Keiichi Tahara

Centre national de la photographie (France)

Palais de Tokyo (Museum : Paris, France)

Bernard Lamarche-Vadel

August Sander

Susanne Lange

Le nom d'August Sander (1876-1964) n'est pas seulement lié à l'art du portrait photographique dans ce qu'il a de plus remarquable outre-Rhin. Son oeuvre extensive, qui comprenait de son vivant plus de quarante mille clichés, est également exemplaire pour des qualités telles que l'étude de la réalité, l'authenticité plastique et une pensée photographique conceptuellement très organisée.

Bernard Blistène

Orlan

Caroline Cros

Flammarion

This is the first complete monograph devoted to the works and theories of Orlan, without a doubt today's most challenging and thought-provoking performance artist. She began her highly unconventional career at the age of 17 with a series of works using photographs of her own body, which has become her art "medium," her primary creative voice. Working beyond the limits of body art, in her manifesto on "Carnal Art", Orlan wrote that her performances are "a selfportrait in the classical sense, yet realized through the technology of its time. Lying between disfiguration and figuration, it is an inscription in flesh." In 1999, using the operating room as a studio, she underwent a series of filmed plastic surgery operations to modify her own body-her canvas-including the placing of cheekbone implants under the skin of her forehead. Here is a detailed, analytical text including a biography, a chronology of her exhibitions, and critical studies of the significance of her Carnal Art performances-a must-read for anyone interested in currents in contemporary art. This is the first complete monograph devoted to the works and theories of Orlan, without a doubt today's most challenging and thought-provoking performance artist. She began her highly unconventional career at the age of 17 with a series of works using photographs of her own body, which has become her art "medium," her primary creative voice. Working beyond the limits of body art, in her manifesto on "Carnal Art", Orlan wrote that her performances are "a selfportrait in the classical sense, yet realized through the technology of its time. Lying between disfiguration and figuration, it is an inscription in flesh." In 1999, using the operating room as a studio, she underwent a series of filmed plastic surgery operations to modify her own body-her canvas-including the placing of cheekbone implants under the skin of her forehead. Here is a detailed, analytical text including a biography, a chronology of her exhibitions, and critical studies of the significance of her Carnal Art performances-a must-read for anyone interested in currents in contemporary art.

Centre national de la photographie (France)

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