Charles Peguy

Translated by David L. Schindler, JrIn what is one of the greatest Catholic poetic works of our century, Péguy offers a comprehensive theology ordered around the often-neglected second virtue which is incarnated inhis celebrated image of the little girl Hope'.

The Portal of the Mystery of Hope

Charles Peguy (1873-1914) letterato di talento, socialista, si convertì al cattolicesimo nel 1907, ma per la sua intransigenza non fu mai accettato completamente da nessuna delle due comunità. La sua opera più famosa, “I misteri di Giovanna d’Arco” si compone di quattro diverse opere, uscite in tempi diversi, opere in prosa e in versi sciolti, che per il linguaggio moderno, ripetizioni quasi ipnotiche e per il contenuto profondamente religioso, assolutamente non banale, sono estremamente suggestive e interessanti, in ordine: “Il mistero della carità di Giovanna d’Arco”, “Il portico del mistero della seconda virtù”, “Il mistero dei santi innocenti”, “Il mistero della vocazione di Giovanna d’Arco”, queste ultime due postume. “Il portico del mistero della seconda virtù” è un lungo poema ad una sola voce, quella di Madame Gervaise, che spiega alla giovane Giovanna d’Arco la forza e la singolarità della virtù della Speranza.

Il portico del mistero della seconda virtù

Charles Péguy (1873–1914) was a French religious poet, philosophical essayist, publisher, social activist, Dreyfusard, and Catholic convert. There has recently been a renewed recognition of Péguy in France as a thinker of unique significance, a reconsideration inspired in large part by Gilles Deleuze’s Différence et répétition, which ranked him with Nietzsche and Kierkegaard. In the English-speaking world, however, access to Péguy has been hindered by a scarcity of translations of his work. This first complete translation of one of his most important prose works, with accompanying interpretive introduction and notes, will introduce English-speaking readers to a new voice, which speaks in a powerful and original way to a modern West in a condition of cultural and spiritual crisis. The immediate circumstance of the writing of this last prose essay, unfinished at the time of Péguy’s early death, was the placing of Henri Bergson’s philosophical works on the Catholic Index, and Péguy’s undertaking to defend his former teacher from his critics, both Catholic and secular. But the subject of Bergson is also a springboard for the exploration of the perennial themes—philosophical, theological, and literary—most central to Péguy’s thought.

Charles Peguy

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