Andrea Phillips

T. J. Demos

Cecilia Sjöholm

Reesa Greenberg

Ekaterina Degotʹ

Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics.

Initial Reflections

Curating and Politics Beyond the Curator

"Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics." from publisher's website

Julia Kristeva is one of the most influential French thinkers of the last century, best known for her work in linguistics, feminist theory and psychoanalysis. This is the first book to assess the relation of her work to politics and the political.

Kristeva and the Political

Sara Arrhenius

Om hur perversioner skildras i litteratur och film. Författarna diskuterar ej några verk av svenskar.

Ensam och pervers

What if psychoanalysis had chosen Antigone rather than Oedipus? This book traces the relation between ethics and desire in important philosophical texts that focus on femininity and use Antigone as their model. It shows that the notion of feminine desire is conditioned by a view of women as being prone to excesses and deficiencies in relation to ethical norms and rules. Sjöholm explains Mary Wollstonecraft's work, as well as readings of Antigone by G.W.F. Hegel, Martin Heidegger, Luce Irigaray, Jacques Lacan, and Judith Butler. This book introduces the concept of the "Antigone complex" in order to illuminate the obscure and multifaceted question of feminine desire, which has given rise to the fascination of generations of philosophers and other theoreticians, as well as readers and spectators. At the same time the book argues for a notion of desire that is intrinsically related to ethics. The ethical question posed by Antigone, and explored in the book, is: what determines those actions that one must do, as opposed to those that one ought to do?

Cecilia Sjöholm

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