Charlie English

"This is a tragedy that begins in the halls of psychiatry and modern art and ends in the Nazis' first gas chambers. In the early 1920s, Hans Prinzhorn, a psychiatrist and aesthete, sought insight from the art of mental patients such as Franz Buhler. Buhler was a brilliant, well-known ironworker until his schizophrenia diagnosis, and his work was compared to that of Munch and Duhrer. Prinzhorn collected and published their work, inspiring the Modernist movement that was coming into fashion just as a young Adolf Hitler arrived in Vienna to begin his brief, failed career as a painter. Hitler was alienated by the Modernists and what he called their "degenerate" art that expressed the most primal human emotions. He saw it as a disease in the body politic and set out to crush it with the infamous "Degenerate Art" exhibition Goebbels and Hitler engineered in 1938, that mocked the work of mental patients and Modernists. The cultural cleansing was a precursor to the racial cleansing and Prinzhorns's patient artists would be caught up in both. Hitler developed the first gas chambers as a way to dispose of 70,273 patients, including Franz Buhler. In The Gallery of Miracles and Madness, the Nazis' cultural destruction, which would rightly be considered among the lesser sins of the Reich, puts the horror of the Holocaust into relief. The cultural decimation--the burning of books and artwork--was a stepping stone to the more overt horrors of the Holocaust. By equating artistic expression with sickness, Hitler made the case to the German people that they could not be made whole until those spreading this sickness were destroyed. Showing us the way Hitler's most profound personal insecurities fan the flames of nationalism and unfolding the transition from Weimar life to Nazi life from less familiar points of view--the ward of a psychiatric hospital, the contents of a museum--English poses profound questions about what is really at stake in cultural objects and offers us a fresh look at the brutality of the Nazi regime"--

Insanity, Modernism, and Hitler's War on Art

The Gallery of Miracles and Madness

'An exemplary work of investigative journalism that is also a wonderfully colourful book of history and travel' Observer, Books of the Year 'A piece of postmodern historiography of quite extraordinary sophistication and ingenuity... [written with] exceptional delicacy and restraint' TLS The fabled city of Timbuktu has captured the Western imagination for centuries. The search for this 'African El Dorado' cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been a centre of learning since medieval times. When jihadists invaded Mali in 2012 threatening destruction to Timbuktu's libraries, a remarkable thing happened. A team of librarians and archivists joined forces to spirit the precious manuscripts into hiding. Based on new research and first-hand reporting, Charlie English expertly tells this story set in one of the world's most fascinating places, and the myths from which it has become inseparable.

The Quest for This Storied City and the Race to Save Its Treasures

The Book Smugglers of Timbuktu

The CIA Book Club 

a search for the world's purest, deepest snowfall

The snow tourist

“An intriguing and little-known Cold War moment” (The Observer): the astonishing true story of the CIA’s secret program to smuggle millions of books through the Iron Curtain “A fascinating account of a world-changing covert operation and a first-rate contribution to the history of the CIA.”—Tim Weiner, Pulitzer Prize–winning journalist and author of Legacy of Ashes For nearly five decades after the Second World War, the Iron Curtain divided Europe, forming the longest and most heavily guarded border on earth. No physical combat would take place along this frontier: the risk of nuclear annihilation was too high for that. Instead, the war was fought psychologically. It was a battle for hearts, minds, and intellects. Few understood this more clearly than George Minden, head of a covert intelligence operation known as the “CIA book program,” which aimed to undermine Soviet censorship and inspire revolt by offering different visions of thought and culture. From its Manhattan headquarters, Minden’s “book club” secretly sent ten million banned titles into the East. Volumes were smuggled aboard trucks and yachts, dropped from balloons, hidden aboard trains, and stowed in travelers’ luggage. Nowhere were the books welcomed more warmly than in Poland, where the texts would circulate covertly among circles of like-minded readers, quietly making the case against Soviet communism. Such was the demand for Minden’s books that dissidents began to reproduce these works in the underground. By the late 1980s, illicit literature was so pervasive in Poland that censorship broke down: the Iron Curtain soon followed. Charlie English narrates this tale of Cold War spycraft, smuggling, and secret printing operations for the first time, highlighting the work of a handful of extraordinary people who fought for intellectual freedom—people like Mirosław Chojecki, who suffered beatings, imprisonment, and exile in pursuit of his clandestine mission. The CIA Book Club is a story about the power of the printed word as a means of resistance and liberation. Books, it shows, can set you free.

The Secret Mission to Win the Cold War with Forbidden Literature

The CIA Book Club

In this unique book, part eulogy, part history, part travelogue, Charlie English goes in search of the best snow on the planet. Along the way he explains the extraordinary hold this commonplace phenomenon has over us, and reveals the ongoing drama of our relationship with it. Combining on-the-slopes experience with off-piste research, Charlie English's journey begins with the magical moment when his two-year-old son sees snow for the first time, before setting off in the footsteps of the Romantic poets over the Alps, following the sled-tracks of the Inuit across Greenland, and meeting up with a flurry of fellow enthusiasts, from snow-making scientists in Japan and global warming experts in California to plough drivers in Alaska.This is a book for anyone who reaches for their mittens at the sight of the first flake.

The Snow Tourist

Schnee übt eine seltsame Faszination aus. Er steht für Schönheit und Reinheit, weckt Kindheitserinnerungen, bietet jede Menge Spaß, aber er wird auch mit Einsamkeit und Tod assoziiert. Der Journalist Charlie English, besessener Fan der weißen Flocken, erkundet den Schnee der Welt. Er reist an die entlegensten Orte: Auf Baffin Island lernt er, ein Iglu zu bauen, er folgt den Spuren der Romantiker in den Alpen, besucht die gefährlichsten Lawinentäler und gerät auf der Haute Route in der Schweiz an seine Grenzen.

Das Buch vom Schnee

“Timbuktu is a real place, and Charlie English will fuel your wanderlust with true descriptions of the fabled city’s past, present, and future.” –Fodor’s Two tales of a city: The historical race to “discover” one of the world’s most mythologized places, and the story of how a contemporary band of archivists and librarians, fighting to save its ancient manuscripts from destruction at the hands of al Qaeda, added another layer to the legend. To Westerners, the name “Timbuktu” long conjured a tantalizing paradise, an African El Dorado where even the slaves wore gold. Beginning in the late eighteenth century, a series of explorers gripped by the fever for “discovery” tried repeatedly to reach the fabled city. But one expedition after another went disastrously awry, succumbing to attack, the climate, and disease. Timbuktu was rich in another way too. A medieval center of learning, it was home to tens of thousands—according to some, hundreds of thousands—of ancient manuscripts, on subjects ranging from religion to poetry, law to history, pharmacology, and astronomy. When al-Qaeda–linked jihadists surged across Mali in 2012, threatening the existence of these precious documents, a remarkable thing happened: a team of librarians and archivists joined forces to spirit the manuscripts into hiding. Relying on extensive research and firsthand reporting, Charlie English expertly twines these two suspenseful strands into a fraught and fascinating account of one of the planet's extraordinary places, and the myths from which it has become inseparable.

The Quest for Timbuktu and the Fantastic Mission to Save Its Past

The Storied City

‘A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler’s war on modern art and the mentally ill.

The Gallery of Miracles and Madness: Insanity, Art and Hitler’s first Mass-Murder Programme

‘An exemplary work of investigative journalism that is also a wonderfully colourful book of history and travel’ Observer, Books of the Year ‘A piece of postmodern historiography of quite extraordinary sophistication and ingenuity... [written with] exceptional delicacy and restraint’ TLS

Charlie English

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