Carrie Lambert-Beatty

Gerardo Mosquera

Helaine Posner

Tania Bruguera

Tania Bruguera is an interdisciplinary artist who explores exile and survival. Bruguera recently developed a form she calls "Arte de Conducta," or behavior art, in which she constructs situations that compel audience response.

On the Political Imaginary

How Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism.

Yvonne Rainer and the 1960s

Being Watched

Yates McKee

Lisa D. Freiman

This volume celebrates the exciting new work of Allora & Calzadilla, who are representing the United States in the 54th Venice Biennale. The artistic collaborative of Jennifer Allora and Guillermo Calzadilla's exhibition at the Venice Biennale, titled Gloria, comprises six new works developed partly in response to the U.S. Pavilion site. Combining performance, sculpture, video, and sound elements, the works use poetic shock and unexpected juxtaposition to reflect upon competitive enterprises such as the Olympic Games, international commerce, the military industrial complex and even the Biennale itself. The result is a series of artistic experiments that explore the nature of physical, visual, and audible experience. This publication documents Allora & Calzadilla's exhibition in the U.S. Pavilion, including a plates section displaying images of the works as they are installed in Venice as well as documentation of performances by professional athletes affiliated with U.S.A. Gymnastics and U.S.A. Track and Field. Essays by exhibition curator, U.S. Commissioner Lisa Freiman, and art historians Carrie Lambert-Beatty and Yates McKee explore the themes addressed in Gloria and place Allora & Calzadilla's works within a larger art historical and social context.

Carrie Lambert-Beatty

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