Catherine Fletcher

A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.

The Italian Renaissance and the Rise of the West

The Beauty and the Terror

"Ruler of Florence for seven bloody years, 1531 to 1537, Alessandro de' Medici was arguably the first person of color to serve as a head of state in the Western world. Born out of wedlock to a dark-skinned maid and Lorenzo de' Medici, he was the last legitimate heir to the line of Lorenzo the Magnificent. When Alessandro's noble father died of syphilis, the family looked to him. Groomed for power, he carved a path through the backstabbing world of Italian politics in a time when cardinals, popes, and princes vied for wealth and advantage. By the age of nineteen, he was prince of Florence, inheritor of the legacy of the grandest dynasty of the Italian Renaissance. Alessandro faced down family rivalry and enormous resistance from Florence's oligarchs, who called him a womanizer-which he undoubtedly was--and a tyrant. Yet this real-life counterpart to Machiavelli's Prince kept his grip on power until he was assassinated at the age of 26 during a late-night tryst arranged by his scheming cousins. After his death, his brief but colorful reign was criticized by those who had murdered him in a failed attempt to restore the Florentine republic. For the first time, the true story is told in The Black Prince of Florence. Catherine Fletcher tells the riveting tale of Alessandro's unexpected rise and spectacular fall, unraveling centuries-old mysteries, exposing forgeries, and bringing to life the epic personalities of the Medicis, Borgias, and others as they waged sordid campaigns to rise to the top. Drawing on new research and first-hand sources, this biography of a most intriguing Renaissance figure combines archival scholarship with discussions of race and class that are still relevant today."--Provided by publisher.

The Spectacular Life and Treacherous World of Alessandro De' Medici

The Black Prince of Florence

An Alternative History of the Italian Renaissance

Beauty and the Terror

Sarah Dyer

A Paranormal M/M Romance Story

Sticks and Stones

Juan Rabasseda Gascón

Teófilo de Lozoya

Una historia alternativa del Renacimiento italiano

La belleza y el terror

In 1533 the English monarch Henry VIII decided to divorce his wife of twenty years Catherine of Aragon in pursuit of a male heir to ensure the Tudor line. He was also head over heels in love with his wife's lady in waiting Anne Boleyn, the future mother of Elizabeth I. But getting his freedom involved a terrific web of intrigue through the enshrined halls of the Vatican that resulted in a religious schism and the formation of the Church of England. Henry's man in Rome was a wily Italian diplomat named Gregorio Casali who drew no limits on skullduggery including kidnapping, bribery and theft to make his king a free man. In this absorbing narrative, winner of the Rome Fellowship prize and University of Durham historian Catherine Fletcher draws on hundreds of previously-unknown Italian archive documents to tell the colorful tale from the inside story inside the Vatican.

The Untold Story from Inside the Vatican

The Divorce of Henry VIII

‘An eye-opening book, an intricate and fascinating story’ Hilary Mantel 1527. Henry, desperate to marry Anne Boleyn and ensure the Tudor line asks Pope Clement VII to grant him a divorce. Enter Gregorio Casali, an Italian diplomat hired to represent Henry’s interests in the Vatican. Through six years of persuasion, threats and bribery Casali lives by his wits, playing off one powerful patron against another, negotiating with ambassadors from Spain, France and beyond, each crowding the Vatican to press their interests in the Tudor break up. Before it is done, Henry will decide to divorce not just Catherine, but the Church itself. Set against the backdrop of war-torn Renaissance Italy, The Divorce of Henry VIII combines a gripping family saga with a highly charged political battle between the Tudors and the Vatican to reveal the extraordinary true story behind history’s most infamous divorce. (Originally published with the title Our Man in Rome)

The Untold Story

Un retrato poderoso, moderno, íntimo y profundamente humano de una era de destrucción extrema y creatividad excepcional, el renacimiento italiano, un periodo que moldeó la cultura occidental y que fue mucho más extraño, oscuro y fascinante de lo que nos han enseñado. Conocemos a la Mona Lisa por su sonrisa enigmática, pero casi nadie sabe que estuvo casada con un traficante de esclavos. Veneramos a Leonardo da Vinci por su arte, pero pocos hoy somos conscientes de la importancia de sus ingeniosos diseños de armamento. Rara vez oímos hablar, asimismo, de las mujeres escritoras, los mercaderes judíos, los ingenieros, las prostitutas y los granjeros que vivieron el día a día de este periodo. Muchos de los artistas y pensadores más célebres del Renacimiento (como Miguel Ángel, Rafael o Maquiavelo) no surgieron durante el famoso renacer del siglo XV, sino en el XVI, una época dominada por una serie de luchas de poder y guerras salvajes por toda Europa. Estas propiciaron el surgimiento de grandes fortunas y la creación de algunas de las mejores obras de arte jamás vistas, pero también devastaron al pueblo. Al mismo tiempo, el nacimiento del protestantismo, la colonización española de América y la expansión del Imperio otomano plantearon graves amenazas al poder italiano, y suscitaron debates sobre la ética política, la esclavitud, las creencias religiosas y la moral sexual que resuenan con muchos debates actuales. En este extraordinario libro, historia narrativa y de alta calidad y rebosante de vida, Catherine Fletcher nos descubre el lado oscuro del Renacimiento, cuyas conexiones con el presente son mucho más interesantes que las que ofrece la simple visión, dominada por bellas imágenes, que nos ha contado la historia convencional. La crítica ha dicho... «Brillante y apasionante. He aquí el verdadero Renacimiento en una historia de una originalidad y una frescura cautivadoras.» Simon Sebag Montefiore «Una historia de alianzas, traiciones, saqueos, asedios, hambrunas, asesinatos y torturas terriblemente ingeniosas. Fletcher crea atmósfera y drama sin renunciar a la claridad. Poderoso.» The Guardian «Aterrador y fascinante, desmantela los tópicos sobre el Renacimiento con la precisión de un arcabuz. Ambicioso y plural, arroja luz sobre figuras a menudo olvidadas por la historia convencional.» The Sunday Times «Impresionante y lúcido, el relato brilla con sus coloridos detalles. Una historia sólida pero vívida y convincente sobre cómo Italia fue derribada aún cuando su cultura volaba alto.» The Times «Basado en una investigación impecable y admirablemente bien escrito, aporta datos de gran interés en cada página.» The Sunday Telegraph «La sabiduría de Fletcher es envidiable. Sabe mejor que nadie lo traicioneros que fueron ese momento y ese lugar.» The Daily Telegraph «Magnífico. Fletcher muestra cómo excavar bajo los tesoros artísticos y comerciales del Renacimiento en Italia puede revelar fuertes conexiones entre cultura, negocios, religión y violencia.» Financial Times

1527. Gregorio 'The Cavalier' Casali is Henry VIII's man in Rome. An Italian freelance diplomat, he charmed his way into the English service before he was twenty. But now he faces an almighty challenge. Henry wants a divorce from Catherine of Aragon, and Casali must persuade Pope Clement VII of his master's case. Set against the backdrop of war-torn Renaissance Italy, Our Man in Rome weaves together tales from the grubby underbelly of Tudor politics with a gripping family saga to reveal the extraordinary true story behind history's most infamous divorce. Through six years of cajoling, threats and bribery, Casali lives by his wits. He manoeuvres his brothers into lucrative diplomatic postings, plays off one master against another, dodges spies, bandits and noblemen alike. But as the years pass and Henry's case drags on, his loyalties are increasingly suspected. What will be Casali's fate? Drawing on hundreds of unknown archive documents, Our Man in Rome reconstructs his tumultuous life among the great and powerful at this turning point for European history. From the besieged Castel Sant'Angelo in Rome to the splendours of Greenwich Palace, we follow his trail in the service of Henry VIII. Lavish ceremony and glamorous parties stand in contrast to the daily strains of embassy life, as Casali pawns family silver to pay the bills, fights off rapacious in-laws and defends himself in the face of Anne Boleyn's wrath. This vivid and compelling book will make us think anew about Henry, Catherine and the Tudor world.

Catherine Fletcher

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