teachers to: identify learners’ individual needs teach grammar and vocabulary support teaching through speaking and listening assess pupils to inform future planning The programme also contains emergency lessons to support learners in the first three days, cross curricular links, ways of using a home-school learning book and an opportunity for the child to make a booklet about themselves. It fosters the child’s home language, incorporates different learning styles as well as including a wealth of carefully tailored, themed resources. The programme is complete with activities, resources and assessment materials and helpful tips on how to develop a successful EAL department.

A Programme for 7-12 Year Olds

Teaching Children English as an Additional Language

You enjoy teaching and, like every other teacher, you want the best for every learner. Recently, you have found a steady stream of learners coming to your school with little or no English. You aren’t really sure how to provide the best possible education for them, when they are struggling to understand the English in your already differentiated lessons. This book provides you with a programme for use as an induction-to-English, complete with integral assessment. It provides guidance on how to bridge the gap between these learners and their peers. It is suitable for learners of any language background (including those not literate in their home language) due to the focus on learning through images. It also includes suggestions on how to include parents who are new to English and ideas on family learning. You’ll find an EAL framework to provide structure to your EAL provision across the school, as well as guidance on how to approach class teaching. Developed from good practice in schools and informed by research, this programme is designed to move learners into English quickly. It uses a visual, structured approach that works alongside immersion in the mainstream.

Learning Through Images for 7–14-Year-Olds

An English as an Additional Language (EAL) Programme

Dokud nebudou znát jeho osud, nemohou rozhodnout o tom svém. Edie se smířila s tím, že se její manžel z války už nevrátí. Když ale obdrží záhadnou fotografii, na které je Francis v civilním oblečení a vypadá starší, napadne ji, že možná přežil. A tak začne pátrat. Harry nevěří, že je jeho bratr naživu. Viděl přece, jak ho střelili do hrudi. Přesto ale Francise hledá, zatímco fotí hroby padlých pro truchlící rodiny. Jak Edie a Harry odkrývají pravdu, pronásleduje je nejen minulost, ale i to, co cítí – vůči Francisovi i vůči sobě navzájem.

Fotograf ztracených

Captain Laurence Greene was gassed at Ypres. He takes ten years to die. With her fiancé, Joseph, lost in France, Effie Shaw spends a decade as Laurence's cook. They share a roof, a sweet tooth and a taste for pastoral romances. Propriety, however, prescribes that their sharing end there. It is a surprise to Effie, then, when Laurence bequeaths her a railway ticket, the deeds to a tea shop and a declaration of his unspoken love.??The terms of Laurence's will require that Effie must travel to Ypres and visit her fiancé's grave. As Laurence had always told it, Joseph met his end with a show of heroics. But, in carrying out Laurence's last requests, and following his wartime diary, Effie is to discover something shocking. Joseph wasn't quite as heroic as she was told  nor is his grave where it's supposed to be.??The stories of three soldiers connect through Laurence's diary. As Effie travels on, from Passchendaele to Paris, these men become linked together once again. A decade on from the Armistice, is the war really over at all? Effie is about to realise just how many echoes - and untidy ends - 1918 has left behind.??As seen in the Blackpool Gazette.

Caroline Scott

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