Charles Esche

A Critical Reader

Art and Social Change

Future Imperfect weaves together accessible scholarship and leading examples of socially engaged art, including artist projects by Mel Chin, Brett Cook, Pablo Helguera, Fran Ilich, Norene Leddy & Liz Slagus, Jan Mun and Jody Wood. Christian Viveros-Faune considers social practice in a business context; Greg Sholette debates its progressive bona fides; Charles Esche ruminates on its utopian claims and Grant Kester explores the tension between theory and practice. Further essays by Deborah Fisher, Laura Raicovich, Jan Cohen-Cruz and Elizabeth Grady analyze the institutional context for the art, exploring the ways that it affects organizational structure, how its impact can be assessed, and curatorial perspectives. Sections on each of the artist projects include an informative description and rich illustrations that open a window onto the artists' practice. Additional contributions by Ben Davis, Tom Finkelpearl, Rick Lowe and Nato Thompson interrogate questions of ethics and effectiveness.

A Blade of Grass

Future Imperfect

Rosi Braidotti

Maria Hlavajova

The state of the Netherlands as an example of the contemporary western condition. The ideological vacuum created by the collapse of the bipolar world in 1989 was not filled by any new emancipatory political imaginary. Instead, the demands of 'national security', the normalization of violence and the maintenance of high levels of fear and anxiety have become part of daily life in nations of the West. How can art and artists react to these changes and what possibilities can they create to see sings differently? Contributions by artists, philosophers and social scientists in the Netherlands.

The Netherlands, for Example : a Critical Reader

Citizens and Subjects

Stedelijk Van Abbemuseum

Sebastian Cichocki

Wilhelm Sasnal

Is Wilhelm Sasnal (born in 1972 in Poland) the best painter to emerge in the twenty-first century? This small volume presents highlights from his early career along with several extraordinary new canvases and a series of 16mm films and video work from the artist's recent travels in the U.S. and Brazil.

Paintings & Films

Lucy Steeds

Bo Choy

David Morris (Lecturer)

"Art and its Worlds offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the 'global' for art and exhibition-making, or why has it been what it has? How have agents including artists and curators experimented with different forms of exhibition? And how do these exhibitionary moments connect to longer-term and institutional trajectories? Key texts previously published in Afterall journal appear alongside newly commissioned essays, artist contributions, conversations and translations, exploring exhibition as a material, embodied and political practice, while inviting a new location for past art and bringing it into the present for what is to come"--Provided by publisher.

Exhibitions, Institutions and Art Becoming Public

Art and Its Worlds

Xenogenesis' is vernoemd naar Octavia E. Butlers beroemde Xenogenesis Trilogy, die bestaat uit Dawn, Adulthood Rites en Imago. Octavia E. Butler was een baanbrekende Afro-Amerikaanse sciencefictionschrijfster. Haar bekroonde romans gaan over thema?s als het uitsterven van de mens, rassenscheiding, planetaire transformatie, afgedwongen mutatie, vervreemding tussen generaties en gewijzigde verwantschap. Butlers ficties van xenogenese, die worden verteld als processen van buitenstaander in wording of het worden van buitenstaander of vreemdeling in wording of het worden van vreemdeling, hebben de gedachtegang van het vroegere en huidige werk van The Otolith Group geïnspireerd en zullen dit blijven inspireren. 00Het meeste recente werk in 'Xenogenesis, O Horizon' (2018), werd door filmcurator Ed Halter uitgeroepen tot de nummer één in zijn ?Best Of 2018?-lijst voor Artforum International: The Year In Review. De documentaire O Horizon gaat over het hedendaagse erfgoed van Visva-Bharati, de experimentele kunstacademie die in 1919 is opgericht door de bekende kunstenaar, dichter, componist, toneel- en romanschrijver Rabindranath Tagore in Santiniketan in de Indiase deelstaat West-Bengalen. ?O Horizon? is de landbouwkundige term voor de grond die het oppervlak van de aarde vormt. De nieuwe video van The Otolith Group combineert bodemkunde met dans, plantkunde en poëzie om zo een emotioneel kader voor het eigentijdse karakter van Tagore te schetsen. 00Exhibition: Van Abbemuseum, Eindhoven, The Netherlands (25.05.-18.08.2019).

Xenogenesis. The Otolith Group

Paul Harrison

John Wood

David Batchelor

Since they began collaborating in 1993. John Wood and Paul Harrison have accumulated a series of playful and beguiling video works which are distinguished as much by their droll sense of humour as their unerring economy of execution. Played out against a minimalist, monochrome backdrop, or within the sealed-off space of the monitor itself, each of the works involves the presence of one of the artists, either as the butt of an extended sight-gag or as the trigger for a spiralling, visually surprising conceit. This publication, which features an essay by Charles Esche, documents Wood and Harrison's work to date, including single-screen works and installations.

John Wood and Paul Harrison

Yael Bartana

Galit Eilat

Videos & Photographs - Video's en Foto's ; [Stedelijk Van Abbemuseum, Eindhoven, Tentoonstelling 3 Kunstenaars, 18.2. - 30.4.2006]

Charles Esche

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