Centro de arte Reina Sofía (Madrid, Espagne).

Museu Serralves

The author, who always kept his distance from the avant-garde and from the literary movements of his times (because, in the words of Andre Breton, he was "fully determined to follow no inclination other than that of his spirit") reveals in the aforementioned text that he started out by inventing two phrases that were phonetically almost identical but had very different meanings, to later try to write a story that could start with one of them and end with the other. Using variations of this process he created his two most emblematic works, Locus Solus and Impressions of Africa, which give this exhibition its name. The show analyses the influence that Raymond Roussel has had on modern and contemporary art, by looking at a broad array of works in a variety of formats (paintings, photos, sculptures, ready-mades, installations, videos...) by about thirty different artists.

Impressions of Raymond Roussel

Locus Solus

Barbara Rose

Museo Nacional Centro de Arte Reina Sofía

Teresa Santiago

"Discussing more than a hundred years of art history, Monochromes: From Malevich to the Present is a lavish visual journey through some of the most iconic and visually stunning works of twentieth-century art. It offers very clear and understandable interpretations of an important and little understood artistic movement with international scope, and presents a cogent argument for the centrality of the monochrome to modern art. Historical survey, theoretical examination, illustrated chronicle, and aesthetic exploration-the four main texts-offer a thorough and fascinating account of this major artistic trend, tracing its evolution from its origins in revolutionary Russia to its numerous and diverse manifestations throughout the world."--Terry Berne, cultural critic for Art in America

Centro de arte Reina Sofía (Madrid, Espagne).

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